Standby-painter
Green Book (2018)
Directed by: Peter Farrelly
Cinematography by: Sean Porter
Edited by: Patrick J. Don Vito
Cameras: ARRI ALEXA Mini Camera
Lenses: Leitz Summilux-C Series Lenses
Scenic Painter
'Queen of the South' El Nacimiento de Bolivia (2017)
Directed by: Nick Copus
Cinematography by: John Brawley
Edited by: Briana London
Scenic Painter
'Queen of the South' El Beso de Judas (2017)
Directed by: Ami Canaan Mann
Cinematography by: John Brawley
Edited by: Priscilla Nedd-Friendly
Scenic Painter - 2 Episodes, 2017
Queen of the South (2016)
Directed by: Eduardo Sánchez, David Boyd, David Rodriguez, Rebecca Rodriguez, Matthew Penn, Scott Peters, Nick Copus, Laura Belsey, Ben Hernandez Bray, Darren Grant, Zetna Fuentes, Constantine Makris, Jamie Payne, David Platt, T.J. Scott, Charlotte Sieling, Nick Gomez, Bronwen Hughes, Tina Mabry, Ami Canaan Mann, Joe Menendez, Loni Peristere, David Grossman, Meera Menon, Steve Acevedo, Leon Ichaso, Jessica Lowrey, Tawnia McKiernan, Batan Silva
Edited by: Matthew Philip Smith, Priscilla Nedd-Friendly, Briana London, Juan Carlos Garza, Philip Carr Neel, Nicole Brik, Amy M. Fleming, Betsy C. Thompson, Harvey Rosenstock, Benjamin Howdeshell
Lenses: Panavision PVintage 100 mm T1.6 Lens, Panavision PVintage 14 mm T1.9 Lens, Panavision PVintage 17 mm T1.9 Lens, Panavision PVintage 24 mm T1.2 Lens, Panavision PVintage 29 mm T1.2 Lens, Panavision PVintage 35 mm T1.6 Lens, Panavision PVintage 40 mm T1.3 Lens, Panavision PVintage 50 mm T1.0 Lens, Panavision PVintage 75 mm T1.6 Lens
Painter
Oblivion (2013)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: Richard Francis-Bruce
Cameras: Red Epic Camera, Sony CineAlta F65 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Editing System: Avid Editing System
Painter
Texas Chainsaw 3D (2013)
Directed by: John Luessenhop
Cinematography by: Anastas N. Michos
Edited by: Randy Bricker
Cameras: Red Epic Camera
Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens
Editing System: Avid Editing System
Painter
Olympus Has Fallen (2013)
Directed by: Antoine Fuqua
Cinematography by: Conrad W. Hall
Edited by: John Refoua
Editing System: Avid Editing System
Painter
'Breakout Kings' An Unjust Death (2012)
Directed by: Billy Gierhart
Cinematography by: Fernando Argüelles
Edited by: Eric Seaburn
Painter
'Breakout Kings' Served Cold (2012)
Directed by: Guy Ferland
Cinematography by: Fernando Argüelles
Edited by: Eric Seaburn
Painter
'Breakout Kings' Freakshow (2012)
Directed by: Michael Waxman
Cinematography by: Fernando Argüelles
Edited by: Etienne Des Lauriers
Painter
'Breakout Kings' Ain't Love (50) Grand? (2012)
Directed by: Guy Ferland
Cinematography by: Fernando Argüelles
Edited by: Eric Seaburn
Painter
'Breakout Kings' I Smell Emmy (2012)
Directed by: Clark Johnson
Cinematography by: Fernando Argüelles
Edited by: Etienne Des Lauriers
Painter
'Breakout Kings' Self Help (2012)
Directed by: Bryan Spicer
Cinematography by: Fernando Argüelles
Edited by: Scott Eilers
Painter
'Breakout Kings' Cruz Control (2012)
Directed by: Bobby Roth
Cinematography by: Fernando Argüelles
Edited by: Eric Seaburn
Painter
'Breakout Kings' Double Down (2012)
Directed by: Clark Johnson
Cinematography by: Fernando Argüelles
Edited by: Etienne Des Lauriers
Painter
'Breakout Kings' Round Two (2012)
Directed by: Tim Hunter
Cinematography by: Fernando Argüelles
Edited by: Scott Eilers
Scenic Foreman
Playing for Keeps (2012)
Directed by: Gabriele Muccino
Cinematography by: Peter Menzies Jr.
Edited by: Padraic McKinley
Painter
Looper (2012)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Painter - 9 Episodes, 2012
Breakout Kings (2011)
Directed by: Guy Ferland, Billy Gierhart, Mel Damski, Michael Waxman, Gavin Hood, Clark Johnson, Phil Abraham, Adam Arkin, Sanford Bookstaver, Jean de Segonzac, Jonathan Glassner, Gloria Muzio, Tim Hunter, Bobby Roth, Bryan Spicer
Cameras: Panavision Genesis Camera
Painter
Battle Los Angeles (2011)
Directed by: Jonathan Liebesman
Cinematography by: Lukas Ettlin
Edited by: Christian Wagner
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony PMW-EX3 Camera
Lenses: Panavision Compact Zoom Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Leading Scenic / Painter
Shark Night 3D (2011)
Directed by: David R. Ellis
Cinematography by: Gary Capo
Edited by: Dennis Virkler
Cameras: Sony CineAlta F35 Camera
Lenses: Cooke CXX 15-40mm T2.0 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens
Editing System: Avid Editing System
Painter
Straw Dogs (2011)
Directed by: Rod Lurie
Cinematography by: Alik Sakharov
Edited by: Sarah Boyd
Painter
Tekken (2010)
Directed by: Dwight H. Little
Cinematography by: Brian J. Reynolds
Edited by: David Checel
Painter
Super (2010)
Directed by: James Gunn
Cinematography by: Steve Gainer
Edited by: Cara Silverman
Cameras: Red One Camera
Editing System: Avid Editing System
Painter
The Expendables (2010)
Directed by: Sylvester Stallone
Cinematography by: Jeffrey L. Kimball
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
Editing System: Avid Editing System
Painter
Year One (2009)
Directed by: Harold Ramis
Cinematography by: Alar Kivilo
Cameras: Panavision Cameras
