Neal Norton

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Beautiful Creatures | ShotOnWhat?

Camera Operator: "a" Camera, Steadicam Operator

Beautiful Creatures (2013)

Directed by: Richard LaGravenese

Cinematography by: Philippe Rousselot

Edited by: David Moritz

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Hansel & Gretel: Witch Hunters | ShotOnWhat?

Camera Operator: "a" Camera / Steadicam Operator

Hansel & Gretel: Witch Hunters (2013)

Directed by: Tommy Wirkola

Cinematography by: Michael Bonvillain

Edited by: Jim Page

Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Master Prime Lenses

Wanderlust | ShotOnWhat?

Camera Operator: "a" Camera / Steadicam Operator

Wanderlust (2012)

Directed by: David Wain

Cinematography by: Michael Bonvillain

Edited by: David Moritz, Robert Nassau

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Larry Crowne | ShotOnWhat?

Camera Operator: "a" Camera / Steadicam Operator

Larry Crowne (2011)

Directed by: Tom Hanks

Cinematography by: Philippe Rousselot

Edited by: Alan Cody

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

30 Minutes or Less | ShotOnWhat?

Camera Operator: "a" Camera / Steadicam Operator

30 Minutes or Less (2011)

Directed by: Ruben Fleischer

Cinematography by: Jess Hall

Edited by: Alan Baumgarten

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

A Nightmare on Elm Street | ShotOnWhat?

Camera Operator: "a" Camera, Los Angeles & Insert Units / Steadicam Operator: Los Angeles & Insert Units

A Nightmare on Elm Street (2010)

Directed by: Samuel Bayer

Cinematography by: Jeff Cutter

Edited by: Glen Scantlebury

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Zombieland | ShotOnWhat?

Camera Operator: "a" Camera / Steadicam Operator

Zombieland (2009)

Directed by: Ruben Fleischer

Cinematography by: Michael Bonvillain

Edited by: Alan Baumgarten

Cameras: Panavision Genesis Camera, Phantom HD Camera, Phantom HD Gold Camera

Lenses: Panavision Primo Anamorphic Lenses, Panavision Ultra Speed MKII Lenses

Confessions of a Shopaholic | ShotOnWhat?

Camera Operator: "b" Camera / Steadicam: Miami

Confessions of a Shopaholic (2009)

Directed by: P.J. Hogan

Cinematography by: Jo Willems

Edited by: William Goldenberg

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Joneses | ShotOnWhat?

Camera Operator: "a" Camera / Steadicam Operator

The Joneses (2009)

Directed by: Derrick Borte

Cinematography by: Yaron Orbach

Edited by: Janice Hampton

Sherlock Holmes | ShotOnWhat?

Camera Operator: "b" Camera, New York / Steadicam Operator: New York

Sherlock Holmes (2009)

Directed by: Guy Ritchie

Cinematography by: Philippe Rousselot

Edited by: James Herbert

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Phantom HD Camera, Silicon Imaging SI-2K Camera

Lenses: Panavision Primo Classic Spherical Lenses

The Brave One | ShotOnWhat?

Camera Operator: "a" Camera / Steadicam Operator

The Brave One (2007)

Directed by: Neil Jordan

Cinematography by: Philippe Rousselot

Edited by: Tony Lawson

Cameras: Panavision Panaflex Camera

Lenses: Panavision Primo Anamorphic Lenses

Idlewild | ShotOnWhat?

Steadicam Operator

Idlewild (2006)

Directed by: Bryan Barber

Cinematography by: Pascal Rabaud

Edited by: Anne Goursaud

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Zeiss Ultra Prime Lenses

Constantine | ShotOnWhat?

Director Of Photography: Second Unit

Constantine (2005)

Directed by: Francis Lawrence

Cinematography by: Philippe Rousselot

Edited by: Wayne Wahrman

Charlie and the Chocolate Factory | ShotOnWhat?

Director Of Photography: Atlanta

Charlie and the Chocolate Factory (2005)

Directed by: Tim Burton

Cinematography by: Philippe Rousselot

Edited by: Chris Lebenzon

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Big Fish | ShotOnWhat?

A-camera / Steadicam Operator

Big Fish (2003)

Directed by: Tim Burton

Cinematography by: Philippe Rousselot

Edited by: Chris Lebenzon

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Peter Pan | ShotOnWhat?

A Camera Operator: Los Angeles

Peter Pan (2003)

Directed by: P.J. Hogan

Cinematography by: Donald McAlpine

Edited by: Garth Craven, Michael Kahn

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Unconditional Love | ShotOnWhat?

Camera Operator: "a" Camera / Steadicam Operator

Unconditional Love (2002)

Directed by: P.J. Hogan

Cinematography by: Remi Adefarasin

Edited by: Robert C. Jones

Cameras: Panavision Cameras

A Walk to Remember | ShotOnWhat?

Camera Operator: "a" Camera / Steadicam Operator

A Walk to Remember (2002)

Directed by: Adam Shankman

Cinematography by: Julio Macat

Edited by: Emma E. Hickox

Cameras: ARRI Cameras

Two Weeks Notice | ShotOnWhat?

Camera Operator: "a" Camera / Steadicam Operator

Two Weeks Notice (2002)

Directed by: Marc Lawrence

Cinematography by: László Kovács

Edited by: Susan E. Morse

Planet of the Apes | ShotOnWhat?

Camera Operator: "a" Camera / Steadicam Operator

Planet of the Apes (2001)

Directed by: Tim Burton

Cinematography by: Philippe Rousselot

Edited by: Chris Lebenzon

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Remember the Titans | ShotOnWhat?

Camera Operator: "a" Camera / Steadicam Operator

Remember the Titans (2000)

Directed by: Boaz Yakin

Cinematography by: Philippe Rousselot

Edited by: Michael Tronick

Miss Congeniality | ShotOnWhat?

Camera Operator: "a" Camera, Steadicam Operator

Miss Congeniality (2000)

Directed by: Donald Petrie

Cinematography by: László Kovács

Edited by: Billy Weber

Analyze This | ShotOnWhat?

Camera Operator: "b" Camera, Miami

Analyze This (1999)

Directed by: Harold Ramis

Cinematography by: Stuart Dryburgh

Edited by: Craig Herring, Christopher Tellefsen

Wild Things | ShotOnWhat?

Steadicam Operator

Wild Things (1998)

Directed by: John McNaughton

Cinematography by: Jeffrey L. Kimball

Edited by: Elena Maganini

Jack Frost | ShotOnWhat?

Camera Operator: "a" Camera / Steadicam Operator

Jack Frost (1998)

Directed by: Troy Miller

Cinematography by: László Kovács

Edited by: Lawrence Jordan

Black Dog | ShotOnWhat?

Camera Operator: "a" Camera / Steadicam Operator

Black Dog (1998)

Directed by: Kevin Hooks

Cinematography by: Buzz Feitshans IV

Edited by: Debra Neil-Fisher, Sabrina Plisco

My Best Friend's Wedding | ShotOnWhat?

Camera Operator

My Best Friend's Wedding (1997)

Directed by: P.J. Hogan

Cinematography by: László Kovács

Edited by: Garth Craven, Lisa Fruchtman

Cameras: Panavision Panaflex Camera

Conspiracy Theory | ShotOnWhat?

Camera Operator: "b" Camera / Steadicam Operator

Conspiracy Theory (1997)

Directed by: Richard Donner

Cinematography by: John Schwartzman

Edited by: Kevin Stitt, Frank J. Urioste

The Ghost and the Darkness | ShotOnWhat?

Camera Operator: "a" Camera

The Ghost and the Darkness (1996)

Directed by: Stephen Hopkins

Cinematography by: Vilmos Zsigmond

Edited by: Roger Bondelli, Robert Brown, Steve Mirkovich, Bert Lovitt

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Assassins | ShotOnWhat?

Camera Operator

Assassins (1995)

Directed by: Richard Donner

Cinematography by: Vilmos Zsigmond

Edited by: Lawrence Jordan, Richard Marks

Cameras: Panavision Panaflex Gold II Camera, Panavision Panastar Camera

Lenses: Panavision Primo Primes Spherical Lenses

Fair Game | ShotOnWhat?

B Camera / Steadicam Operator

Fair Game (1995)

Directed by: Andrew Sipes

Cinematography by: Richard Bowen

Edited by: David Finfer, Steven Kemper, Christian Wagner

Cameras: Panavision Cameras

Maverick | ShotOnWhat?

Camera Operator: "b" Camera

Maverick (1994)

Directed by: Richard Donner

Cinematography by: Vilmos Zsigmond

Edited by: Stuart Baird, Michael Kelly

Hidden Fears | ShotOnWhat?

Steadicam Operator

Hidden Fears (1993)

Directed by: Jean Bodon

Cinematography by: Douglas Kiefer

Edited by: Cielo Arango

Cop & ½ | ShotOnWhat?

Steadicam Operator

Cop & ½ (1993)

Directed by: Henry Winkler

Cinematography by: Bill Butler

Edited by: Daniel P. Hanley, Carroll Timothy O'Meara, Roger Tweten

The Real McCoy | ShotOnWhat?

Camera Operator / Steadicam Operator

The Real McCoy (1993)

Directed by: Russell Mulcahy

Cinematography by: Denis Crossan

Edited by: Peter Honess

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