Projection Format » Anamorphic Projection Format

Anamorphic Projection Format | 525 Titles

Anamorphic Projection Format 4.50/5 4 Votes

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Star Trek II: The Wrath of Khan (1982)

Motion Picture | 2D | Color | 2.20:1, 2.35:1 | 113 Minutes

Directed by | Nicholas Meyer | Cinematography by | Gayne Rescher | Editing by | William Paul Dornisch

Starring | William Shatner, Leonard Nimoy, DeForest Kelley, James Doohan

Cameras | Dykstraflex Camera, Panavision Cameras

Transcendence (2014)

Motion Picture | 2D, 3D | Color | 2.39:1 | 119 Minutes

Directed by | Wally Pfister | Cinematography by | Jess Hall | Editing by | David Rosenbloom

Starring | Johnny Depp, Rebecca Hall, Morgan Freeman, Cillian Murphy

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom Flex Camera

Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Grandmaster (2013)

Motion Picture | 2D | Color | 2.39:1 | 130 Minutes

Directed by | Kar-Wai Wong | Cinematography by | Philippe Le Sourd | Editing by | William Chang, Hung Poon

Starring | Tony Chiu-Wai Leung, Ziyi Zhang, Jin Zhang, Chang Chen

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Xtreme Camera, Phantom Flex Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Des gens qui s’embrassent (2013)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | Danièle Thompson | Cinematography by | Jean-Marc Fabre | Editing by | Sylvie Landra

Starring | Eric Elmosnino, Lou de Laâge, Kad Merad, Clara Ponsot

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Rue Mandar (2012)

Motion Picture | 2D | Color | 2.39:1 | 95 Minutes

Directed by | Idit Cebula | Cinematography by | Rémy Chevrin | Editing by | Célia Lafitedupont

Starring | Sandrine Kiberlain, Richard Berry, Emmanuelle Devos, Emmanuelle Bercot

Cameras | Red Epic Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Möbius (2013)

Motion Picture | 2D | Color | 2.39:1 | 103 Minutes

Directed by | Eric Rochant | Cinematography by | Pierre Novion | Editing by | Pascale Fenouillet

Starring | Jean Dujardin, Cécile de France, Tim Roth, Émilie Dequenne

Cameras | Aaton Penelope Camera, ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

Belle et Sébastien (2013)

Motion Picture | 2D | Color | 2.39:1 | 104 Minutes

Directed by | Nicolas Vanier | Cinematography by | Éric Guichard | Editing by | Stéphanie Pedelacq, Raphaele Urtin

Starring | Félix Bossuet, Tchéky Karyo, Margaux Chatelier, Dimitri Storoge

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens

Collision (2013)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Directed by | David Marconi | Cinematography by | Thomas Hardmeier | Editing by | Julien Rey

Starring | Frank Grillo, Jaimie Alexander, Roschdy Zem, Marie-Josée Croze

Cameras | ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, GoPro HD Hero2 Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Leitz Summilux-C Series Lenses, Zeiss Compact Prime Lenses

Nymphomaniac: Vol. I (2013)

Motion Picture | 2D | Black & White, Color | 1.85:1, 2.39:1 | 117 Minutes

Directed by | Lars von Trier | Cinematography by | Manuel Alberto Claro | Editing by | Morten Højbjerg, Jacob Secher Schulsinger, Molly Malene Stensgaard

Starring | Charlotte Gainsbourg, Stellan Skarsgård, Stacy Martin, Shia LaBeouf

Cameras | ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Lenses

Quartet (2012)

Motion Picture | 2D | Color | 2.39:1 | 94 Minutes

Directed by | Dustin Hoffman | Cinematography by | John de Borman | Editing by | Barney Pilling

Starring | Maggie Smith, Michael Gambon, Billy Connolly, Tom Courtenay

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses

Lone Survivor (2013)

Motion Picture | 2D | Color | 2.39:1 | 121 Minutes

Directed by | Peter Berg | Cinematography by | Tobias A. Schliessler | Editing by | Colby Parker Jr.

Starring | Mark Wahlberg, Taylor Kitsch, Emile Hirsch, Ben Foster

Cameras | Phantom Flex Camera, Red Epic Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens

Thérèse (2012)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

Directed by | Claude Miller | Cinematography by | Gérard de Battista | Editing by | Véronique Lange

Starring | Audrey Tautou, Gilles Lellouche, Anaïs Demoustier, Catherine Arditi

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Fujinon Alura Lenses

Do Not Disturb (2012)

Motion Picture | 2D | Color | 2.39:1 | 88 Minutes

Directed by | Yvan Attal | Cinematography by | Thomas Hardmeier | Editing by | Jennifer Augé

Starring | François Cluzet, Yvan Attal, Laetitia Casta, Charlotte Gainsbourg

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, ARRI Shift & Tilt System Lens, Zeiss Master Prime Lenses, Zeiss Super Speed Lenses

Trois mondes (2012)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Directed by | Catherine Corsini | Cinematography by | Claire Mathon | Editing by | Muriel Breton

Starring | Raphaël Personnaz, Clotilde Hesme, Arta Dobroshi, Reda Kateb

Cameras | Aaton Penelope Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Ultra Prime Lenses

Don-eui mat (2012)

Motion Picture | 2D | Color | 2.39:1 | 115 Minutes

Directed by | Sang-soo Im | Cinematography by | Woo-hyung Kim | Editing by | Eun Soo Lee

Starring | Kang-woo Kim, Yun-shik Baek, Yuh Jung Youn, Hyo-jin Kim

Cameras | Red One Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens

Plan de table (2012)

Motion Picture | 2D | Color | 2.39:1 | 84 Minutes

Directed by | Christelle Raynal | Cinematography by | Éric Guichard | Editing by | Philippe Bourgueil

Starring | Elsa Zylberstein, Franck Dubosc, Audrey Lamy, Arié Elmaleh

Cameras | Aaton Penelope Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Astérix and Obélix: God Save Britannia (2012)

Motion Picture | 3D | Color | 2.39:1 | 110 Minutes

Directed by | Laurent Tirard | Cinematography by | Catherine Pujol, Denis Rouden | Editing by | Valérie Deseine

Starring | Gérard Depardieu, Dany Boon, Edouard Baer, Guillaume Gallienne

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo DP 16-42 mm T2.8 Lens

Bienvenue parmi nous (2012)

Motion Picture | 2D | Color | 2.39:1 | 92 Minutes

Directed by | Jean Becker | Cinematography by | Arthur Cloquet | Editing by | Franck Nakache, Jacques Witta

Starring | Patrick Chesnais, Jeanne Lambert, Miou-Miou, Jacques Weber

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Populaire (2012)

Motion Picture | 2D | Color | 2.39:1 | 111 Minutes

Directed by | Régis Roinsard | Cinematography by | Guillaume Schiffman | Editing by | Laure Gardette, Sophie Reine

Starring | Romain Duris, Féodor Atkine, Déborah François, Bérénice Bejo

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Ma bonne étoile (2012)

Motion Picture | 2D | Color | 2.39:1 | 96 Minutes

Directed by | Anne Fassio | Editing by | Marion Monestier

Starring | Christopher Lambert, Claude Brasseur, Fleur Lise Heuet, Antoine Berry

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

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