Camera Aperture » Spherical Camera Aperture

Spherical Camera Aperture  |  1217 Titles

Spherical Camera Aperture 4.33/5 6 Votes

Shrink   (2009)

  |    |  Color  |    |  104 Minutes
Directed by | Jonas Pate | Cinematography by | Lukas Ettlin, Isaac Phillips | Editing by | Luis Carballar
Cameras |

Clockwise   (1986)

  |    |  Color  |    |  96 Minutes
Directed by | Christopher Morahan | Cinematography by | John Coquillon | Editing by | Peter Boyle
Cameras |

Rocky IV   (1985)

  |    |  Black and White, Color  |  ,   |  91 Minutes

Luther   (2003)

  |    |  Color  |    |  123 Minutes
Directed by | Eric Till | Cinematography by | Robert Fraisse | Editing by | Clive Barrett
Lenses |

September   (1987)

  |    |  Color  |    |  83 Minutes
Directed by | Woody Allen | Cinematography by | Carlo Di Palma | Editing by | Susan E. Morse
Cameras |

Rear Window   (1998)

  |    |  Color  |    |  89 Minutes
Directed by | Jeff Bleckner | Cinematography by | Ken Kelsch | Editing by | Geoffrey Rowland
Cameras |

Rich in Love   (1992)

  |    |  Color  |    |  105 Minutes
Directed by | Bruce Beresford | Cinematography by | Peter James | Editing by | Mark Warner
Cameras |

National Lampoon’s European Vacation   (1985)

  |    |  Color  |    |  95 Minutes
Directed by | Amy Heckerling | Cinematography by | Robert Paynter | Editing by | Pembroke J. Herring
Cameras |

The Russian Specialist   (2005)

  |    |  Color  |    |  94 Minutes
Directed by | Dolph Lundgren | Cinematography by | Ross W. Clarkson | Editing by | Joe Plenys
Cameras |

Despair   (1978)

  |    |  Color  |    |  119 Minutes

Dead Man Walking   (1995)

  |    |  Color  |    |  122 Minutes
Directed by | Tim Robbins | Cinematography by | Roger Deakins | Editing by | Lisa Zeno Churgin, Ray Hubley
Cameras |

Midnight in the Garden of Good and Evil   (1997)

  |    |  Color  |    |  155 Minutes
Directed by | Clint Eastwood | Cinematography by | Jack N. Green | Editing by | Joel Cox
Cameras |

Planes, Trains & Automobiles   (1987)

  |    |  Color  |    |  93 Minutes
Directed by | John Hughes | Cinematography by | Donald Peterman | Editing by | Paul Hirsch
Cameras |

Eddie and the Cruisers   (1983)

  |    |  Color  |    |  95 Minutes
Directed by | Martin Davidson | Cinematography by | Fred Murphy | Editing by | Priscilla Nedd-Friendly
Cameras |

Cocktail   (1988)

  |    |  Color  |    |  104 Minutes
Directed by | Roger Donaldson | Cinematography by | Dean Semler | Editing by | Neil Travis
Cameras |

Lovers: A True Story   (1991)

  |    |  Color  |    |  103 Minutes
Directed by | Vicente Aranda | Cinematography by | José Luis Alcaine | Editing by | Teresa Font
Cameras |

Dead of Winter   (1987)

  |    |  Color  |    |  100 Minutes
Directed by | Arthur Penn | Cinematography by | Jan Weincke | Editing by | Rick Shaine
Cameras |

The Omen   (2006)

  |    |  Color  |    |  110 Minutes
Directed by | John Moore | Cinematography by | Jonathan Sela | Editing by | Dan Zimmerman
Cameras |

The American Friend   (1977)

  |    |  Color  |    |  125 Minutes
Directed by | Wim Wenders | Cinematography by | Robby Müller | Editing by | Peter Przygodda
Cameras |

WarGames   (1983)

  |    |  Color  |    |  114 Minutes
Directed by | John Badham | Cinematography by | William A. Fraker | Editing by | Tom Rolf
Cameras |