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Battle of the Sexes (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 121 Minutes

Directed by | Jonathan Dayton, Valerie Faris | Cinematography by | Linus Sandgren | Editing by | Pamela Martin

Starring | Emma Stone, Steve Carell, Andrea Riseborough

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux HR Zoom Lenses, Canon CN-E Series Lenses, Canon K35 Prime Lenses, Kowa Lenses

Avatar: The Way of Water (2022)

Motion Picture | 3D | 4K Project | Color | 1.85:1, 2.39:1 | 192 Minutes

Directed by | James Cameron | Cinematography by | Russell Carpenter | Editing by | David Brenner, James Cameron, John Refoua, Stephen E. Rivkin

Starring | Sam Worthington, Zoe Saldaña, Sigourney Weaver

Cameras | Sony CineAlta VENICE Camera

Lenses | Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon MK 18-55mm T2.9 Lens, Fujinon MK 50-135mm T2.9 Lens

Napoleon (2023)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 158 Minutes

Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Sam Restivo, Claire Simpson

Starring | Joaquin Phoenix, Vanessa Kirby, Tahar Rahim

Cameras | ARRI ALEXA Mini LF Camera

Lenses | Angenieux Type EZ-1 S35 30-90 mm T3.0 Lens, Angenieux Type EZ-2 S35 15-40 mm T2.0 Lens, Panavision 65 Vintage Series Lenses, Panavision Lenses, Panavision Primo Zooms Spherical Lenses

Blonde (2022)

Motion Picture | 2D | 2K Project | Black & White, Color | 1.33:1 (4x3), 1.85:1, 2.39:1 | 167 Minutes

Directed by | Andrew Dominik | Cinematography by | Chayse Irvin | Editing by | Adam Robinson

Starring | Ana de Armas, Lily Fisher, Julianne Nicholson

Cameras | ARRI ALEXA XT Monochrome Camera, Sony CineAlta VENICE Camera

Lenses | ARRI Rental HEROES LOOK Lens, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses

Angie Lemaire (2019)

Short Film | 2D | HD Project | Color | 1.37:1 | 20 Minutes

Directed by | Sidney Berthier | Cinematography by | Danielius Gedvilas | Editing by | Sidney Berthier, Sarah Cowan, Kiana Rad

Starring | Gabriel Agranoff, Sidney Berthier, Wendy-Anne Daloz

Cameras | Blackmagic Pocket Cinema Camera

Lenses | Canon Lenses

Life in the Old Cloth (2024)

Motion Picture | 2D | Color | 2.39:1 |

Directed by | Eveshka Ghost

Starring | Xander Phillips, Caroline Gilbert, James McClusky

Cameras | Canon EOS-C100 Camera

Lenses | Samyang Lenses

Elvis (2022)

Motion Picture | 2D | 4K Project | Black & White, Color | 2.39:1 | 159 Minutes

Directed by | Baz Luhrmann | Cinematography by | Mandy Walker | Editing by | Jonathan Redmond, Matt Villa

Starring | Tom Hanks, Austin Butler, Olivia DeJonge

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA LF Camera

Lenses | Panavision Sphero 65 Series Lenses, Panavision T Series Anamorphic Lenses

The Endless (2017)

Motion Picture | 2D | Color | 2.39:1 | 111 Minutes

Directed by | Justin Benson, Aaron Moorhead | Cinematography by | Aaron Moorhead | Editing by | Justin Benson, Michael Felker, Aaron Moorhead

Starring | Aaron Moorhead, Justin Benson, Callie Hernandez

Cameras | Panasonic Lumix DMC-GH4 Camera, Red Epic Dragon Camera

Pearl (2022)

Motion Picture | 2D | 4K Project | Color | 103 Minutes

Directed by | Ti West | Cinematography by | Eliot Rockett | Editing by | Ti West

Starring | Mia Goth, David Corenswet, Tandi Wright

Cameras | Sony CineAlta VENICE Camera

Lenses | Hawk MiniHawk Hybrid Anamorphic Lenses

Cats (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 110 Minutes

Directed by | Tom Hooper | Cinematography by | Christopher Ross | Editing by | Melanie Oliver

Starring | Jennifer Hudson, Judi Dench, Taylor Swift, Robbie Fairchild

Cameras | ARRI ALEXA 65 Camera

Lenses | ARRI Rental Prime DNA Lenses, Hasselblad Lenses, Tokina Vista Cinema Prime Lenses

1917 (2019)

Motion Picture | 2D | 4K Project | Color | 1.90:1, 2.39:1 | 119 Minutes

Directed by | Sam Mendes | Cinematography by | Roger Deakins | Editing by | Lee Smith

Starring | Dean-Charles Chapman, George MacKay, Daniel Mays, Colin Firth

Cameras | ARRI ALEXA Mini LF Camera

Lenses | ARRI Signature Prime 35mm T1.8 Lens, ARRI Signature Prime 40mm T1.8 Lens, ARRI Signature Prime 47mm T1.8 Lens

Snakes on a Train (2006)

Direct to Video | 2D | HD Project | Color | 91 Minutes

Directed by | Peter Mervis | Cinematography by | Mark Atkins | Editing by | Peter Mervis

Starring | A.J. Castro, Julia Ruiz, Giovanni Bejarano, Al Galvez

Cameras | Sony HDW-F900 Camera

Lenses | Zeiss Standard Speed Prime Lenses, Zeiss Super Speed Lenses

The Teachers’ Lounge (2023)

Motion Picture | 2D | 2K Project | Color | 1.33:1 (4x3) | 98 Minutes

Directed by | Ilker Çatak | Cinematography by | Judith Kaufmann | Editing by | Gesa Jäger

Starring | Leonie Benesch, Anne-Kathrin Gummich, Rafael Stachowiak

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux Optimo 45-120 mm T2.8 Lens

Argentina, 1985 (2022)

Motion Picture | 2D | Color | 1.50:1 | 140 Minutes

Directed by | Santiago Mitre | Cinematography by | Javier Julia | Editing by | Andrés Pepe Estrada

Starring | Ricardo Darín, Gina Mastronicola, Francisco Bertín

Cameras | ARRI ALEXA Mini LF Camera

Lenses | ARRI Signature Prime Lenses, Canon FD Series Lenses

Bardo: False Chronicle of a Handful of Truths (2022)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 159 Minutes

Directed by | Alejandro G. Iñárritu | Cinematography by | Darius Khondji | Editing by | Alejandro G. Iñárritu, Monica Salazar

Starring | Daniel Giménez Cacho, Griselda Siciliani, Ximena Lamadrid

Cameras | ARRI ALEXA 65 Camera

Lenses | Panavision Sphero 65 Series Lenses

Marcel the Shell with Shoes On (2021)

Motion Picture | 2D | 4K Project | Color | 1.66:1, 1.85:1 | 90 Minutes

Directed by | Dean Fleischer Camp | Cinematography by | Eric Adkins, Bianca Cline | Editing by | Dean Fleischer Camp, Nick Paley

Starring | Jenny Slate, Dean Fleischer Camp, Isabella Rossellini

Cameras | ARRI ALEXA Mini Camera, Sony PMW-F5 Camera

Lenses | Fujinon XK Cabrio Series, Nikon - Nikkor Lenses, Panavision Primo Primes Spherical Lenses

Mrs. Harris Goes to Paris (2022)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 115 Minutes

Directed by | Anthony Fabian | Cinematography by | Felix Wiedemann | Editing by | Barney Pilling

Starring | Lesley Manville, Isabelle Huppert, Lambert Wilson

Cameras | ARRI ALEXA LF Camera

The Banshees of Inisherin (2022)

Motion Picture | 2D | 4K Project | Color | 114 Minutes

Directed by | Martin McDonagh | Cinematography by | Ben Davis | Editing by | Mikkel E.G. Nielsen

Starring | Colin Farrell, Brendan Gleeson, Kerry Condon

Cameras | ARRI ALEXA Mini LF Camera

Lenses | ARRI Signature Prime Lenses

RRR (2022)

Movie | 2D | 4K Project | Black & White, Color | 1.85:1, 1.90:1, 2.39:1 | 187 Minutes

Directed by | S.S. Rajamouli | Cinematography by | KK Senthil Kumar | Editing by | A. Sreekar Prasad

Starring | N.T. Rama Rao Jr., Ram Charan, Ajay Devgn

Cameras | ARRI ALEXA LF Camera

Lenses | ARRI Signature Prime Lenses

Tell It Like a Woman (2022)

Motion Picture | 2D | Color | 112 Minutes

Directed by | Lucia Bulgheroni, Silvia Carobbio, Catherine Hardwicke, Taraji P. Henson, Mipo Oh, Lucía Puenzo, Maria Sole Tognazzi, Leena Yadav | Cinematography by | Aseem Bajaj, Paul M. Sommers | Editing by | Josie Azzam, Anne-Sophie Bion

Starring | Cara Delevingne, Marcia Gay Harden, Eva Longoria

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