Color | 3927 Titles
The Dam Keeper (2014)
Joanna (2013)
Directed by | Aneta Kopacz | Cinematography by | Lukasz Zal | Editing by | Aneta Kopacz, Pawel Laskowski, Rafal Samborski
Boogaloo and Graham (2014)
The Bigger Picture (2014)
Crisis Hotline: Veterans Press 1 (2013)
Directed by | Ellen Goosenberg Kent | Cinematography by | Tony Hardmon | Editing by | Geof Bartz, Gladys Murphy
Parvaneh (2012)
Relatos salvajes (2014)
Directed by | Damián Szifron | Cinematography by | Javier Julia | Editing by | Pablo Barbieri Carrera, Damián Szifron
Leviathan (2014)
Directed by | Andrey Zvyagintsev | Cinematography by | Mikhail Krichman | Editing by | Anna Mass
Cameras | ARRIFLEX Camera
Lenses | Zeiss Master Prime Lenses
Finding Vivian Maier (2013)
Directed by | John Maloof, Charlie Siskel | Cinematography by | John Maloof | Editing by | Aaron Wickenden
Cameras | Canon EOS Rebel T2i Camera
L’ex de ma vie (2014)
Directed by | Dorothée Sebbagh | Cinematography by | Gilles Porte | Editing by | Laurent Rouan
Cameras | Red Epic Camera
Lenses | Angenieux HR 25-250 mm T3.5 Lens, Angenieux HR Zoom Lenses, Panavision G Series Anamorphic Lenses
La ritournelle (2014)
Directed by | Marc Fitoussi | Cinematography by | Agnès Godard | Editing by | Laure Gardette
Cameras | Red Epic Camera
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Kowa Cine Prominar Spherical Lenses, Zeiss Super Speed Lenses
Deux jours, une nuit (2014)
Directed by | Jean-Pierre Dardenne, Luc Dardenne | Cinematography by | Alain Marcoen | Editing by | Marie-Hélène Dozo
Cameras | ARRI ALEXA M Camera
Kingsman: The Secret Service (2014)
Directed by | Matthew Vaughn | Cinematography by | George Richmond | Editing by | Eddie Hamilton, Jon Harris
If I Stay (2014)
Directed by | R.J. Cutler | Cinematography by | John de Borman | Editing by | Keith Henderson
Cameras | ARRI ALEXA Plus 4:3 Camera, Canon EOS-C500 Camera
Tusk (2014)
Directed by | Kevin Smith | Cinematography by | James Laxton | Editing by | Kevin Smith
Cameras | ARRI ALEXA Camera, Red Epic Camera
Good Kill (2014)
I Origins (2014)
Directed by | Mike Cahill | Cinematography by | Markus Förderer | Editing by | Mike Cahill
Cameras | Red Epic Camera
Dumb and Dumber To (2014)
Directed by | Bobby Farrelly, Peter Farrelly | Cinematography by | Matthew F. Leonetti | Editing by | Steven Rasch
Cameras | ARRI ALEXA Camera
Paddington (2014)
Directed by | Paul King | Cinematography by | Erik Wilson | Editing by | Mark Everson
Cameras | ARRI ALEXA Studio Camera, ARRI ALEXA XT Camera
Lenses | Cooke S4 Lenses




























































