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Spherical Camera Aperture | 1217 Titles

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Batman Forever (1995)

Motion Picture | 2D | Color | 1.85:1 | 121 Minutes

Batman Forever | ShotOnWhat?

Directed by | Joel Schumacher | Cinematography by | Stephen Goldblatt | Editing by | Mark Stevens, Dennis Virkler

Starring | Val Kilmer, Tommy Lee Jones, Jim Carrey, Nicole Kidman

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Deadly Blessing (1981)

Motion Picture | 2D | Color | 1.85:1 | 100 Minutes

Deadly Blessing | ShotOnWhat?

Directed by | Wes Craven | Cinematography by | Robert C. Jessup | Editing by | Richard Bracken

Starring | Maren Jensen, Sharon Stone, Susan Buckner, Jeff East

Cameras | Panavision Cameras

Bad Company (1972)

Motion Picture | 2D | Color | 1.85:1 | 93 Minutes

Bad Company | ShotOnWhat?

Directed by | Robert Benton | Cinematography by | Gordon Willis | Editing by | Ron Kalish, Ralph Rosenblum

Starring | Jeff Bridges, Barry Brown, Jim Davis, David Huddleston

Cameras | Panavision Cameras

The Color of Money (1986)

Motion Picture | 2D | Color | 1.85:1 | 119 Minutes

The Color of Money | ShotOnWhat?

Directed by | Martin Scorsese | Cinematography by | Michael Ballhaus | Editing by | Thelma Schoonmaker

Starring | Paul Newman, Tom Cruise, Mary Elizabeth Mastrantonio, Helen Shaver

Cameras | ARRI Cameras

Roswell (1994)

Television Movie | 2D | Color | 1.33:1 (4x3) | 91 Minutes

Roswell | ShotOnWhat?

Directed by | Jeremy Kagan | Cinematography by | Steven Poster | Editing by | David Holden, Bill Yahraus

Starring | Kyle MacLachlan, Martin Sheen, Dwight Yoakam, Xander Berkeley

Cameras | Panavision Cameras

Second Sight (1989)

Motion Picture | 2D | Color | 1.85:1 | 83 Minutes

Second Sight | ShotOnWhat?

Directed by | Joel Zwick | Cinematography by | Dana Christiaansen | Editing by | David Ray

Starring | John Larroquette, Bronson Pinchot, Bess Armstrong, Stuart Pankin

Cameras | Panavision Cameras

California Suite (1978)

Motion Picture | 2D | Color | 1.85:1 | 103 Minutes

California Suite | ShotOnWhat?

Directed by | Herbert Ross | Cinematography by | David M. Walsh | Editing by | Michael A. Stevenson

Starring | Jane Fonda, Alan Alda, Maggie Smith, Michael Caine

Cameras | Panavision Cameras

Atlantic City (1980)

Motion Picture | 2D | Color | 1.85:1 | 104 Minutes

Directed by | Louis Malle | Cinematography by | Richard Ciupka | Editing by | Suzanne Baron

Starring | Burt Lancaster, Susan Sarandon, Kate Reid, Michel Piccoli

Cameras | Panavision Panaflex Camera

Lenses | Panavision Lenses

Babe (1995)

Motion Picture | 2D | Color | 1.85:1 | 91 Minutes

Babe | ShotOnWhat?

Directed by | Chris Noonan | Cinematography by | Andrew Lesnie | Editing by | Marcus D'Arcy, Jay Friedkin

Starring | James Cromwell, Magda Szubanski, Christine Cavanaugh, Miriam Margolyes

Cameras | Panavision Cameras

Boulevard Nights (1979)

Motion Picture | 2D | Color | 1.85:1 | 102 Minutes

Boulevard Nights | ShotOnWhat?

Directed by | Michael Pressman | Cinematography by | John Bailey | Editing by | Richard Halsey

Starring | Richard Yniguez, Danny De La Paz, Marta DuBois, James Victor

Cameras | Panavision Cameras

Fatso (1980)

Motion Picture | 2D | Color | 1.85:1 | 93 Minutes

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Fatso | ShotOnWhat?

Directed by | Anne Bancroft | Cinematography by | Brianne Murphy | Editing by | Glenn Farr

Starring | Dom DeLuise, Anne Bancroft, Ron Carey, Candice Azzara

Cameras | Panavision Cameras

Wired (1989)

Motion Picture | 2D | Color | 1.85:1 | 112 Minutes

Wired | ShotOnWhat?

Directed by | Larry Peerce | Cinematography by | Tony Imi | Editing by | Eric A. Sears

Starring | Michael Chiklis, Ray Sharkey, J.T. Walsh, Patti D'Arbanville

Cameras | Panavision Cameras

Corky Romano (2001)

Motion Picture | 2D | Color | 1.85:1 | 86 Minutes

Corky Romano | ShotOnWhat?

Directed by | Rob Pritts | Cinematography by | Steven Bernstein | Editing by | Alan Cody

Starring | Chris Kattan, Peter Falk, Vinessa Shaw, Peter Berg

Cameras | Panavision Cameras

Waitress (2007)

Motion Picture | 2D | Color | 1.85:1 | 108 Minutes

Waitress | ShotOnWhat?

Directed by | Adrienne Shelly | Cinematography by | Matthew Irving | Editing by | Annette Davey

Starring | Keri Russell, Nathan Fillion, Jeremy Sisto, Cheryl Hines

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision Primo Anamorphic Lenses

Prince of the City (1981)

Motion Picture | 2D | Color | 1.85:1 | 167 Minutes

Prince of the City | ShotOnWhat?

Directed by | Sidney Lumet | Cinematography by | Andrzej Bartkowiak | Editing by | Jack Fitzstephens

Starring | Treat Williams, Jerry Orbach, Richard Foronjy, Don Billett

Cameras | Panavision Cameras

Excalibur (1981)

Motion Picture | 2D | Color | 1.66:1, 1.85:1 | 140 Minutes

Excalibur | ShotOnWhat?

Directed by | John Boorman | Cinematography by | Alex Thomson | Editing by | John Merritt, Donn Cambern

Starring | Nigel Terry, Helen Mirren, Nicholas Clay, Cherie Lunghi

Cameras | ARRI Cameras, ARRIFLEX 35 BL3 Camera

Explorers (1985)

Motion Picture | 2D | Color | 1.85:1 | 109 Minutes

Explorers | ShotOnWhat?

Directed by | Joe Dante | Cinematography by | John Hora | Editing by | Tina Hirsch

Starring | Ethan Hawke, River Phoenix, Jason Presson, Bradley Gregg

Cameras | Panavision Cameras

Unrest (2006)

Motion Picture | 2D | Color | 1.85:1 | 88 Minutes

Unrest | ShotOnWhat?

Directed by | Jason Todd Ipson | Cinematography by | Michael Fimognari | Editing by | Mike Saenz

Starring | Corri English, Scot Davis, Joshua Alba, Marisa Petroro

Cameras | Panavision Cameras

Cobra (1986)

Motion Picture | 2D | Color | 1.85:1 | 87 Minutes

Cobra | ShotOnWhat?

Directed by | George P. Cosmatos | Cinematography by | Ric Waite | Editing by | James R. Symons, Don Zimmerman

Starring | Sylvester Stallone, Brigitte Nielsen, Reni Santoni, Andrew Robinson

Cameras | Panavision Cameras

Pacific Heights (1990)

Motion Picture | 2D | Color | 1.85:1 | 102 Minutes

Pacific Heights | ShotOnWhat?

Directed by | John Schlesinger | Cinematography by | Amir Mokri | Editing by | Steven Ramirez, Mark Warner

Starring | Melanie Griffith, Matthew Modine, Michael Keaton, Mako

Cameras | ARRI Cameras

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