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How the Grinch Stole Christmas (2000)

Motion Picture | 2D | Color | 1.85:1 | 104 Minutes

Directed by | Ron Howard | Cinematography by | Donald Peterman | Editing by | Daniel P. Hanley, Mike Hill

Starring | Jim Carrey, Taylor Momsen, Kelley, Jeffrey Tambor

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision SL10 10 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL35-CF 35 mm T1.8 Lens

The Rock (1996)

Motion Picture | 2D | Color | 136 Minutes

Directed by | Michael Bay | Cinematography by | John Schwartzman | Editing by | Richard Francis-Bruce

Starring | Sean Connery, Nicolas Cage, Ed Harris, John Spencer

Cameras | Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Finding Carter (2014)

Television Series | 2D | Color | 1.78:1 (16x9) | 42 Minutes

| Cinematography by | Alison Kelly, Bradford Lipson, Karsten Gopinath | Editing by | Jim Towne, John Wesley Whitton, Tad Dennis, Brandon Lott, Tammis Chandler, Robin Katz, Evan Henke

Starring | Kathryn Prescott, Cynthia Watros, Anna Jacoby-Heron, Alex Saxon

Lenses | Leitz Summilux-C Series Lenses

Deliverance Creek (2014)

Television Movie | 2D | Color | 87 Minutes

Directed by | Jon Amiel | Cinematography by | Theo van de Sande | Editing by | Josh Beal

Starring | Lauren Ambrose, Wes Ramsey, Christopher Backus, Riley Smith

Cameras | ARRI ALEXA Camera

Gortimer Gibbon’s Life on Normal Street (2014)

Television Series | 2D | 4K Project | Color | 23 Minutes

| Cinematography by | Eduardo Enrique Mayén, Francisco Bulgarelli | Editing by | Cheryl Campsmith, Marcelo Sansevieri, Kevin Gasca

Starring | Sloane Morgan Siegel, Ashley Boettcher, Drew Justice, Robyn Lively

Cameras | Sony PMW-F55 Camera

Lenses | Cooke S4 Lenses

Think Like a Man Too (2014)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 106 Minutes

Directed by | Tim Story | Cinematography by | Christopher Duskin | Editing by | Peter S. Elliot

Starring | Kevin Hart, Gabrielle Union, Wendi McLendon-Covey, La La Anthony

Cameras | Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses | Panavision Super Speed Lenses

Ride Along 2 (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 102 Minutes

Directed by | Tim Story | Cinematography by | Mitchell Amundsen | Editing by | Peter S. Elliot

Starring | Ice Cube, Kevin Hart, Tika Sumpter, Benjamin Bratt

Cameras | Red Epic Dragon Camera

Lenses | Panavision Primo 70 Lenses

Term Life (2016)

Motion Picture | 2D | Color | 93 Minutes

Directed by | Peter Billingsley | Cinematography by | Roberto Schaefer | Editing by | Dan Lebental, Kevin Stermer

Starring | Vince Vaughn, Hailee Steinfeld, Bill Paxton, Jonathan Banks

Cameras | ARRI ALEXA Camera, Red Epic Dragon Camera

The Nice Guys (2016)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

Directed by | Shane Black | Cinematography by | Philippe Rousselot | Editing by | Joel Negron

Starring | Russell Crowe, Ryan Gosling, Angourie Rice, Matt Bomer

Cameras | ARRI ALEXA XT Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Brothers Grimsby (2016)

Motion Picture | 2D | Color | 2.39:1 | 83 Minutes

Directed by | Louis Leterrier | Cinematography by | Oliver Wood | Editing by | Jonathan Amos, Evan Henke, Debra Neil-Fisher, James Thomas

Starring | Sacha Baron Cohen, Mark Strong, Rebel Wilson, Freddie Crowder

Cameras | ARRI ALEXA XT Camera, Panasonic Lumix DMC-GH2 Camera

Jane Got a Gun (2015)

Motion Picture | 2D | Color | 2.39:1 | 98 Minutes

Directed by | Gavin O'Connor | Cinematography by | Mandy Walker | Editing by | Alan Cody

Starring | Natalie Portman, Joel Edgerton, Ewan McGregor, Rodrigo Santoro

Cameras | Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision B Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Neighbors 2: Sorority Rising (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 92 Minutes

Directed by | Nicholas Stoller | Cinematography by | Brandon Trost | Editing by | Zene Baker, Michael A. Webber

Starring | Seth Rogen, Rose Byrne, Zac Efron, Chloë Grace Moretz

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

Dirty Grandpa (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 102 Minutes

Directed by | Dan Mazer | Cinematography by | Eric Alan Edwards | Editing by | Anne McCabe

Starring | Robert De Niro, Zac Efron, Zoey Deutch, Aubrey Plaza

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Cooke S4 Lenses

Keanu (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 100 Minutes

Directed by | Peter Atencio | Cinematography by | Jas Shelton | Editing by | Nicholas Monsour

Starring | Keegan-Michael Key, Jordan Peele, Tiffany Haddish, Method Man

Cameras | ARRI ALEXA XT Plus Camera, ARRI ALEXA XT Studio Camera

Lenses | Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Lenses

Everybody Wants Some!! (2016)

Motion Picture | 2D | Color | 1.85:1 | 117 Minutes

Directed by | Richard Linklater | Cinematography by | Shane F. Kelly | Editing by | Sandra Adair

Starring | Blake Jenner, Tyler Hoechlin, Ryan Guzman, Zoey Deutch

Cameras | ARRI ALEXA Camera

The 5th Wave (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 112 Minutes

Directed by | J Blakeson | Cinematography by | Enrique Chediak | Editing by | Paul Rubell

Starring | Chloë Grace Moretz, Matthew Zuk, Gabriela Lopez, Bailey Anne Borders

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Vinyl (2016)

Television Series | 2D | Color | 1.78:1 (16x9) | 60 Minutes

| Cinematography by | Reed Morano, David Franco, Rodrigo Prieto | Editing by | Tim Streeto, Kate Sanford, David Tedeschi, Perri B. Frank, Eric Lorenz

Starring | Bobby Cannavale, Paul Ben-Victor, P.J. Byrne, Max Casella

Cameras | Sony PMW-F55 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Straight Outta Compton (2015)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 147 Minutes

Directed by | F. Gary Gray | Cinematography by | Matthew Libatique | Editing by | Billy Fox, Michael Tronick

Starring | O'Shea Jackson Jr., Corey Hawkins, Jason Mitchell, Neil Brown Jr.

Cameras | Red Epic Dragon Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Zoom Lenses, Cooke Anamorphic/i Prime Lenses, Fujinon Alura Lenses, Kowa Cine Prominar Spherical Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Super Speed Lenses

Joy (2015)

Motion Picture | 2D | Color | 1.85:1 | 124 Minutes

Directed by | David O. Russell | Cinematography by | Linus Sandgren | Editing by | Alan Baumgarten, Jay Cassidy, Tom Cross, Christopher Tellefsen

Starring | Jennifer Lawrence, Robert De Niro, Bradley Cooper, Edgar Ramírez

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Zeiss Ultra Prime Lenses

The Big Short (2015)

Motion Picture | 2D | Color | 2.39:1 | 130 Minutes

Directed by | Adam McKay | Cinematography by | Barry Ackroyd | Editing by | Hank Corwin

Starring | Christian Bale, Steve Carell, Ryan Gosling, Brad Pitt

Cameras | ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

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