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Netflix | 28 Titles

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Lupin (2021)

Television Series | 2D | 4K Project | Color | 2.0:1 | 45 Minutes

The Irishman (2019)

Motion Picture | 2D | 4K Project | Color | 1.37:1, 1.66:1, 1.85:1 | 209 Minutes

Directed by | Martin Scorsese | Cinematography by | Rodrigo Prieto | Editing by | Thelma Schoonmaker

Starring | Robert De Niro, Al Pacino, Joe Pesci, Harvey Keitel

Cameras | ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Red Digital Cinema Cameras

Cinema Bandi (2021)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 98 Minutes

Directed by | Praveen Kandregula | Cinematography by | Apoorva Shaligram, Sagar Yvv | Editing by | Ravi Teja Girijala, Dharmendra Kakarala

Cameras | Red Gemini Camera

Lenses | Zeiss Lenses

The Crown (2016)

Television Series | 2D | 4K Project | Color | 1.78:1 (16x9) | 58 Minutes

Society of the Snow (2023)

Motion Picture | 2D | 4K Project | Color | 2.55:1 | 144 Minutes

Directed by | J.A. Bayona | Cinematography by | Pedro Luque | Editing by | Andrés Gil, Jaume Martí

Starring | Enzo Vogrincic, Agustín Pardella, Matías Recalt

Cameras | ARRI ALEXA Mini LF Camera

Lenses | ARRI Signature Prime Lenses, Laowa 24 mm f/14 2X Macro Probe Lens, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses

The Sea Beast (2022)

Motion Picture | 3D | Color | 1.85:1 | 115 Minutes

Directed by | Chris Williams | Editing by | Joyce Arrastia

Starring | Karl Urban, Zaris-Angel Hator, Jared Harris

Glass Onion (2022)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 139 Minutes

Glass Onion | ShotOnWhat?

Directed by | Rian Johnson | Cinematography by | Steve Yedlin | Editing by | Bob Ducsay

Starring | Daniel Craig, Edward Norton, Kate Hudson

Cameras | ARRI ALEXA Mini LF Camera

Lenses | Zeiss Supreme Prime Series Lenses

May December (2023)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 117 Minutes

Directed by | Todd Haynes | Cinematography by | Christopher Blauvelt | Editing by | Affonso Gonçalves

Starring | Natalie Portman, Chris Tenzis, Charles Melton

Cameras | ARRI Alexa 35 Camera

Lenses | Kowa Cine Prominar Spherical Lenses

The After (2023)

Short Film | 2D | Color | 2.39:1 | 19 Minutes

Directed by | Misan Harriman | Cinematography by | Si Bell | Editing by | Aggela Despotidou

Starring | David Oyelowo, Jessica Plummer, Amelie Dokubo

The Killer (2023)

Motion Picture | 2D | 4K Project | Color | 118 Minutes

Directed by | David Fincher | Cinematography by | Erik Messerschmidt | Editing by | Kirk Baxter

Starring | Michael Fassbender, Tilda Swinton, Charles Parnell

Cameras | Red Komodo Camera, Red Komodo-X Camera, Red V-Raptor Camera, Red V-Raptor XL Camera

Lenses | Fujinon Premier Lenses, Leitz Summilux-C Series Lenses

The Veil (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 93 Minutes

Directed by | Phil Joanou | Cinematography by | Steeven Petitteville | Editing by | Paul Norling

Starring | Jessica Alba, Thomas Jane, Lily Rabe

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Plus Camera, Bolex H16 Camera, Phantom Flex Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Anamorphic Lenses, CamTec Lenses, Cineovision Lenses, Kowa Cine Prominar Anamorphic 100mm T3.4 Lens, Kowa Cine Prominar Anamorphic 40mm T2.3 Lens, Kowa Cine Prominar Anamorphic 50mm T2.3 Lens, Kowa Cine Prominar Anamorphic 75mm T2.8 Lens

Stranger Things (2016)

Television Series | 2D | 4K Project | Color | 2.0:1 | 51 Minutes

| Cinematography by | Tim Ives, Caleb Heymann, Tod Campbell, Lachlan Milne, Brett Jutkiewicz, David Franco | Editing by | Dean Zimmerman, Nat Fuller, Kevin D. Ross, Katheryn Naranjo, Casey Cichocki

Starring | Millie Bobby Brown, Finn Wolfhard, Winona Ryder

Cameras | ARRI ALEXA LF Camera, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Red Monstro 8K Camera

Lenses | Leitz Summilux-C Series Lenses

The Father (2020)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 97 Minutes

Directed by | Florian Zeller | Cinematography by | Ben Smithard | Editing by | Yorgos Lamprinos

Starring | Anthony Hopkins, Olivia Colman, Mark Gatiss

Cameras | Sony CineAlta VENICE Camera

Lenses | Zeiss Cinema Zoom Series Lenses, Zeiss Supreme Prime Series Lenses

Gipsy Queen (2019)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 117 Minutes

Directed by | Hüseyin Tabak | Cinematography by | Lukas Gnaiger | Editing by | Christoph Loidl

Starring | Alina Serban, Tobias Moretti, Irina Kurbanova, Catrin Striebeck

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Cooke S4/i Lenses, Cooke Spherical Lenses

Maniac (2018)

Miniseries | 2D | 4K Project | Color | 386 Minutes

Directed by | Cary Joji Fukunaga | Cinematography by | Darren Lew | Editing by | Pete Beaudreau, Tim Streeto

Starring | Emma Stone, Jonah Hill, Sonoya Mizuno

Cameras | Panavision Millennium DXL Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

The Sandman (2022)

Television Series | 2D | 4K Project | Color | 2.39:1 | 45 Minutes

Directed by | Jamie Childs, Andrés Baiz, Louise Hooper, Hisko Hulsing, Mairzee Almas, Mike Barker, Coralie Fargeat | Cinematography by | Will Baldy, Sam Heasman, George Steel | Editing by | Daniel Gabbe, Kelly Stuyvesant, Shoshanah Tanzer, Jamin Bricker, Eva Krispijn

Starring | Tom Sturridge, Boyd Holbrook, Patton Oswalt

Cameras | Red Monstro 8K Camera

Unbreakable Kimmy Schmidt (2015)

Television Series | 2D | Color | 1.78:1 (16x9) | 30 Minutes

| Cinematography by | John Inwood | Editing by | Ken Eluto, Elizabeth Merrick, Meg Reticker, Kyle Gilman, Jesse Gordon, Craig Cobb, Alex Minnick, Ellen Tam, Katie Abel, Micah Gardner

Starring | Ellie Kemper, Jane Krakowski, Tituss Burgess, Carol Kane

Cameras | Red Epic Dragon Camera, Red Helium (Weapon) 8K

Orange Is the New Black (2013)

Television Series | 2D | 2K Project, 4K Project | Color | 1.78:1 (16x9) | 59 Minutes

| Cinematography by | Ludovic Littee, Vanja Cernjul, Yaron Orbach, Manuel Billeter, Michael Trim, David M. Dunlap, Wylda Bayron, Andrew Voegeli, William Newell | Editing by | Bill Turro, Shannon Mitchell, Michael Stern, Amy M. Fleming, Tim Boettcher, W. Kale Whorton, Jennifer Hatton, James A. Brewer, Liza Cardinale, Rockie Stephens

Starring | Taylor Schilling, Danielle Brooks, Taryn Manning, Emma Myles

Cameras | ARRI ALEXA Camera, Panasonic VariCam 35

Lenses | Cooke 5/i Lenses

Marriage Story (2019)

Motion Picture | 2D | 4K Project | Color | 137 Minutes

Directed by | Noah Baumbach | Cinematography by | Robbie Ryan | Editing by | Jennifer Lame

Starring | Adam Driver, Scarlett Johansson, Julia Greer, Azhy Robertson

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses | Panavision Primo Primes Spherical Lenses

13 Reasons Why (2017)

Television Series | 2D | 4K Project | Color | 1.78:1 (16x9), 2.0:1 | 60 Minutes

| Cinematography by | Ivan Strasburg, Kevin Thompson, Cameron Duncan, Tommy Lohmann, Andrij Parekh, Marshall Adams | Editing by | Matthew Ramsey, Leo Trombetta, Philip Harrison, Jacques Gravett, Daniel Gabbe, Sue Blainey, Rich Fox

Starring | Dylan Minnette, Katherine Langford, Christian Navarro, Alisha Boe

Cameras | Panasonic VariCam 35

Lenses | Hawk V-Lite Vintage´74 Lens, Leitz Summilux-C Series Lenses

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