Carpenter - 10 Episodes, 2017
Dark (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Robert Rzesacz, Anja Siemens, Denis Bachter, Boris Gromatzki, Simon Gstöttmayr, Sven Budelmann, Roan Densimbor
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Lenses: Zeiss Ultra Prime Lenses
Carpenter
'Dark' Secrets (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Robert Rzesacz
Carpenter
'Dark' Sic Mundus Creatus Est (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Anja Siemens
Carpenter
'Dark' Truths (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Robert Rzesacz
Carpenter
'Dark' Double Lives (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Anja Siemens
Carpenter
'Dark' Past and Present (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Denis Bachter
Carpenter
'Dark' Lies (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Denis Bachter
Carpenter
'Dark' Alpha and Omega (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Anja Siemens
Carpenter
'Dark' Everything Is Now (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Carpenter
'Dark' As You Sow, so You Shall Reap (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Denis Bachter
Carpenter
'Dark' Crossroads (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Robert Rzesacz
Stand-by Propmaker: Germany
Captain America: Civil War (2016)
Cinematography by: Trent Opaloch
Carpenter: Germany
I'm Off Then (2015)
Directed by: Julia von Heinz
Cinematography by: Felix Poplawsky
Lenses: Fujinon Alura Zoom 45-250 mm T2.8 Lens, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens, Zeiss Master Anamorphic 100 mm T1.9 Lens, Zeiss Master Anamorphic 35 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Distagon 14 mm T1.9 Lens
Special Propmaker
The Grand Budapest Hotel (2014)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Barney Pilling
Cameras: ARRICAM Studio (ST) Camera
Lenses: Angenieux Lenses, Cooke S4 Lenses, Cooke Varotal Lenses, Technovision Techno-Cooke Anamorphic Zoom 40-200mm T4.5 Lens
Editing System: Avid Editing System
Standby Carpenter
Schutzengel (2012)
Directed by: Til Schweiger
Cinematography by: Adrian Cranage
Edited by: Constantin von Seld
Lenses: Zeiss Master Prime Lenses
Standby Carpenter
Cloud Atlas (2012)
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, Phantom HD Camera
Editing System: Avid Editing System
Stand-by Carpenter
Anonymous (2011)
Directed by: Roland Emmerich
Cinematography by: Anna Foerster
Edited by: Peter R. Adam
Cameras: ARRI ALEXA Camera
Set Carpenter / Standby Carpenter
Pandorum (2009)
Directed by: Christian Alvart
Cinematography by: Wedigo von Schultzendorff
Set Builder
Anonyma - Eine Frau in Berlin (2008)
Directed by: Max Färberböck
Cinematography by: Benedict Neuenfels
Edited by: Ewa J. Lind
Stand-by Carpenter
Perfume: The Story of a Murderer (2006)
Directed by: Tom Tykwer
Cinematography by: Frank Griebe
Edited by: Alexander Berner
Set Decoration Buyer And Assistant
Luther (2003)
Directed by: Eric Till
Cinematography by: Robert Fraisse
Edited by: Clive Barrett
Cameras: ARRIFLEX 535 Camera
Lenses: Cooke S4 Lenses
