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Cameras | Red Epic Camera Lenses | Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses |
Search Results: ANGENIEUX 15-40 | 978 Titles
Sleepy Hollow (2013)
Piranha 3D (2010)
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Directed by | Alexandre Aja Cinematography by ~ John R. Leonetti Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera Lenses | Angenieux HR Zoom Lenses, Cooke S4 Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses |
Cosmopolis (2012)
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Directed by | David Cronenberg Cinematography by ~ Peter Suschitzky Cameras | ARRI ALEXA Camera Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Cooke S4 Lenses |
The Last Stand (2013)
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Directed by | Jee-woon Kim Cinematography by ~ Ji-yong Kim Cameras | ARRI ALEXA Plus Camera Lenses | Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Leitz Summilux-C Series Lenses, Zeiss Ultra Prime Lenses |
Chicago Fire (2012)
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Cameras | ARRI ALEXA Camera Lenses | Angenieux Optimo 45-120 mm T2.8 Lens, Cooke S4 Lenses |
La grande bellezza (2013)
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Directed by | Paolo Sorrentino Cinematography by ~ Luca Bigazzi Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, ARRIFLEX 535 Camera Lenses | Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Ultra Prime Lenses |
Mr. Popper’s Penguins (2011)
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Directed by | Mark Waters Cinematography by ~ Florian Ballhaus Cameras | ARRI ALEXA Camera Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses |
Transformers: Revenge of the Fallen (2009)
Sound of Noise (2010)
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Directed by | Ola Simonsson, Johannes Stjärne Nilsson Cinematography by ~ Charlotta Tengroth Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera Lenses | Angenieux Lenses, Angenieux Optimo 24-290 mm T2.8 Lens, ARRI Lenses, Zeiss Ultra Prime Lenses |
The Butler (2013)
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Directed by | Lee Daniels Cinematography by ~ Andrew Dunn Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses |
The 33 (2015)
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Directed by | Patricia Riggen Cinematography by ~ Checco Varese Cameras | ARRI ALEXA XT Plus Camera, Silicon Imaging SI-2K Nano Camera Lenses | Angenieux Optimo Anamorphic Lenses, Cooke S4 Lenses, Kowa JC10M Series Lenses, Zeiss Ultra Prime Lenses |
Io sono l’amore (2009)
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Directed by | Luca Guadagnino Cinematography by ~ Yorick Le Saux Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses, Zeiss ARRI Macro Lenses |
Something in the Air (2012)
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Directed by | Olivier Assayas Cinematography by ~ Eric Gautier Cameras | Aaton 35-III Camera, Aaton Penelope Camera Lenses | Angenieux Optimo Zoom Lenses, Zeiss Standard Speed Prime Lenses |
Seeking a Friend for the End of the World (2012)
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Directed by | Lorene Scafaria Cinematography by ~ Tim Orr Cameras | ARRI ALEXA Plus Camera Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses |
Trilogia II: I skoni tou hronou (2008)
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Directed by | Theodoros Angelopoulos Cinematography by ~ Andreas Sinanos Cameras | ARRIFLEX 535 Camera Lenses | Angenieux Optimo 24-290 mm T2.8 Lens |
Resident Evil: Extinction (2007)
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Directed by | Russell Mulcahy Cinematography by ~ David Johnson |
The Blacklist (2013)
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Cameras | Sony PMW-F55 Camera |
