20th Century Fox | 43 Titles
Minority Report (2002)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Lenses | Panavision Lenses
True Lies (1994)
Directed by | James Cameron | Cinematography by | Russell Carpenter | Editing by | Conrad Buff IV, Mark Goldblatt, Richard A. Harris, James Cameron
Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses
The Abyss (1989)
Directed by | James Cameron | Cinematography by | Mikael Salomon | Editing by | Conrad Buff IV, Joel Goodman, Steven Quale, Howard E. Smith
Predator (1987)
Directed by | John McTiernan | Cinematography by | Donald McAlpine | Editing by | Mark Helfrich, John F. Link
Cameras | ARRIFLEX 35 III Camera, Panavision Cameras
Murder on the Orient Express (2017)
Directed by | Kenneth Branagh | Cinematography by | Haris Zambarloukos | Editing by | Mick Audsley
Cameras | ARRI ALEXA 65 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision System 65 Camera
Lenses | Panavision Sphero 65 Series Lenses
Blood and Sand (1941)
Directed by | Rouben Mamoulian | Cinematography by | Ernest Palmer, Ray Rennahan | Editing by | Robert Bischoff
Cameras | Technicolor 3-Strip Camera
Ford v Ferrari (2019)
Directed by | James Mangold | Cinematography by | Phedon Papamichael | Editing by | Andrew Buckland, Michael McCusker, Dirk Westervelt
Cameras | ARRI ALEXA LF Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision H Series Lenses, Panavision T Series Anamorphic Lenses
Star Wars: Episode IV – A New Hope (1977)
Directed by | George Lucas | Cinematography by | Gilbert Taylor | Editing by | Richard Chew, T.M. Christopher, Paul Hirsch, Marcia Lucas, George Lucas
Cameras | ARRIFLEX 35 III Camera, Dykstraflex Camera, Mitchell VistaVision Camera, Panavision Cameras, Panavision Super PSR R-200
Star Wars: Episode V – The Empire Strikes Back (1980)
Directed by | Irvin Kershner | Cinematography by | Peter Suschitzky | Editing by | T.M. Christopher, Paul Hirsch, George Lucas, Marcia Lucas
Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Camera, Panavision Panaflex-X Camera, Panavision Silent Reflex PSR Camera, Panavision Super PSR R-200
Bad Times at the El Royale (2018)
Wilson (1944)
Directed by | Henry King | Cinematography by | Leon Shamroy, Ernest Palmer | Editing by | Barbara McLean
Cameras | Technicolor 3-Strip Camera
Leave Her to Heaven (1945)
Directed by | John M. Stahl | Cinematography by | Leon Shamroy | Editing by | James B. Clark
Cameras | Technicolor 3-Strip Camera
Cleopatra (1963)
Directed by | Joseph L. Mankiewicz | Cinematography by | Leon Shamroy, Jack Hildyard | Editing by | Dorothy Spencer, Elmo Williams
Cameras | Todd-AO 65mm Camera
Lenses | Todd-AO Lenses
A Letter to Three Wives (1949)
Directed by | Joseph L. Mankiewicz | Cinematography by | Arthur C. Miller | Editing by | J. Watson Webb Jr.
The Grapes of Wrath (1940)
Directed by | John Ford | Cinematography by | Gregg Toland | Editing by | Robert L. Simpson
Cameras | Mitchell Cameras
The Black Swan (1942)
Directed by | Henry King | Cinematography by | Leon Shamroy | Editing by | Barbara McLean
Cameras | Technicolor Cameras
The Towering Inferno (1974)
Directed by | John Guillermin | Cinematography by | Fred J. Koenekamp | Editing by | Carl Kress, Harold F. Kress
Cameras | Panavision Silent Reflex PSR Camera
The Predator (2018)
Directed by | Shane Black | Cinematography by | Larry Fong | Editing by | Harry B. Miller III
Lenses | Panavision Ultra Speed MKII Lenses
Alien: Covenant (2017)
Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Pietro Scalia
Lenses | Angenieux Optimo DP Zoom Lenses, Panavision Compact Zoom Lenses, Panavision PVintage Prime Lenses
The Post (2017)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Sarah Broshar, Michael Kahn
Lenses | Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses
