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2D | 5452 Titles

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Talladega Nights: The Ballad of Ricky Bobby (2006)

Motion Picture | 2D | 2K Project | Color | 108 Minutes

Directed by | Adam McKay | Cinematography by | Oliver Wood | Editing by | Brent White

Starring | Will Ferrell, John C. Reilly, Sacha Baron Cohen, Gary Cole

Cameras | Panavision Cameras

Lenses | Panavision Lenses

The Boy and the Heron (2023)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 124 Minutes

Directed by | Hayao Miyazaki | Cinematography by | Atsushi Okui | Editing by | Rie Matsubara, Takeshi Seyama, Akane Shiraishi

Starring | Soma Santoki, Masaki Suda, Kô Shibasaki

The Teachers’ Lounge (2023)

Motion Picture | 2D | 2K Project | Color | 1.33:1 (4x3) | 98 Minutes

Directed by | Ilker Çatak | Cinematography by | Judith Kaufmann | Editing by | Gesa Jäger

Starring | Leonie Benesch, Anne-Kathrin Gummich, Rafael Stachowiak

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux Optimo 45-120 mm T2.8 Lens

Argentina, 1985 (2022)

Motion Picture | 2D | Color | 1.50:1 | 140 Minutes

Directed by | Santiago Mitre | Cinematography by | Javier Julia | Editing by | Andrés Pepe Estrada

Starring | Ricardo Darín, Gina Mastronicola, Francisco Bertín

Cameras | ARRI ALEXA Mini LF Camera

Lenses | ARRI Signature Prime Lenses, Canon FD Series Lenses

Bardo: False Chronicle of a Handful of Truths (2022)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 159 Minutes

Directed by | Alejandro G. Iñárritu | Cinematography by | Darius Khondji | Editing by | Alejandro G. Iñárritu, Monica Salazar

Starring | Daniel Giménez Cacho, Griselda Siciliani, Ximena Lamadrid

Cameras | ARRI ALEXA 65 Camera

Lenses | Panavision Sphero 65 Series Lenses

Marcel the Shell with Shoes On (2021)

Motion Picture | 2D | 4K Project | Color | 1.66:1, 1.85:1 | 90 Minutes

Directed by | Dean Fleischer Camp | Cinematography by | Eric Adkins, Bianca Cline | Editing by | Dean Fleischer Camp, Nick Paley

Starring | Jenny Slate, Dean Fleischer Camp, Isabella Rossellini

Cameras | ARRI ALEXA Mini Camera, Sony PMW-F5 Camera

Lenses | Fujinon XK Cabrio Series, Nikon - Nikkor Lenses, Panavision Primo Primes Spherical Lenses

Mrs. Harris Goes to Paris (2022)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 115 Minutes

Directed by | Anthony Fabian | Cinematography by | Felix Wiedemann | Editing by | Barney Pilling

Starring | Lesley Manville, Isabelle Huppert, Lambert Wilson

Cameras | ARRI ALEXA LF Camera

Bran Nue Dae (2009)

Motion Picture | 2D | 2K Project | Color | 1.78:1 (16x9), 2.39:1 | 85 Minutes

Directed by | Rachel Perkins | Cinematography by | Andrew Lesnie | Editing by | Rochelle Oshlack

Starring | Rocky McKenzie, Jessica Mauboy, Ernie Dingo

The Cat in the Hat (2003)

Motion Picture | 2D | 2K Project | Color | 82 Minutes

Directed by | Bo Welch | Cinematography by | Emmanuel Lubezki | Editing by | Don Zimmerman

Starring | Mike Myers, Spencer Breslin, Dakota Fanning

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Banshees of Inisherin (2022)

Motion Picture | 2D | 4K Project | Color | 114 Minutes

Directed by | Martin McDonagh | Cinematography by | Ben Davis | Editing by | Mikkel E.G. Nielsen

Starring | Colin Farrell, Brendan Gleeson, Kerry Condon

Cameras | ARRI ALEXA Mini LF Camera

Lenses | ARRI Signature Prime Lenses

Double Indemnity (1944)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 107 Minutes

Directed by | Billy Wilder | Cinematography by | John F. Seitz

Starring | Fred MacMurray, Barbara Stanwyck, Edward G. Robinson

Cameras | Mitchell BNC Camera

Zack Snyder’s Justice League (2021)

Motion Picture | 2D | 4K Project | Color | 1.33:1 (4x3) | 242 Minutes

Directed by | Zack Snyder | Cinematography by | Fabian Wagner | Editing by | David Brenner, Carlos M. Castillón, Dody Dorn

Starring | Henry Cavill, Ben Affleck, Gal Gadot, Amy Adams

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Leitz Summilux-C Series Lenses

Mean Girls (2004)

Motion Picture | 2D | Color | 1.85:1 | 97 Minutes

Directed by | Mark Waters | Cinematography by | Daryn Okada | Editing by | Wendy Greene Bricmont

Starring | Lindsay Lohan, Jonathan Bennett, Rachel McAdams, Tina Fey

Cameras | Panavision Cameras

RRR (2022)

Movie | 2D | 4K Project | Black & White, Color | 1.85:1, 1.90:1, 2.39:1 | 187 Minutes

Directed by | S.S. Rajamouli | Cinematography by | KK Senthil Kumar | Editing by | A. Sreekar Prasad

Starring | N.T. Rama Rao Jr., Ram Charan, Ajay Devgn

Cameras | ARRI ALEXA LF Camera

Lenses | ARRI Signature Prime Lenses

Tell It Like a Woman (2022)

Motion Picture | 2D | Color | 112 Minutes

Directed by | Lucia Bulgheroni, Silvia Carobbio, Catherine Hardwicke, Taraji P. Henson, Mipo Oh, Lucía Puenzo, Maria Sole Tognazzi, Leena Yadav | Cinematography by | Aseem Bajaj, Paul M. Sommers | Editing by | Josie Azzam, Anne-Sophie Bion

Starring | Cara Delevingne, Marcia Gay Harden, Eva Longoria

To Leslie (2022)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 119 Minutes

Directed by | Michael Morris | Cinematography by | Larkin Seiple | Editing by | Chris McCaleb

Starring | Andrea Riseborough, Drew Youngblood, Tom Virtue

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The Maltese Falcon (1941)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 100 Minutes

Directed by | John Huston | Cinematography by | Arthur Edeson | Editing by | Thomas Richards

Starring | Humphrey Bogart, Mary Astor, Gladys George

Cameras | Mitchell BNC Camera

Triangle of Sadness (2022)

Motion Picture | 2D | 4K Project | Color | 1.78:1 (16x9), 2.39:1 | 147 Minutes

Directed by | Ruben Östlund | Cinematography by | Fredrik Wenzel | Editing by | Mikel Cee Karlsson, Ruben Östlund

Starring | Thobias Thorwid, Harris Dickinson, Charlbi Dean

Cameras | ARRI ALEXA LF Camera, Red Gemini Camera, Red Helium 8K Camera

Lenses | Zeiss Supreme Prime Series Lenses

Aftersun (2022)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 102 Minutes

Directed by | Charlotte Wells | Cinematography by | Gregory Oke | Editing by | Blair McClendon

Starring | Paul Mescal, Frankie Corio, Celia Rowlson-Hall

Cameras | ARRICAM Lite (LT) Camera

Lenses | Cooke S4/i Lenses

Fay Grim (2006)

Motion Picture | 2D | HD Project | Color | 1.85:1 | 118 Minutes

Directed by | Hal Hartley | Cinematography by | Sarah Cawley | Editing by | Hal Hartley

Starring | Parker Posey, Jeff Goldblum, Liam Aiken

Cameras | Sony HDW-F900 Camera

Lenses | Zeiss DigiPrime Lenses

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