Miller Drake

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Chasing Mavericks | ShotOnWhat?

Visual Effects Editor

Chasing Mavericks (2012)

Directed by: Michael Apted, Curtis Hanson

Cinematography by: Bill Pope

Edited by: John Gilbert

Cameras: ARRI ALEXA Camera, Red Epic Camera

Green Lantern | ShotOnWhat?

Visual Effects Editor

Green Lantern (2011)

Directed by: Martin Campbell

Cinematography by: Dion Beebe

Edited by: Stuart Baird

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System

The Bourne Ultimatum | ShotOnWhat?

Visual Effects Editor

The Bourne Ultimatum (2007)

Directed by: Paul Greengrass

Cinematography by: Oliver Wood

Edited by: Christopher Rouse

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera

Lenses: Cooke S4 Lenses, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

Editing System: Avid Editing System, Final Cut Pro Editing System, Lightworks Editing System

Night at the Museum | ShotOnWhat?

Visual Effects Editor

Night at the Museum (2006)

Directed by: Shawn Levy

Cinematography by: Guillermo Navarro

Edited by: Don Zimmerman

The Legend of Zorro | ShotOnWhat?

Visual Effects Editor

The Legend of Zorro (2005)

Directed by: Martin Campbell

Cinematography by: Phil Meheux

Edited by: Stuart Baird

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Ladder 49 | ShotOnWhat?

Visual Effects Editor

Ladder 49 (2004)

Directed by: Jay Russell

Cinematography by: James L. Carter

Edited by: Bud S. Smith, M. Scott Smith

Men in Black II | ShotOnWhat?

Visual Effects Editor

Men in Black II (2002)

Directed by: Barry Sonnenfeld

Cinematography by: Greg Gardiner

Edited by: Richard Pearson, Steven Weisberg

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

The 6th Day | ShotOnWhat?

Visual Effects Co-supervisor

The 6th Day (2000)

Directed by: Roger Spottiswoode

Cinematography by: Pierre Mignot

Edited by: Michel Arcand, Mark Conte, Dominique Fortin

Virus | ShotOnWhat?

Visual Effects Editor

Virus (1999)

Directed by: John Bruno

Cinematography by: David Eggby

Edited by: M. Scott Smith

Batman & Robin | ShotOnWhat?

Visual Effects Editor

Batman & Robin (1997)

Directed by: Joel Schumacher

Cinematography by: Stephen Goldblatt

Edited by: Mark Stevens, Dennis Virkler

Executive Decision | ShotOnWhat?

Visual Effects Editor

Executive Decision (1996)

Directed by: Stuart Baird

Cinematography by: Alex Thomson

Edited by: Stuart Baird, Derek Brechin, Dallas Puett, Kevin Stitt, Frank J. Urioste

Batman Forever | ShotOnWhat?

Visual Effects Editor

Batman Forever (1995)

Directed by: Joel Schumacher

Cinematography by: Stephen Goldblatt

Edited by: Mark Stevens, Dennis Virkler

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Lightworks Editing System

True Lies | ShotOnWhat?

Visual Effects Editor

True Lies (1994)

Directed by: James Cameron

Cinematography by: Russell Carpenter

Edited by: Conrad Buff IV, Mark Goldblatt, Richard A. Harris, James Cameron

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera, Beaumont Vista Vision Camera

Lenses: Cooke Varotal Lenses, Zeiss Super Speed Lenses

Cliffhanger | ShotOnWhat?

Visual Effects Editor

Cliffhanger (1993)

Directed by: Renny Harlin

Cinematography by: Alex Thomson

Edited by: Frank J. Urioste

Cameras: Panavision Cameras

Last Action Hero | ShotOnWhat?

Visual Effects Editor

Last Action Hero (1993)

Directed by: John McTiernan

Cinematography by: Dean Semler

Edited by: Richard A. Harris, John Wright

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Terminator 2: Judgment Day | ShotOnWhat?

Visual Effects Editor

Terminator 2: Judgment Day (1991)

Directed by: James Cameron

Cinematography by: Adam Greenberg

Edited by: Conrad Buff IV, Dody Dorn, Mark Goldblatt, Richard A. Harris

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera

Lenses: Cooke Varotal Lenses, Zeiss Super Speed Lenses

JFK | ShotOnWhat?

Optical Supervisor

JFK (1991)

Directed by: Oliver Stone

Cinematography by: Robert Richardson

Edited by: Joe Hutshing, Pietro Scalia

Cameras: ARRIFLEX 16SR Camera, Panavision Panaflex Gold Camera

Lenses: Panavision E35 35 mm T2.0 Lens

Editing System: K.E.M. Editing System

The Abyss | ShotOnWhat?

Visual Effects Editor

The Abyss (1989)

Directed by: James Cameron

Cinematography by: Mikael Salomon

Edited by: Conrad Buff IV, Joel Goodman, Steven Quale, Howard E. Smith

Cameras: ARRIFLEX 35 BL3 Camera, Panavision System 65 Camera

Piranha II: The Spawning | ShotOnWhat?

Director

Piranha II: The Spawning (1982)

Directed by: James Cameron, Ovidio G. Assonitis, Miller Drake

Cinematography by: Roberto D'Ettorre Piazzoli

Edited by: Roberto Silvi

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