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Technocrane | 49 Titles

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The Brazen Bull (2010)

Direct to Video | 2D | Color | 2.39:1 | 85 Minutes

Directed by | Douglas Elford-Argent | Cinematography by | Jayson Crothers | Editing by | Wendy Elford-Argent

Starring | Michael Madsen, Rachel Hunter, Jennifer Tisdale, David Fletcher

Cameras | Red One Camera

Never Let Me Go (2010)

Motion Picture | 2D | Color | 103 Minutes

Directed by | Mark Romanek | Cinematography by | Adam Kimmel | Editing by | Barney Pilling

Starring | Keira Knightley, Carey Mulligan, Andrew Garfield, Izzy Meikle-Small

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | ARRI / Zeiss Master Anamorphic Lenses, Cooke S4 Lenses, Cooke Speed Panchro Lenses, Zeiss Super Speed Lenses

Panic Room (2002)

Motion Picture | 2D | Color | 2.39:1 | 112 Minutes

Directed by | David Fincher | Cinematography by | Conrad W. Hall, Darius Khondji | Editing by | James Haygood, Angus Wall

Starring | Jodie Foster, Kristen Stewart, Forest Whitaker, Dwight Yoakam

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Leap Year (2010)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | Anand Tucker | Cinematography by | Newton Thomas Sigel | Editing by | Nick Moore

Starring | Amy Adams, Matthew Goode, Adam Scott, John Lithgow

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision G Series Anamorphic Lenses

The Adjustment Bureau (2011)

Motion Picture | 2D | Color | 1.85:1 | 106 Minutes

Directed by | George Nolfi | Cinematography by | John Toll | Editing by | Jay Rabinowitz

Starring | Matt Damon, Emily Blunt, Lisa Thoreson, Florence Kastriner

Cameras | Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

Kick-Ass (2010)

Motion Picture | 2D | Color | 2.35:1, 2.40:1 | 117 Minutes

Kick-Ass | ShotOnWhat?

Directed by | Matthew Vaughn | Cinematography by | Ben Davis | Editing by | Eddie Hamilton, Jon Harris, Pietro Scalia

Starring | Aaron Taylor-Johnson, Nicolas Cage, Chloë Grace Moretz, Garrett M. Brown

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision G Series Anamorphic Lenses

Salt (2010)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 100 Minutes

Directed by | Phillip Noyce | Cinematography by | Robert Elswit | Editing by | Stuart Baird, John Gilroy

Starring | Angelina Jolie, Liev Schreiber, Chiwetel Ejiofor, Daniel Olbrychski

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision 70-210 mm T2.8 (Custom by Dan Sasaki) Lens, Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII 24 mm T1.3 Lens, Panavision Ultra Speed MKII Lenses

The Maiden Heist (2009)

Motion Picture | 2D | Color | 2.35:1 | 90 Minutes

Directed by | Peter Hewitt | Cinematography by | Ueli Steiger | Editing by | Carole Kravetz Aykanian

Starring | Christopher Walken, Joseph McKenna, Wynn Everett, Patricia B. Till

Cameras | Moviecam Compact MK2 Camera, Moviecam Superlight Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Donnie Darko (2001)

Motion Picture | 2D | Color | 2.39:1 | 113 Minutes

Directed by | Richard Kelly | Cinematography by | Steven Poster | Editing by | Sam Bauer, Eric Strand

Starring | Jake Gyllenhaal, Jena Malone, Mary McDonnell, Holmes Osborne

Cameras | Panavision Panaflex Millennium Camera

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