Year Released ~ 2013 | 2881 Titles
The Last Stand (2013)
Directed by | Jee-woon Kim | Cinematography by | Ji-yong Kim | Editing by | Steven Kemper
Cameras | ARRI ALEXA Plus Camera
Lenses | Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Leitz Summilux-C Series Lenses, Zeiss Ultra Prime Lenses
A Haunted House (2013)
Mama (2013)
Directed by | Andy Muschietti | Cinematography by | Antonio Riestra | Editing by | Michele Conroy
Cameras | ARRI ALEXA Camera
Lenses | Cooke S4 Lenses
Agents of S.H.I.E.L.D. (2013)
| Cinematography by | Feliks Parnell, Allan Westbrook, Jeffrey C. Mygatt, David Boyd, Kyle Jewell | Editing by | Eric Litman, Kelly Stuyvesant, Joshua Charson, Paul Trejo, Dexter N. Adriano, Debby Germino, David Crabtree, Michael Benni Pierce, Conrad Smart, Jennifer Macfarlane
The Guild (2007)
| Cinematography by | Chris Darnell, John Schmidt, Tahlee Scarpitti, Carl Ratajski, Jared Hoy | Editing by | Sean Becker, Matthew Philip Smith, Nick Towle, James Deuling, Jane Selle Morgan, Greg Benson, Matt Smith, Scott Turner, Kim Evey, Barry Gribble
Bela Kiss: Prologue (2013)
Directed by | Lucien Förstner | Cinematography by | Sven Latzke | Editing by | Eric Kazak
Lenses | Zeiss Lenses, Zeiss Super Speed Lenses
The New Normal (2012)
| Cinematography by | Carlos González, Michael Goi | Editing by | Philip Harrison, Colin Johnson, Andrew Groves
Cameras | ARRI ALEXA Camera, Sony CineAlta F65 Camera
Save Me (2013)
| Cinematography by | Lloyd Ahern II | Editing by | Gregg Featherman, Elba Sanchez-Short, Dan Schalk, Tara Timpone
Cameras | Sony CineAlta F65 Camera
Lenses | Angenieux Lenses
Evil Dead (2013)
Directed by | Fede Alvarez | Cinematography by | Aaron Morton | Editing by | Bryan Shaw
Cameras | Sony CineAlta F65 Camera
Dean Slater: Resident Advisor (2013)
Directed by | Colin Sander | Cinematography by | Boa Simon | Editing by | R.J. Daniel Hanna
Cameras | Canon EOS-C300 Camera
Lenses | Canon Lenses, Zeiss Compact Prime Lenses
After Earth (2013)
Directed by | M. Night Shyamalan | Cinematography by | Peter Suschitzky | Editing by | Steven Rosenblum
Cameras | Canon EOS-C500 Camera, Sony CineAlta F65 Camera
Club 60 (2013)
Directed by | Sanjay Tripathy | Cinematography by | Shyamanand Jha | Editing by | Aditya Joshi, Arunabha Mukherjee
Cameras | Panavision Panaflex Platinum Camera
La Pasión de Michelangelo (2013)
Directed by | Esteban Larraín | Cinematography by | Tevo Díaz | Editing by | Felipe Guerrero, Soledad Salfate
Texas Chainsaw 3D (2013)
Directed by | John Luessenhop | Cinematography by | Anastas N. Michos | Editing by | Randy Bricker
Cameras | Red Epic Camera
Lenses | Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens
Matru ki Bijlee ka Mandola (2013)
Directed by | Vishal Bhardwaj | Cinematography by | Kartik Vijay | Editing by | A. Sreekar Prasad
Cameras | ARRI ALEXA Camera, ARRI Cameras
Down and Dangerous (2013)
Directed by | Zak Forsman | Cinematography by | Zak Forsman, Sam Krueger | Editing by | Jamie Cobb
Cameras | Panasonic AG-AF100 Camera
Oblivion (2013)
Directed by | Joseph Kosinski | Cinematography by | Claudio Miranda | Editing by | Richard Francis-Bruce
Cameras | Red Epic Camera, Sony CineAlta F65 Camera
Lenses | Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Broken City (2013)
Directed by | Allen Hughes | Cinematography by | Ben Seresin | Editing by | Cindy Mollo
Cameras | ARRI ALEXA Camera, ARRI ALEXA Studio Camera
The Best Offer (2013)
Directed by | Giuseppe Tornatore | Cinematography by | Fabio Zamarion | Editing by | Massimo Quaglia
Cameras | ARRI ALEXA Studio Camera, Red Epic Camera
Lenses | Zeiss Master Prime Lenses
Gods Behaving Badly (2013)
Directed by | Marc Turtletaub | Cinematography by | Tak Fujimoto | Editing by | Alan Heim, Joe Landauer
Cameras | ARRI ALEXA Camera
