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Panavision Panaflex Platinum Camera | 361 Titles

Panavision Panaflex Platinum Camera 3.75/5 16 Votes

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Pineapple Express (2008)

Motion Picture | 2D | Color, Black and White | 2.35:1, 2.40:1 | 111 Minutes

Pineapple Express | ShotOnWhat?

Directed by | David Gordon Green | Cinematography by | Tim Orr | Editing by | Craig Alpert

Starring | Seth Rogen, James Franco, Gary Cole, Danny McBride

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Identity (2003)

Motion Picture | 2D | Color | 2.39:1 | 90 Minutes

Identity | ShotOnWhat?

Directed by | James Mangold | Cinematography by | Phedon Papamichael | Editing by | David Brenner

Starring | John Cusack, Ray Liotta, Amanda Peet, John Hawkes

Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Gone Baby Gone (2007)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 114 Minutes

Directed by | Ben Affleck | Cinematography by | John Toll | Editing by | William Goldenberg

Starring | Morgan Freeman, Ed Harris, Casey Affleck, Michelle Monaghan

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Good Shepherd (2006)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 167 Minutes

Directed by | Robert De Niro | Cinematography by | Robert Richardson | Editing by | Tariq Anwar

Starring | Matt Damon, Angelina Jolie, Robert De Niro, Alec Baldwin

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII Lenses

The Broken (2008)

Motion Picture | 2D | Color | 2.40:1 | 93 Minutes

The Broken | ShotOnWhat?

Directed by | Sean Ellis | Cinematography by | Angus Hudson | Editing by | Scott Thomas

Starring | Lena Headey, Ulrich Thomsen, Melvil Poupaud, Michelle Duncan

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Cold Mountain (2003)

Motion Picture | 2D | Color | 2.39:1 | 154 Minutes

Directed by | Anthony Minghella | Cinematography by | John Seale | Editing by | Walter Murch

Starring | Jude Law, Nicole Kidman, Renée Zellweger, Eileen Atkins

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

L.A. Confidential (1997)

Motion Picture | 2D | Color | 2.39:1 | 138 Minutes

Directed by | Curtis Hanson | Cinematography by | Dante Spinotti | Editing by | Peter Honess

Starring | Kevin Spacey, Russell Crowe, Guy Pearce, Kim Basinger

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Dreamer: Inspired by a True Story (2005)

Motion Picture | Color | 2.35:1 | 106 Minutes

Dreamer: Inspired by a True Story | ShotOnWhat?

Directed by | John Gatins | Cinematography by | Fred Murphy | Editing by | David Rosenbloom

Starring | Kurt Russell, Dakota Fanning, Oded Fehr, Kris Kristofferson

Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

The Ghost and the Darkness (1996)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

The Ghost and the Darkness | ShotOnWhat?

Directed by | Stephen Hopkins | Cinematography by | Vilmos Zsigmond | Editing by | Roger Bondelli, Robert Brown, Steve Mirkovich, Bert Lovitt

Starring | Michael Douglas, Val Kilmer, Tom Wilkinson, John Kani

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Kill Bill: Vol. 2 (2004)

Motion Picture | 2D | 2K Project | Black & White, Color | 1.33:1 (4x3), 2.39:1 | 137 Minutes

Directed by | Quentin Tarantino | Cinematography by | Robert Richardson | Editing by | Sally Menke

Starring | Uma Thurman, David Carradine, Michael Madsen, Daryl Hannah

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

A Guide to Recognizing Your Saints (2006)

Motion Picture | 2D | Color | 1.85:1 | 100 Minutes

Directed by | Dito Montiel | Cinematography by | Eric Gautier | Editing by | Jake Pushinsky, Christopher Tellefsen

Starring | Robert Downey Jr., Rosario Dawson, Shia LaBeouf, Dianne Wiest

Cameras | Aaton 35-III Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

My Sister’s Keeper (2009)

Motion Picture | 2D | Color | 2.39:1 | 109 Minutes

My Sister’s Keeper | ShotOnWhat?

Directed by | Nick Cassavetes | Cinematography by | Caleb Deschanel | Editing by | Jim Flynn, Alan Heim

Starring | Cameron Diaz, Abigail Breslin, Alec Baldwin, Walter Raney

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

American Beauty (1999)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 122 Minutes

Directed by | Sam Mendes | Cinematography by | Conrad L. Hall | Editing by | Tariq Anwar, Christopher Greenbury

Starring | Kevin Spacey, Annette Bening, Thora Birch, Wes Bentley

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Once Upon a Time in China III (1992)

Motion Picture | 2D | Color | 2.39:1 | 109 Minutes

Once Upon a Time in China III | ShotOnWhat?

Directed by | Hark Tsui | Cinematography by | Andrew Lau Wai-Keung | Editing by | Angie Lam, Marco Mak

Starring | Jet Li, Rosamund Kwan, Siu Chung Mok, Xin Xin Xiong

Cameras | Panavision Panaflex Platinum Camera, Panavision Panastar II Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Fan (1996)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

Directed by | Tony Scott | Cinematography by | Dariusz Wolski | Editing by | Claire Simpson, Christian Wagner

Starring | Robert De Niro, Wesley Snipes, Ellen Barkin, John Leguizamo

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Cowboys & Aliens (2011)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 119 Minutes

Directed by | Jon Favreau | Cinematography by | Matthew Libatique | Editing by | Dan Lebental, Jim May

Starring | Daniel Craig, Harrison Ford, Olivia Wilde, Abigail Spencer

Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Letters from Iwo Jima (2006)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 141 Minutes

Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox, Gary Roach

Starring | Ken Watanabe, Kazunari Ninomiya, Tsuyoshi Ihara, Ryo Kase

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HVR-Z1U Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Playing by Heart (1998)

Motion Picture | 2D | Color | 2.39:1 | 121 Minutes

Directed by | Willard Carroll | Cinematography by | Vilmos Zsigmond | Editing by | Pietro Scalia

Starring | Gillian Anderson, Ellen Burstyn, Sean Connery, Anthony Edwards

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses

The Score (2001)

Motion Picture | 2D | Color | 2.39:1 | 124 Minutes

The Score | ShotOnWhat?

Directed by | Frank Oz | Cinematography by | Rob Hahn | Editing by | Richard Pearson

Starring | Robert De Niro, Edward Norton, Marlon Brando, Angela Bassett

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Loss of a Teardrop Diamond (2008)

Motion Picture | 2D | Color | 2.39:1 | 102 Minutes

Directed by | Jodie Markell | Cinematography by | Giles Nuttgens | Editing by | Susan E. Morse, Jeremy Workman

Starring | Bryce Dallas Howard, Chris Evans, Will Patton, Ann-Margret

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision E Series Anamorphic Lenses

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