Panavision Camera Aperture | 470 Titles
Boogie Nights (1997)
Directed by | Paul Thomas Anderson | Cinematography by | Robert Elswit | Editing by | Dylan Tichenor
There Will Be Blood (2007)
Directed by | Paul Thomas Anderson | Cinematography by | Robert Elswit | Editing by | Dylan Tichenor
Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Pathé 43 mm (Modified by Dan Sasaki) Lens
The American President (1995)
Directed by | Rob Reiner | Cinematography by | John Seale | Editing by | Robert Leighton
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Let Me In (2010)
Directed by | Matt Reeves | Cinematography by | Greig Fraser | Editing by | Stan Salfas
Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses
A Wedding (1978)
Directed by | Robert Altman | Cinematography by | Charles Rosher Jr. | Editing by | Tony Lombardo
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Rush Hour 3 (2007)
Directed by | Brett Ratner | Cinematography by | James M. Muro | Editing by | Mark Helfrich, Dean Zimmerman, Don Zimmerman
Transformers: Dark of the Moon (2011)
Directed by | Michael Bay | Cinematography by | Amir Mokri | Editing by | Roger Barton, William Goldenberg, Joel Negron
Cameras | ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses
A Nightmare on Elm Street (2010)
Directed by | Samuel Bayer | Cinematography by | Jeff Cutter | Editing by | Glen Scantlebury
Cameras | Panavision Panaflex Millennium XL Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Where the Truth Lies (2005)
Directed by | Atom Egoyan | Cinematography by | Paul Sarossy | Editing by | Susan Shipton
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Your Highness (2011)
Directed by | David Gordon Green | Cinematography by | Tim Orr | Editing by | Craig Alpert
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
A.I. Artificial Intelligence (2001)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Cameras | Panavision Cameras
Lenses | ARRI / Zeiss Lenses
Faubourg 36 (2008)
Akeelah and the Bee (2006)
Directed by | Doug Atchison | Cinematography by | M. David Mullen | Editing by | Glenn Farr
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Sony HDW-F900 Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Slant Focus Lenses
Bless the Child (2000)
Directed by | Chuck Russell | Cinematography by | Peter Menzies Jr. | Editing by | Alan Heim
Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras
Star Trek (2009)
Directed by | J.J. Abrams | Cinematography by | Dan Mindel | Editing by | Maryann Brandon, Mary Jo Markey
Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
A Far Off Place (1993)
Directed by | Mikael Salomon | Cinematography by | Juan Ruiz Anchía | Editing by | Ray Lovejoy
Cameras | Panavision Panaflex Camera
Lenses | Panavision Primo Anamorphic Lenses
La princesse de Montpensier (2010)
Directed by | Bertrand Tavernier | Cinematography by | Bruno de Keyzer | Editing by | Sophie Brunet
Lenses | Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Michael Clayton (2007)
2 Days in the Valley (1996)
Directed by | John Herzfeld | Cinematography by | Oliver Wood | Editing by | Jim Miller, Wayne Wahrman
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Friday the 13th (2009)
Directed by | Marcus Nispel | Cinematography by | Daniel Pearl | Editing by | Ken Blackwell
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux HR Zoom Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Close Focus Spherical Lenses
