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ARRI ALEXA Series Cameras | 910 Titles

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American Fiction (2023)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | Cord Jefferson | Cinematography by | Cristina Dunlap | Editing by | Hilda Rasula

Starring | Jeffrey Wright, Tracee Ellis Ross, John Ortiz

Cameras | ARRI ALEXA Mini LF Camera

Lenses | Tribe7 Blackwing7 Lenses

All Quiet on the Western Front (2022)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 148 Minutes

Directed by | Edward Berger | Cinematography by | James Friend | Editing by | Sven Budelmann

Starring | Felix Kammerer, Albrecht Schuch, Aaron Hilmer

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini LF Camera, Red Monstro 8K Camera, Sony CineAlta VENICE Camera

Lenses | ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Tribe7 Blackwing7 Lenses, Zeiss Compact Prime CP.3 Lenses

Io Capitano (2023)

Motion Picture | 2D | Color | 1.85:1 | 121 Minutes

Directed by | Matteo Garrone | Cinematography by | Paolo Carnera | Editing by | Marco Spoletini

Starring | Seydou Sarr, Moustapha Fall, Issaka Sawadogo

Cameras | ARRI ALEXA Mini LF Camera

Lenses | ARRI Signature Prime Lenses

Indiana Jones and the Dial of Destiny (2023)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 154 Minutes

Directed by | James Mangold | Cinematography by | Phedon Papamichael | Editing by | Andrew Buckland, Michael McCusker, Dirk Westervelt

Starring | Harrison Ford, Phoebe Waller-Bridge, Antonio Banderas

Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Castle (2009)

Television Series | 2D | Color | 1.78:1 (16x9) | 43 Minutes

| Cinematography by | Bill Roe, Daryn Okada, James L. Carter, Stephen Collins, Dave Perkal, Steve Mason, Roger Simonsz, Michael Slovis | Editing by | Warren Bowman, David Latham, Marta Evry, Orlando Machado Jr., Neil Felder, Dennis Virkler, Edward A. Warschilka, Sue Blainey, Amy McGrath, Jeff Freeman, Mark Manos, Jack Colwell, John Axness, Philip Fowler, Byron Smith

Starring | Nathan Fillion, Stana Katic, Susan Sullivan, Jon Huertas

Cameras | ARRI ALEXA Studio Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Gemini Man (2019)

Motion Picture | 2D, 3D | 4K Project | Color | 1.85:1 | 117 Minutes

Directed by | Ang Lee | Cinematography by | Dion Beebe | Editing by | Tim Squyres

Starring | Mary Elizabeth Winstead, Will Smith, Clive Owen, Douglas Hodge

Cameras | ARRI ALEXA XT M Camera, Phantom Flex4K Camera

Lenses | Leitz Summilux-C Series Lenses

The Revenant (2015)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 156 Minutes

Directed by | Alejandro G. Iñárritu | Cinematography by | Emmanuel Lubezki | Editing by | Stephen Mirrione

Starring | Leonardo DiCaprio, Tom Hardy, Will Poulter

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, Red Epic Dragon Camera

Lenses | Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses

The Color Purple (2023)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 141 Minutes

Directed by | Blitz Bazawule | Cinematography by | Dan Laustsen | Editing by | Jon Poll

Starring | Fantasia Barrino, Taraji P. Henson, Danielle Brooks

Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses | ARRI Signature Prime Lenses

Eileen (2023)

Motion Picture | 2D | Color | 1.66:1 | 97 Minutes

Directed by | William Oldroyd | Cinematography by | Ari Wegner | Editing by | Nick Emerson

Starring | Thomasin McKenzie, Shea Whigham, Sam Nivola

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Bausch & Lomb Super Baltar Lenses

Kandahar (2023)

Motion Picture | 2D | Color | 119 Minutes

Directed by | Ric Roman Waugh | Cinematography by | MacGregor | Editing by | Colby Parker Jr.

Starring | Tom Rhys Harries, Farhad Bagheri, Gerard Butler

Cameras | ARRI ALEXA Mini LF Camera, Sony ILME-FX3 Camera, Sony ILME-FX6 Camera

Lenses | Panavision E Series Anamorphic Lenses, Vazen Lenses

Big Bug (2022)

Motion Picture | 2D | 4K Project | Color | 111 Minutes

Directed by | Jean-Pierre Jeunet | Cinematography by | Thomas Hardmeier | Editing by | Hervé Schneid

Starring | Isabelle Nanty, Elsa Zylberstein, Claude Perron

Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses | ARRI Signature Prime Lenses

Rustin (2023)

Motion Picture | 2D | Color | 2.39:1 | 106 Minutes

Directed by | George C. Wolfe | Cinematography by | Tobias A. Schliessler | Editing by | Andrew Mondshein

Starring | Colman Domingo, Chris Rock, Glynn Turman

Cameras | ARRI ALEXA Mini LF Camera

Lenses | ARRI Rental DNA LF Lenses

The Handmaiden (2016)

Television Series | 2D | 2K Project | Color | 145 Minutes

Directed by | Park Chan-wook | Cinematography by | Chung-hoon Chung | Editing by | Kim Jae-bum, Kim Sang-beom

Starring | Kim Min-hee, Ha Jung-woo, Cho Jin-woong

Cameras | ARRI ALEXA XT Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Vintage ´74

Land of Bad (2024)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

Directed by | William Eubank | Cinematography by | Agustin Claramunt | Editing by | Todd E. Miller

Starring | Russell Crowe, Milo Ventimiglia, Liam Hemsworth

Cameras | ARRI ALEXA Mini LF Camera

Lenses | Panavision Primo 70 Lenses

Episodes (2011)

Television Series | 2D | 2K Project | Color | 1.78:1 (16x9) | 30 Minutes

| Cinematography by | Rob Kitzmann | Editing by | Nigel Williams, Gary Evans

Starring | Matt LeBlanc, Stephen Mangan, Tamsin Greig

Cameras | ARRI ALEXA Camera

PEN15 (2019)

Television Series | 2D | Color | 1.78:1 (16x9) | 30 Minutes

| Cinematography by | Andy Rydzewski, Adam Silver, Bella Gonzales | Editing by | Taichi Erskine, Matt McBrayer, Amelia Allwarden, John Daigle, Michael Scotti Jr.

Starring | Maya Erskine, Anna Konkle, Melora Walters

Cameras | ARRI ALEXA Mini Camera

Lenses | Cooke S4 Lenses, Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Zeiss Super Speeds Mk II Lenses, Zeiss Ultra Prime Lenses

Guardians of the Galaxy (2014)

Motion Picture | 2D, 3D | 2K Project | Color | 1.90:1, 2.39:1 | 121 Minutes

Directed by | James Gunn | Cinematography by | Ben Davis | Editing by | Fred Raskin, Hughes Winborne, Craig Wood

Starring | Chris Pratt, Vin Diesel, Bradley Cooper, Zoe Saldaña

Cameras | ARRI ALEXA XT Plus Camera, Phantom Flex Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL24-MS 24 mm T1.7 Lens, Panavision SL27 27 mm T1.9 Lens

Law & Order (1990)

Television Series | 2D | Color | 1.33:1 (4x3), 1.78:1 (16x9) | 45 Minutes

| Cinematography by | Constantine Makris, William Klayer, John Beymer, David S. Tuttman, Christopher Misiano, Richard Dobbs, Manuel Billeter, Ernest R. Dickerson, John Thomas, Peter Reniers, Michael F. Barrow, Craig DiBona, Geoffrey Erb, Alec Hirschfeld | Editing by | Michael Schweitzer, Chris Brookshire, Neil Felder, David Post, Monty DeGraff, Toni Morgan, Michael Kewley, Billy Fox, David Siegel, Mark Newman, Leon Ortiz-Gil, Drake Silliman, Randy Jon Morgan, Kevin Krasny, Laurie Grotstein, Micky Blythe, Kurt Courtland, Michael D. Ornstein, Scott Vickrey, Leslie Gaulin, Janice Hampton, Philip Carr Neel, Arthur W. Forney, Devon Greene, Douglas Ibold, Jim Stewart, Edward R. Abroms, Adam Wolfe, Eric A. Sears, John Refoua, John A. Keris

Starring | Jerry Orbach, Jesse L. Martin, Dennis Farina

Cameras | ARRI ALEXA Camera, Panavision Cameras, Panavision Panaflex Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Zeiss Ultra Prime Lenses

Under the Silver Lake (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 139 Minutes

Directed by | David Robert Mitchell | Cinematography by | Mike Gioulakis | Editing by | Julio C. Perez IV

Starring | Andrew Garfield, Riley Keough, Topher Grace

Cameras | ARRI ALEXA Mini Camera

Lenses | Cooke S4/i Lenses

All I See Is You (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 109 Minutes

Directed by | Marc Forster | Cinematography by | Matthias Koenigswieser | Editing by | Hughes Winborne

Starring | Blake Lively, Jason Clarke, Ahna O'Reilly

Cameras | ARRI ALEXA XT Camera

Lenses | Panavision G Series Anamorphic Lenses

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