Year Released ~ 2017 | 1692 Titles
'Better Call Saul' Chicanery (2017)
'Better Call Saul' Sabrosito (2017)
'Better Call Saul' Sunk Costs (2017)
Directed by | John Shiban | Cinematography by | Marshall Adams | Editing by | Kelley Dixon, Skip Macdonald
'Better Call Saul' Witness (2017)
Directed by | Vince Gilligan | Cinematography by | Marshall Adams | Editing by | Kelley Dixon, Skip Macdonald
'Better Call Saul' Mabel (2017)
'Ice' Side Trip (2017)
'Ice' The Cut (2017)
'Ice' Stand Off (2017)
The Intruder (2019)
Directed by | Deon Taylor | Cinematography by | Daniel Pearl | Editing by | Melissa Kent
Cameras | ARRI ALEXA Mini Camera
Sad Hill Unearthed (2017)
Directed by | Guillermo de Oliveira | Cinematography by | Guillermo de Oliveira | Editing by | Guillermo de Oliveira, Javier Duch
Cameras | Sony α7S II Camera
Lenses | Canon EF 24-70 mm f2.8L II Lens
Symphony in Blue (2017)
Directed by | Samuel Marko | Cinematography by | Davis Moore | Editing by | Samuel Marko
Cameras | Panasonic AG-HVX200 Camera
Death Note (2017)
Directed by | Adam Wingard | Cinematography by | David Tattersall | Editing by | Louis Cioffi
Cameras | Panasonic VariCam 35, Panasonic VariCam Camera
Lenses | Fujinon Lenses, Fujinon Premier Lenses, P+S Technik Skater Scope T5.6 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens
El Último Suspiro (2017)
Directed by | Joan Girbau Xalabarder | Cinematography by | Joan Girbau Xalabarder | Editing by | Xavi Morcillo
Cameras | Blackmagic Design Cameras, Canon Cameras
Lenses | Canon Lenses, Leitz Lenses
Good Time (2017)
Directed by | Benny Safdie, Josh Safdie | Cinematography by | Sean Price Williams | Editing by | Ronald Bronstein, Benny Safdie
Cameras | ARRICAM Lite (LT) Camera
Lenses | Zeiss Super Speed Lenses
The White Princess (2017)
| Cinematography by | Chris Seager | Editing by | St. John O'Rorke, Anne Sopel, Jamie Trevill
Cameras | ARRI ALEXA Plus Camera
Boots on the Ground (2017)
Directed by | Louis Melville | Cinematography by | Boyd Skinner | Editing by | Lucas Roche
Cameras | GoPro HERO4 Black
Pickings (2018)
Directed by | Usher Morgan | Cinematography by | Usher Morgan, Louis Obioha | Editing by | Usher Morgan
The Institute (2017)
Directed by | James Franco, Pamela Romanowsky | Cinematography by | Pedro Gómez Millán | Editing by | Evan Ahlgren, Aaron I. Butler
Cameras | Red Epic Dragon Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Cooke S4 Lenses
Una Famiglia (2017)
Directed by | Sebastiano Riso | Cinematography by | Piero Basso | Editing by | Ilaria Fraioli
Cameras | ARRI ALEXA Plus Camera
Lenses | Panavision SL10 10 mm T1.9 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens
Bright (2017)
Directed by | David Ayer | Cinematography by | Roman Vasyanov | Editing by | Aaron Brock, Geoffrey O'Brien, Michael Tronick
Lenses | Panavision Lenses