Digital Cinema | 1863 Titles
Parker (2013)
Directed by | Taylor Hackford | Cinematography by | James M. Muro | Editing by | Mark Warner
Cameras | Red Epic Camera
Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses
The Last Stand (2013)
Directed by | Jee-woon Kim | Cinematography by | Ji-yong Kim | Editing by | Steven Kemper
Cameras | ARRI ALEXA Plus Camera
Lenses | Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Leitz Summilux-C Series Lenses, Zeiss Ultra Prime Lenses
Cassadaga (2011)
Directed by | Anthony DiBlasi | Cinematography by | Jose Zambrano Cassella | Editing by | Kristian Otero
Cameras | Red Digital Cinema Cameras, Red One Camera
Mama (2013)
Directed by | Andy Muschietti | Cinematography by | Antonio Riestra | Editing by | Michele Conroy
Cameras | ARRI ALEXA Camera
Lenses | Cooke S4 Lenses
Last Ounce of Courage (2012)
Directed by | Darrel Campbell, Kevin McAfee | Cinematography by | Jason Cantu, Jason Hudson | Editing by | Miles Hanon
Cameras | Sony PMW-EX3 Camera
La piel que habito (2011)
Directed by | Pedro Almodóvar | Cinematography by | José Luis Alcaine | Editing by | José Salcedo
Lenses | Zeiss Master Prime Lenses
Kon-Tiki (2012)
Directed by | Joachim Rønning, Espen Sandberg | Cinematography by | Geir Hartly Andreassen | Editing by | Perry Eriksen, Martin Stoltz
The Last Fall (2012)
Directed by | Matthew A. Cherry | Cinematography by | Richard J. Vialet | Editing by | Matthew A. Cherry, Michael Norville
Cameras | Sony PMW-F3 Camera
Holy Motors (2012)
Directed by | Leos Carax | Cinematography by | Yves Cape, Caroline Champetier | Editing by | Nelly Quettier
Cameras | Red Epic Camera
Lenses | Angenieux HR 25-250 mm T3.5 Lens, Zeiss Standard Speed Prime Lenses, Zeiss Super Speed Lenses
Hyde Park on Hudson (2012)
The Sessions (2012)
Directed by | Ben Lewin | Cinematography by | Geoffrey Simpson | Editing by | Lisa Bromwell
Cameras | Red One MX Camera
Psych (2006)
| Cinematography by | Michael McMurray, Scott Williams, Gregory Middleton | Editing by | David Crabtree, Dexter N. Adriano, Eric Jenkins, Allan Lee, Gordon Rempel, David Grecu, James Ilecic, Kelly Stuyvesant, Clayton Woodhull
Bela Kiss: Prologue (2013)
Directed by | Lucien Förstner | Cinematography by | Sven Latzke | Editing by | Eric Kazak
Lenses | Zeiss Lenses, Zeiss Super Speed Lenses
Lies I Told My Little Sister (2014)
Directed by | William J. Stribling | Cinematography by | Alex Gallitano | Editing by | Chris Daker, William J. Stribling
Lenses | Zeiss Ultra Prime Lenses
Chasing Mavericks (2012)
Directed by | Michael Apted, Curtis Hanson | Cinematography by | Bill Pope | Editing by | John Gilbert
Cameras | ARRI ALEXA Camera, Red Epic Camera
Gone (2012)
Directed by | Heitor Dhalia | Cinematography by | Michael Grady | Editing by | John Axelrad
Cameras | Red Epic Camera
Lenses | Angenieux Optimo Zoom Lenses
Steen’s Revenge – Volume 1 (2012)
Directed by | Michael Naulls | Cinematography by | Michael Naulls | Editing by | Michael Naulls
Cameras | Canon EOS 550D Camera
Lenses | Canon Lenses
Beyond Belief (2012)
Directed by | William J. Stribling | Cinematography by | Alex Gallitano | Editing by | William J. Stribling
Cameras | Sony Cameras, Sony PMW-F3 Camera
The New Normal (2012)
| Cinematography by | Carlos González, Michael Goi | Editing by | Philip Harrison, Colin Johnson, Andrew Groves
Cameras | ARRI ALEXA Camera, Sony CineAlta F65 Camera
Made in Jersey (2012)
| Cinematography by | Daryn Okada, Bobby Bukowski | Editing by | Philip Carr Neel, Mark Bourgeois, Janet Ashikaga
Cameras | Sony CineAlta F65 Camera
Lenses | Panavision Lenses
