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Spherical Camera Aperture  |  1212 Titles

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New Jack City   (1991)

  |    |  Color  |  ,   |  97 Minutes
Directed by | Mario Van Peebles | Cinematography by | Francis Kenny | Editing by | Steven Kemper
Cameras |

A Cry in the Wild   (1990)

  |    |  Color  |    |  82 Minutes

Hometown U.S.A.   (1979)

  |    |  Color  |    |  93 Minutes
Directed by | Max Baer Jr. | Cinematography by | Daniel Pearl | Editing by | Frank Morriss
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Are You Being Served?   (1977)

  |    |  Color  |    |  95 Minutes
Directed by | Bob Kellett | Cinematography by | Jack Atcheler | Editing by | Al Gell
Cameras |

Revenge of the Nerds   (1984)

  |    |  Color  |    |  90 Minutes
Directed by | Jeff Kanew | Cinematography by | King Baggot | Editing by | Alan Balsam
Cameras |

Holy Smoke   (1999)

  |    |  Color  |    |  115 Minutes

Laura Lansing Slept Here   (1988)

  |    |  Black and White, Color  |    |  100 Minutes
Directed by | George Schaefer | Cinematography by | Paul Lohmann | Editing by | Rod Stephens
Cameras |

Hao men ye yan   (1991)

  |    |    |    |  97 Minutes

The English Patient   (1996) oscar-icon

  |    |    |    |    |  162 Minutes

Evolution   (2001)

  |    |  Color  |    |  101 Minutes

Nadine   (1987)

  |    |    |    |  83 Minutes
Directed by | Robert Benton | Cinematography by | Néstor Almendros | Editing by | Sam O'Steen
Lenses |

Batman Forever   (1995)

  |    |  Color  |    |  121 Minutes

Deadly Blessing   (1981)

  |    |  Color  |    |  100 Minutes
Directed by | Wes Craven | Cinematography by | Robert C. Jessup | Editing by | Richard Bracken
Cameras |

Bad Company   (1972)

  |    |  Color  |    |  93 Minutes
Directed by | Robert Benton | Cinematography by | Gordon Willis | Editing by | Ron Kalish, Ralph Rosenblum
Cameras |

The Color of Money   (1986)

  |    |  Color  |    |  119 Minutes
Directed by | Martin Scorsese | Cinematography by | Michael Ballhaus | Editing by | Thelma Schoonmaker
Cameras |

Roswell   (1994)

  |    |  Color  |    |  91 Minutes
Directed by | Jeremy Kagan | Cinematography by | Steven Poster | Editing by | David Holden, Bill Yahraus
Cameras |

Second Sight   (1989)

  |    |  Color  |    |  83 Minutes
Directed by | Joel Zwick | Cinematography by | Dana Christiaansen | Editing by | David Ray
Cameras |

California Suite   (1978)

  |    |  Color  |    |  103 Minutes
Directed by | Herbert Ross | Cinematography by | David M. Walsh | Editing by | Michael A. Stevenson
Cameras |

Atlantic City   (1980)

  |    |    |    |  104 Minutes
Directed by | Louis Malle | Cinematography by | Richard Ciupka | Editing by | Suzanne Baron

Babe   (1995)

  |    |  Color  |    |  91 Minutes
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