Camera Operator: "a" Camera, Second Unit, Camera Operator: A Camera 2nd Unit
Barbie (2023)
Directed by: Greta Gerwig
Cinematography by: Rodrigo Prieto
Edited by: Nick Houy
Cameras: ARRI ALEXA 65 Camera
A Camera Operator: Additional Photography
Wonder Woman 1984 (2020)
Directed by: Patty Jenkins
Cinematography by: Matthew Jensen
Edited by: Richard Pearson
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Camera Operator: Second Unit, Dailies & Visual Effects Unit
Star Wars: Episode IX - The Rise of Skywalker (2019)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Camera Operator
Mission: Impossible - Fallout (2018)
Directed by: Christopher McQuarrie
Cinematography by: Rob Hardy
Edited by: Eddie Hamilton
A Camera Operator 2nd Unit
Mary Poppins Returns (2018)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Wyatt Smith
Lenses: Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo V Lenses, Panavision Primo V PV21 21mm T1.9 Lens, Panavision Primo V PV27 27mm T1.9 Lens, Panavision Primo V PV50 50mm T1.9 Lens
Camera Operator: Dailies
Wonder Woman (2017)
Directed by: Patty Jenkins
Cinematography by: Matthew Jensen
Edited by: Martin Walsh
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera
Lenses: ARRI Rental Prime 65 Lenses
B Camera Operator: Additional Photography / Camera Operator Splinter Unit
King Arthur: Legend of the Sword (2017)
Directed by: Guy Ritchie
Cinematography by: John Mathieson
Edited by: James Herbert
Cameras: ARRI ALEXA XT Camera
Camera Operator: "a" Camera, Second Unit
The Mummy (2017)
Directed by: Alex Kurtzman
Cinematography by: Ben Seresin
Camera Operator: "b" Camera
Paddington 2 (2017)
Directed by: Paul King
Cinematography by: Erik Wilson
Cameras: ARRI ALEXA Series Cameras
"a" Camera Operator
'Call the Midwife' Episode #2.6 (2013)
Directed by: China Moo-Young
Cinematography by: Simon Archer
Edited by: Gareth C. Scales
"a" Camera Operator
'Call the Midwife' Episode #2.5 (2013)
Directed by: China Moo-Young
Cinematography by: Simon Archer
Edited by: Gareth C. Scales
"c" Camera Operator
Thor: The Dark World (2013)
Directed by: Alan Taylor
Cinematography by: Kramer Morgenthau
Additional B-camera Operator
Gambit (2012)
Directed by: Michael Hoffman
Cinematography by: Florian Ballhaus
Edited by: Paul Tothill
Cameras: ARRI ALEXA Camera
Lenses: Leitz Summilux-C Series Lenses
"a" Camera Operator - 2 Episodes, 2013
Call the Midwife (2012)
Directed by: Syd Macartney, Juliet May, Philippa Lowthorpe, China Moo-Young, Minkie Spiro, Darcia Martin, Lisa Clarke, Sheree Folkson, Jamie Payne, Roger Goldby, Thea Sharrock, Thaddeus O'Sullivan, Dominic Leclerc, James Larkin, Rebecca Johnson, Claire Winyard, Christiana Ebohon, David O'Neill, Kate Saxon, Amy Neil, Emma Sullivan, Kate Cheeseman
Cinematography by: Mark Waters, Stuart Biddlecombe, Toby Moore, Chris Seager, Simon Archer, James Aspinall, Gareth Hughes, Ulf Brantås, Nick Dance, Polly Morgan, Mark Garrett, Len Gowing, Sarah Bartles-Smith, Kate Reid, Richard Stoddard, John Rhodes, Michael Snyman, Henry Pierce
Edited by: Alex Kalmakrian, Beverley Mills, Jake Bernard, David Thrasher, Paul Brown, Jamie Trevill, Mary Finlay, Liz Webber, Lois Bygrave, Gareth C. Scales, Les Healey, Daniel Greenway, Simon Brasse, Rachel Hoult, Mark Thornton, Danielle Palmer, Vicky Tooms, Al Morrow, John Dwelly, Alan Harris, Andy Morrison, Louise Pearson, Jamie McCoan, Arthur Davis
Cameras: ARRIFLEX D-21 Camera
Additional Camera Operator: Napper Unit
Anna Karenina (2012)
Directed by: Joe Wright
Cinematography by: Seamus McGarvey
Edited by: Melanie Oliver
Additional Camera Operator
The Social Network (2010)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Cameras: Red One MX Camera
Editing System: Adobe Premiere Editing System
Camera Operator: "b" Camera
Nowhere Boy (2009)
Directed by: Sam Taylor-Johnson
Cinematography by: Seamus McGarvey
Edited by: Lisa Gunning
Additional Camera Operator
RocknRolla (2008)
Directed by: Guy Ritchie
Cinematography by: David Higgs
Edited by: James Herbert
Cameras: ARRIFLEX D-20 Camera
Camera Operator: Second Unit
Stardust (2007)
Directed by: Matthew Vaughn
Cinematography by: Ben Davis
Edited by: Jon Harris
Additional Camera Operator
Control (2007)
Directed by: Anton Corbijn
Cinematography by: Martin Ruhe
Edited by: Andrew Hulme
Additional Camera Operator
Atonement (2007)
Directed by: Joe Wright
Cinematography by: Seamus McGarvey
Edited by: Paul Tothill
Lenses: Panavision Hylén System Lens, Panavision Primo Primes Spherical Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens
Editing System: Avid Editing System
Focus Puller: "a" Camera
Agent Cody Banks 2: Destination London (2004)
Directed by: Kevin Allen
Cinematography by: Denis Crossan
Edited by: Andrew MacRitchie
Cameras: Panavision Cameras
Camera Operator
Fakers (2004)
Directed by: Richard Janes
Cinematography by: Balazs Bolygo
Edited by: Adam Green
First Assistant Camera: Additional Photography
King Arthur (2004)
Directed by: Antoine Fuqua
Cinematography by: Slawomir Idziak
First Assistant Camera: "b" Camera, London
The Core (2003)
Directed by: Jon Amiel
Cinematography by: John Lindley
Edited by: Terry Rawlings
Focus Puller
The Hours (2002)
Directed by: Stephen Daldry
Cinematography by: Seamus McGarvey
Edited by: Peter Boyle
Focus Puller
Lara Croft: Tomb Raider (2001)
Directed by: Simon West
Cinematography by: Peter Menzies Jr.
Clapper Loader
Mission: Impossible (1996)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Paul Hirsch
Cameras: Panavision Panaflex Camera, Wescam Cameras
Editing System: Lightworks Editing System
Clapper Loader
The Remains of the Day (1993)
Directed by: James Ivory
Cinematography by: Tony Pierce-Roberts
Edited by: Andrew Marcus
Second Assistant Camera
Splitting Heirs (1993)
Directed by: Robert Young
Cinematography by: Tony Pierce-Roberts
Edited by: John Jympson
