Directed by | Shekhar Kapur Cinematography by ~ Remi Adefarasin Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses |
Search Results: ANGENIEUX 15-40 | 985 Titles
Elizabeth: The Golden Age (2007)
En solitaire (2013)
Directed by | Christophe Offenstein Cinematography by ~ Guillaume Schiffman Cameras | Red Epic Camera, Red Scarlet Camera Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Standard Speed Prime Lenses |
Grace of Monaco (2014)
Directed by | Olivier Dahan Cinematography by ~ Eric Gautier Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Panavision G Series Anamorphic Lenses |
Napoleon (2023)
Directed by | Ridley Scott Cinematography by ~ Dariusz Wolski Cameras | ARRI ALEXA Mini LF Camera Lenses | Angenieux Type EZ-1 S35 30-90 mm T3.0 Lens, Angenieux Type EZ-2 S35 15-40 mm T2.0 Lens, Panavision 65 Vintage Series Lenses, Panavision Lenses, Panavision Primo Zooms Spherical Lenses |
Dorian Gray (2009)
Directed by | Oliver Parker Cinematography by ~ Roger Pratt Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera Lenses | Angenieux Lenses, Cooke S4 Lenses |
X-Men Origins: Wolverine (2009)
Directed by | Gavin Hood Cinematography by ~ Donald McAlpine Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses |
In Bruges (2008)
Directed by | Martin McDonagh Cinematography by ~ Eigil Bryld Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses |
Don’t Be Afraid of the Dark (2010)
Directed by | Troy Nixey Cinematography by ~ Oliver Stapleton Cameras | ARRICAM Lite (LT) Camera, Moviecam Compact Camera Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses |
The Muppets (2011)
Directed by | James Bobin Cinematography by ~ Don Burgess Cameras | Red Epic Camera, Red One MX Camera Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses |
Les Misérables (2012)
Directed by | Tom Hooper Cinematography by ~ Danny Cohen Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses |
Warm Bodies (2013)
Directed by | Jonathan Levine Cinematography by ~ Javier Aguirresarobe Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Wescam Cameras Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses |
Ex Machina (2014)
Directed by | Alex Garland Cinematography by ~ Rob Hardy Cameras | GoPro HD Hero3 Camera, Sony CineAlta F65 Camera, Sony PMW-F55 Camera Lenses | Angenieux Optimo Zoom Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses |
Straight Outta Compton (2015)
New Year’s Eve (2011)
Directed by | Garry Marshall Cinematography by ~ Charles Minsky Cameras | ARRI ALEXA Camera Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses |
Rambo (2008)
Directed by | Sylvester Stallone Cinematography by ~ Glen MacPherson Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera Lenses | Zeiss Ultra Prime Lenses |
Le dernier vol (2009)
Directed by | Karim Dridi Cinematography by ~ Antoine Monod Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses |
Scandal (2012)
Cameras | ARRI ALEXA Camera, Digital Bolex D16 Lenses | Angenieux Optimo Zoom Lenses |
House of Lies (2012)
Cameras | ARRI ALEXA Camera Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses |