Year Released ~ 2013 | 2881 Titles

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Prince Avalanche (2013)

Motion Picture | 2D | Color | 2.39:1 | 94 Minutes

Directed by | David Gordon Green | Cinematography by | Tim Orr | Editing by | Colin Patton

Starring | Paul Rudd, Emile Hirsch, Lance LeGault, Joyce Payne

Cameras | ARRI ALEXA Camera

Lenses | Bausch & Lomb Super Baltar Lenses

Don Jon (2013)

Motion Picture | 2D | Color | 2.39:1 | 90 Minutes

Directed by | Joseph Gordon-Levitt | Cinematography by | Thomas Kloss | Editing by | Lauren Zuckerman

Starring | Joseph Gordon-Levitt, Scarlett Johansson, Julianne Moore, Tony Danza

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Insidious: Chapter 2 (2013)

Motion Picture | 2D | Color | 2.39:1 | 106 Minutes

Directed by | James Wan | Cinematography by | John R. Leonetti | Editing by | Kirk M. Morri

Starring | Patrick Wilson, Rose Byrne, Barbara Hershey, Lin Shaye

Cameras | ARRI ALEXA Camera

Out of the Furnace (2013)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

Directed by | Scott Cooper | Cinematography by | Masanobu Takayanagi | Editing by | David Rosenbloom

Starring | Christian Bale, Casey Affleck, Zoe Saldaña, Woody Harrelson

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision G Series Anamorphic Lenses

Bhaag Milkha Bhaag (2013)

Motion Picture | 2D | Color | 186 Minutes

Directed by | Rakeysh Omprakash Mehra | Cinematography by | Binod Pradhan | Editing by | P.S. Bharathi

Starring | Farhan Akhtar, Sonam Kapoor, Pavan Malhotra, Art Malik

Cameras | Phantom Flex Camera, Red Epic Camera, Weisscam HS-2 Camera

Redemption (2013)

Documentary | 2D | Color | 35 Minutes

Directed by | Jon Alpert, Matthew O'Neill | Editing by | Adam Barton, John Custodio, Rob Kuhns, David Meneses, Jay Arthur Sterrenberg

Jobs (2013)

Motion Picture | 2D | Color | 2.39:1 | 128 Minutes

Directed by | Joshua Michael Stern | Cinematography by | Russell Carpenter | Editing by | Robert Komatsu

Starring | Ashton Kutcher, Dermot Mulroney, Josh Gad, Lukas Haas

Cameras | ARRI ALEXA Camera

Lenses | Zeiss Ultra Prime Lenses

The Bling Ring (2013)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 90 Minutes

Directed by | Sofia Coppola | Cinematography by | Christopher Blauvelt, Harris Savides | Editing by | Sarah Flack

Starring | Katie Chang, Israel Broussard, Emma Watson, Claire Julien

Cameras | Red Epic Camera

Before Midnight (2013)

Motion Picture | 2D | Color | 1.85:1 | 109 Minutes

Directed by | Richard Linklater | Cinematography by | Christos Voudouris | Editing by | Sandra Adair

Starring | Ethan Hawke, Julie Delpy, Seamus Davey-Fitzpatrick, Ariane Labed

Cameras | ARRI ALEXA Camera

The Internship (2013)

Motion Picture | 2D | Color | 2.39:1 | 119 Minutes

Directed by | Shawn Levy | Cinematography by | Jonathan Brown | Editing by | Dean Zimmerman

Starring | Vince Vaughn, Owen Wilson, Rose Byrne, Aasif Mandvi

Cameras | ARRI ALEXA Plus Camera

Killing Season (2013)

Motion Picture | 2D | Color | 2.39:1 | 91 Minutes

Directed by | Mark Steven Johnson | Cinematography by | Peter Menzies Jr. | Editing by | Sean Albertson

Starring | Robert De Niro, John Travolta, Milo Ventimiglia, Elizabeth Olin

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Blue Jasmine (2013)

Motion Picture | 2D | Color | 2.39:1 | 98 Minutes

Directed by | Woody Allen | Cinematography by | Javier Aguirresarobe | Editing by | Alisa Lepselter

Starring | Cate Blanchett, Alec Baldwin, Peter Sarsgaard, Sally Hawkins

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Zeiss Master Prime Lenses

The Purge (2013)

Motion Picture | 2D | Color | 85 Minutes

Directed by | James DeMonaco | Cinematography by | Jacques Jouffret | Editing by | Peter Gvozdas

Starring | Ethan Hawke, Lena Headey, Max Burkholder, Adelaide Kane

Cameras | ARRI ALEXA Plus Camera

We’re the Millers (2013)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

Directed by | Rawson Marshall Thurber | Cinematography by | Barry Peterson | Editing by | Michael L. Sale

Starring | Jason Sudeikis, Jennifer Aniston, Emma Roberts, Ed Helms

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Way Way Back (2013)

Motion Picture | 2D | Color | 1.85:1 | 103 Minutes

Directed by | Nat Faxon, Jim Rash | Cinematography by | John Bailey | Editing by | Tatiana S. Riegel

Starring | Steve Carell, Toni Collette, Allison Janney, AnnaSophia Robb

Cameras | ARRI ALEXA Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Heat (2013)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | Paul Feig | Cinematography by | Robert D. Yeoman | Editing by | Jay Deuby, Brent White

Starring | Sandra Bullock, Michael McDonald, Melissa McCarthy, Demián Bichir

Cameras | Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Colony (2013)

Motion Picture | 2D | Color | 2.39:1 | 95 Minutes

Directed by | Jeff Renfroe | Cinematography by | Pierre Gill | Editing by | Aaron Marshall

Starring | Kevin Zegers, Laurence Fishburne, Bill Paxton, Charlotte Sullivan

Cameras | ARRI ALEXA Camera

Lenses | Panavision Primo Anamorphic Lenses

Only God Forgives (2013)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Directed by | Nicolas Winding Refn | Cinematography by | Larry Smith | Editing by | Matthew Newman

Starring | Ryan Gosling, Kristin Scott Thomas, Vithaya Pansringarm, Gordon Brown

Cameras | ARRI ALEXA Camera, Red Epic Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Cooke S4 Lenses

Oldboy (2013)

Motion Picture | 2D | Color | 2.39:1 | 104 Minutes

Directed by | Spike Lee | Cinematography by | Sean Bobbitt | Editing by | Barry Alexander Brown

Starring | Josh Brolin, Elizabeth Olsen, Samuel L. Jackson, Sharlto Copley

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Camera

Lenses | ARRI / Fujinon Lenses, Cooke 5/i Lenses

Go with God (2013)

Short Film | 2D | Color | 2.35:1 | 25 Minutes

Go with God | ShotOnWhat?

Directed by | Frank Harriman | Cinematography by | Andrew Rodger | Editing by | Richard Martin

Starring | Haqi Ali, Julian Boote, Jasmin Egner, Jonathan Markwood

Cameras | Red Digital Cinema Cameras

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