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The Journey (2002)

Motion Picture | 2D | 2K Project | Color | 2.35:1 | 97 Minutes

Directed by | Edwin Avaness, Emy Hovanesyan | Cinematography by | Edwin Avaness | Editing by | Edwin Avaness

Starring | Sona Tatoyan, Varduhi Varderesyan, Tigran Nersesyan, Anoush Stepanyan

Cameras | Sony HDW-F900 Camera

Castle (2009)

Television Series | 2D | Color | 1.78:1 (16x9) | 43 Minutes

| Cinematography by | Bill Roe, Daryn Okada, James L. Carter, Stephen Collins, Dave Perkal, Steve Mason, Roger Simonsz, Michael Slovis | Editing by | Warren Bowman, David Latham, Marta Evry, Orlando Machado Jr., Neil Felder, Dennis Virkler, Edward A. Warschilka, Sue Blainey, Amy McGrath, Jeff Freeman, Mark Manos, Jack Colwell, John Axness, Philip Fowler, Byron Smith

Starring | Nathan Fillion, Stana Katic, Susan Sullivan, Jon Huertas

Cameras | ARRI ALEXA Studio Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Kis Uykusu (2014)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 196 Minutes

Directed by | Nuri Bilge Ceylan | Cinematography by | Gökhan Tiryaki | Editing by | Nuri Bilge Ceylan, Bora Göksingöl

Starring | Haluk Bilginer, Melisa Sözen, Demet Akbag, Ayberk Pekcan

Cameras | Sony CineAlta F65 Camera

Lenses | Zeiss Master Prime Lenses

Rounded Corners (2019)

Motion Picture | 2D | 4K Project | Color | 1.78:1 (16x9), 1.85:1 | 87 Minutes

Directed by | Paul Check

Starring | Marie Check, Tinuke Adetunji, Paul Check, James Zeiss

Cameras | Panasonic VariCam 35

Lenses | Master Macro 100mm T2.0 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens

Avatar (2009)

Motion Picture | 3D | 2K Project | Color | 1.78:1 (16x9), 2.39:1 | 162 Minutes

Directed by | James Cameron | Cinematography by | Mauro Fiore | Editing by | James Cameron, John Refoua, Stephen E. Rivkin

Starring | Sam Worthington, Zoe Saldana, Sigourney Weaver, Michelle Rodriguez

Cameras | Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony HDC-F950 Camera

Lenses | Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses

Gemini Man (2019)

Motion Picture | 2D, 3D | 4K Project | Color | 1.85:1 | 117 Minutes

Directed by | Ang Lee | Cinematography by | Dion Beebe | Editing by | Tim Squyres

Starring | Mary Elizabeth Winstead, Will Smith, Clive Owen, Douglas Hodge

Cameras | ARRI ALEXA XT M Camera, Phantom Flex4K Camera

Lenses | Leitz Summilux-C Series Lenses

The Revenant (2015)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 156 Minutes

Directed by | Alejandro G. Iñárritu | Cinematography by | Emmanuel Lubezki | Editing by | Stephen Mirrione

Starring | Leonardo DiCaprio, Tom Hardy, Will Poulter

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, Red Epic Dragon Camera

Lenses | Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses

The Color Purple (2023)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 141 Minutes

Directed by | Blitz Bazawule | Cinematography by | Dan Laustsen | Editing by | Jon Poll

Starring | Fantasia Barrino, Taraji P. Henson, Danielle Brooks

Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses | ARRI Signature Prime Lenses

I passi leggeri (2018)

Motion Picture | 2D | Color | 98 Minutes

Directed by | Vittorio Rifranti | Cinematography by | Francesco Diaz | Editing by | Endrit Muhametaj

Starring | Fabrizio Rizzolo, Chiara Causa, Ksenija Martinovic

Cameras | Panasonic AU-EVA1 Camera

Lenses | Samyang VDSLR II Cine 85 mm T1.5 Lens

Car Trouble! (2020)

Short Film | 2D | HD Project | Black & White | 1.85:1 | 3 Minutes

Starring | Xander Phillips, Nickwolff Quintana

Cameras | Bolex Cameras, Canon EOS 550D Camera, Canon EOS Rebel T2i Camera

Lenses | Canon Lenses

A Blood Throne (2020)

Short Film | 2D | 4K Project | Color | 2.39:1 | 40 Minutes

Directed by | Xavier Garcia | Cinematography by | Jonathan Garcia | Editing by | Xavier Garcia

Starring | Pierre Rumpf, Arissa Page, Danny Irizarry

Cameras | Panasonic Lumix DMC-GH5 Camera

Lenses | SLR Magic APO HyperPrime Cine 25mm T2.1 Lens, SLR Magic APO HyperPrime Cine 32mm T2.1 Lens, SLR Magic APO HyperPrime Cine 50mm T2.1 Lens, SLR Magic APO HyperPrime Cine 85mm T2.1 Lens

The Killer (2023)

Motion Picture | 2D | 4K Project | Color | 118 Minutes

Directed by | David Fincher | Cinematography by | Erik Messerschmidt | Editing by | Kirk Baxter

Starring | Michael Fassbender, Tilda Swinton, Charles Parnell

Cameras | Red Komodo Camera, Red Komodo-X Camera, Red V-Raptor Camera, Red V-Raptor XL Camera

Lenses | Fujinon Premier Lenses, Leitz Summilux-C Series Lenses

Nyad (2023)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 121 Minutes

Directed by | Jimmy Chin, Elizabeth Chai Vasarhelyi | Cinematography by | Claudio Miranda | Editing by | Christopher Tellefsen

Starring | Annette Bening, Jodie Foster, Anne Marie Kempf

Cameras | Sony CineAlta VENICE 2 Camera, Sony ILME-FX3 Camera

Lenses | Fujinon Lenses, Zeiss Master Prime Lenses

Wortels Uit Blik (2022)

Short Film | 2D | 4K Project | Color | 2.39:1 | 15 Minutes

Directed by | Keno Aladjuz | Cinematography by | Mans Buskop | Editing by | Keno Aladjuz

Starring | Julius Appel, Michael Tiedtke, Frida Heijmen

Cameras | Blackmagic Pocket Cinema Camera 6K Pro

Lenses | Zeiss Compact Prime CP.2 Lenses

Photocopier (2021)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 130 Minutes

Directed by | Wregas Bhanuteja | Cinematography by | Gunnar Nimpuno | Editing by | Ahmad Hasan Yuniardi

Starring | Shenina Cinnamon, Dea Panendra, Giulio Parengkuan

Cameras | Red Monstro 8K Camera

Lenses | Leitz M 0.8 Series Lenses, Leitz THALIA Series Lenses

Taylor Swift: The Eras Tour (2023)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 169 Minutes

Directed by | Sam Wrench | Editing by | Guy Harding, Hamish Lyons, Rupa Rathod, Ben Wainwright-Pearce, Dom Whitworth, Mark 'Reg' Wrench

Starring | Taylor Swift, Mike Meadows, Max Bernstein

Eileen (2023)

Motion Picture | 2D | Color | 1.66:1 | 97 Minutes

Directed by | William Oldroyd | Cinematography by | Ari Wegner | Editing by | Nick Emerson

Starring | Thomasin McKenzie, Shea Whigham, Sam Nivola

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Bausch & Lomb Super Baltar Lenses

Kandahar (2023)

Motion Picture | 2D | Color | 119 Minutes

Directed by | Ric Roman Waugh | Cinematography by | MacGregor | Editing by | Colby Parker Jr.

Starring | Tom Rhys Harries, Farhad Bagheri, Gerard Butler

Cameras | ARRI ALEXA Mini LF Camera, Sony ILME-FX3 Camera, Sony ILME-FX6 Camera

Lenses | Panavision E Series Anamorphic Lenses, Vazen Lenses

Hegira (2018)

Short Film | 2D | 4K Project | Color | 9 Minutes

Directed by | William Blevins | Cinematography by | William Blevins | Editing by | William Blevins

Starring | Ike Eastwood, Toni Marie Perry, James Stone

Cameras | Sony PXW-FS5 Camera

Lenses | Sony G 18–110mm f4.0 Lens, Sony G Series Lenses

Big Bug (2022)

Motion Picture | 2D | 4K Project | Color | 111 Minutes

Directed by | Jean-Pierre Jeunet | Cinematography by | Thomas Hardmeier | Editing by | Hervé Schneid

Starring | Isabelle Nanty, Elsa Zylberstein, Claude Perron

Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses | ARRI Signature Prime Lenses

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