Camera Aperture » Spherical Camera Aperture

Spherical Camera Aperture  |  1217 Titles

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The Frisco Kid   (1979)

  |    |  Color  |    |  119 Minutes

Beaches   (1988)

  |    |  Color  |    |  123 Minutes
Directed by | Garry Marshall | Cinematography by | Dante Spinotti | Editing by | Richard Halsey
Cameras |

I Witness   (2003)

  |    |  Color  |    |  95 Minutes

Wide Awake   (1998)

  |    |  Color  |    |  88 Minutes
Directed by | M. Night Shyamalan | Cinematography by | Adam Holender | Editing by | Andrew Mondshein
Cameras |

Where the Hell’s That Gold?!!?   (1988)

  |    |  Color  |    |  91 Minutes
Directed by | Burt Kennedy | Cinematography by | John Elsenbach | Editing by | Warner E. Leighton
Cameras |

Little Nicky   (2000)

  |    |  Color  |    |  90 Minutes
Directed by | Steven Brill | Cinematography by | Theo van de Sande | Editing by | Jeff Gourson
Cameras |

Duel   (1971)

  |    |  Color  |  ,   |  90 Minutes

The Long Riders   (1980)

  |    |  Color  |    |  100 Minutes
Directed by | Walter Hill | Cinematography by | Ric Waite | Editing by | Freeman A. Davies, David Holden
Cameras |

Sleeper   (1973)

  |    |  Color  |    |  89 Minutes
Directed by | Woody Allen | Cinematography by | David M. Walsh | Editing by | O. Nicholas Brown, Ron Kalish, Ralph Rosenblum
Cameras |

Erin Brockovich   (2000)

  |    |    |    |  131 Minutes
Directed by | Steven Soderbergh | Cinematography by | Edward Lachman | Editing by | Anne V. Coates
Lenses |

Android   (1982)

  |    |  Color  |    |  80 Minutes
Directed by | Aaron Lipstadt | Cinematography by | Tim Suhrstedt | Editing by | Andy Horvitch
Cameras |

New Best Friend   (2002)

  |    |  Color  |    |  91 Minutes

El padrino   (2004)

  |    |  Color  |    |  128 Minutes
Directed by | Damian Chapa | Cinematography by | Pierre Chemaly | Editing by | Glenn Garland
Cameras |

The Best Intentions   (1992)

  |    |  Color  |  182 Minutes
Directed by | Bille August | Cinematography by | Jörgen Persson | Editing by | Janus Billeskov Jansen
Cameras |

Io sono l’amore   (2009)

  |    |    |    |  120 Minutes

Back to the Beach   (1987)

  |    |  Color  |    |  92 Minutes
Directed by | Lyndall Hobbs | Cinematography by | Bruce Surtees | Editing by | David Finfer
Cameras |

84 Charing Cross Road   (1987)

  |    |  Color  |    |  100 Minutes
Directed by | David Hugh Jones | Cinematography by | Brian West | Editing by | Chris Wimble

The Truth About Cats & Dogs   (1996)

  |    |  Color  |    |  97 Minutes
Directed by | Michael Lehmann | Cinematography by | Robert Brinkmann | Editing by | Stephen Semel

The Winter Guest   (1997)

  |    |  Color  |    |  108 Minutes
Directed by | Alan Rickman | Cinematography by | Seamus McGarvey | Editing by | Scott Thomas
Cameras |

Shall We Dance   (2004)

  |    |  Color  |    |  106 Minutes
Directed by | Peter Chelsom | Cinematography by | John de Borman | Editing by | Charles Ireland, Robert Leighton
Cameras |