Camera Aperture » Spherical Camera Aperture

Spherical Camera Aperture  |  1213 Titles

Spherical Camera Aperture 4.20/5 5 Votes

What’s the Worst That Could Happen?   (2001)

  |    |  Color  |    |  94 Minutes
Directed by | Sam Weisman | Cinematography by | Anastas N. Michos | Editing by | Garth Craven, Nick Moore
Cameras |

Raggedy Man   (1981)

  |    |  Color  |    |  94 Minutes
Directed by | Jack Fisk | Cinematography by | Ralf D. Bode | Editing by | Edward Warschilka
Cameras |

A Piece of the Action   (1977)

  |    |  Color  |    |  135 Minutes
Directed by | Sidney Poitier | Cinematography by | Donald M. Morgan | Editing by | Pembroke J. Herring
Cameras |

A Perfect Couple   (1979)

  |    |  Color  |    |  110 Minutes
Directed by | Robert Altman | Cinematography by | Edmond L. Koons | Editing by | Tony Lombardo
Cameras |

The Out-of-Towners   (1999)

  |    |  Color  |  90 Minutes
Directed by | Sam Weisman | Cinematography by | John Bailey | Editing by | Kent Beyda
Cameras |

Federal Hill   (1994)

  |    |  Black and White  |    |  97 Minutes

Regarding Henry   (1991)

  |    |  Color  |    |  108 Minutes
Directed by | Mike Nichols | Cinematography by | Giuseppe Rotunno | Editing by | Sam O'Steen
Cameras |

The Night We Never Met   (1993)

  |    |  Color  |    |  99 Minutes
Directed by | Warren Leight | Cinematography by | John Thomas | Editing by | Camilla Toniolo
Cameras |

Being There   (1979)

  |    |  Color  |    |  130 Minutes
Directed by | Hal Ashby | Cinematography by | Caleb Deschanel | Editing by | Don Zimmerman
Cameras |

Gorillas in the Mist   (1988)

  |    |  Color  |    |  129 Minutes
Directed by | Michael Apted | Cinematography by | John Seale | Editing by | Stuart Baird

Brainstorm   (1983)

  |    |    |    |  , ,   |  106 Minutes

In America   (2002)

  |    |    |    |  105 Minutes

Dark Wolf   (2003)

  |    |  Color  |    |  94 Minutes
Directed by | Richard Friedman | Cinematography by | Stuart Asbjornsen | Editing by | Julie Antepli
Cameras |

It’s Alive   (1974)

  |    |  Color  |    |  91 Minutes
Directed by | Larry Cohen | Cinematography by | Fenton Hamilton | Editing by | Peter Honess
Cameras |

The French Lieutenant’s Woman   (1981)

  |    |  Color  |    |  124 Minutes
Directed by | Karel Reisz | Cinematography by | Freddie Francis | Editing by | John Bloom
Cameras |

Wuthering Heights   (1992)

  |    |  Color  |    |  105 Minutes
Directed by | Peter Kosminsky | Cinematography by | Mike Southon | Editing by | Tony Lawson
Cameras |

V.I. Warshawski   (1991)

  |    |  Color  |    |  89 Minutes

A Real American Hero   (1978)

  |    |  Color  |    |  90 Minutes
Directed by | Lou Antonio | Cinematography by | Charles Correll | Editing by | Houseley Stevenson Jr.
Cameras |

Radio   (2003)

  |    |  Color  |    |  109 Minutes

Ernest Goes to Jail   (1990)

  |    |  Color  |    |  81 Minutes
Directed by | John R. Cherry III | Cinematography by | Peter Stein | Editing by | Sharyn L. Ross
Cameras |

Learn More