Michael Orr

21 Titles

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Whiplash | ShotOnWhat?

Rigging Key Grip

Whiplash (2014)

Directed by: Damien Chazelle

Cinematography by: Sharone Meir

Edited by: Tom Cross

Cameras: ARRI ALEXA Camera, Canon EOS-7D Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Leitz Summilux-C Series Lenses

Dark Skies | ShotOnWhat?

Grip

Dark Skies (2013)

Directed by: Scott Stewart

Cinematography by: David Boyd

Edited by: Peter Gvozdas

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses

The Lone Ranger | ShotOnWhat?

Rigging Grip

The Lone Ranger (2013)

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: James Haygood, Craig Wood

Cameras: ARRI ALEXA Studio Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red Epic Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision SL21 21 mm T1.9 Lens

Man of Steel | ShotOnWhat?

Rigging Grip

Man of Steel (2013)

Directed by: Zack Snyder

Cinematography by: Amir Mokri

Edited by: David Brenner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Total Recall | ShotOnWhat?

Rigging Grip

Total Recall (2012)

Directed by: Len Wiseman

Cinematography by: Paul Cameron

Edited by: Christian Wagner

Cameras: ARRIFLEX 35 III Camera, Red Epic Camera, Weisscam HS-2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

This Is 40 | ShotOnWhat?

Grip

This Is 40 (2012)

Directed by: Judd Apatow

Cinematography by: Phedon Papamichael

Edited by: David L. Bertman, Jay Deuby, Brent White

Cameras: ARRI ALEXA Camera

Larry Crowne | ShotOnWhat?

Grip

Larry Crowne (2011)

Directed by: Tom Hanks

Cinematography by: Philippe Rousselot

Edited by: Alan Cody

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Thor | ShotOnWhat?

Rigging Grip

Thor (2011)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Paul Rubell

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

Pirates of the Caribbean: On Stranger Tides | ShotOnWhat?

Rigging Grip

Pirates of the Caribbean: On Stranger Tides (2011)

Directed by: Rob Marshall

Cinematography by: Dariusz Wolski

Edited by: David Brenner, Wyatt Smith

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Just Go with It | ShotOnWhat?

Rigging Grip

Just Go with It (2011)

Directed by: Dennis Dugan

Cinematography by: Theo van de Sande

Edited by: Tom Costain

Cameras: ARRIFLEX 435 ES Camera, Sony CineAlta F35 Camera

Lenses: Panavision Primo Anamorphic Lenses

The Muppets | ShotOnWhat?

Grip

The Muppets (2011)

Directed by: James Bobin

Cinematography by: Don Burgess

Edited by: James Thomas

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Drive | ShotOnWhat?

Grip

Drive (2011)

Directed by: Nicolas Winding Refn

Cinematography by: Newton Thomas Sigel

Edited by: Matthew Newman

Cameras: ARRI ALEXA Camera, Canon EOS-5D Mark II Camera, Iconix HD-RH1 Camera, Weisscam HS-2 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Zeiss Master Prime Lenses

The Girl with the Dragon Tattoo | ShotOnWhat?

Grip / Rigging Grip

The Girl with the Dragon Tattoo (2011)

Directed by: David Fincher

Cinematography by: Jeff Cronenweth

Edited by: Kirk Baxter, Angus Wall

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Final Cut Pro Editing System, Sony Vegas Editing System

X: First Class | ShotOnWhat?

Rigging Grip

X: First Class (2011)

Directed by: Matthew Vaughn

Cinematography by: John Mathieson

Edited by: Eddie Hamilton, Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Valentine's Day | ShotOnWhat?

Rigging Grip

Valentine's Day (2010)

Directed by: Garry Marshall

Cinematography by: Charles Minsky

Edited by: Bruce Green

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

The Black Waters of Echo's Pond | ShotOnWhat?

Best Boy Grip And Second Unit Key Grip

The Black Waters of Echo's Pond (2009)

Directed by: Gabriel Bologna

Cinematography by: Massimo Zeri

Edited by: Andrew Cohen, Michael Spencer

The Macabre World of Lavender Williams | ShotOnWhat?

Grip

The Macabre World of Lavender Williams (2009)

Directed by: Nick Delgado

Cinematography by: Matt Egan

Edited by: Mark Apicella

Safe Harbor | ShotOnWhat?

Best Boy Grip

Safe Harbor (2009)

Television Movie

Directed by: Jerry Jameson

Cinematography by: Dane Peterson

Edited by: George W. Brooks

Middle Men | ShotOnWhat?

Grip

Middle Men (2009)

Directed by: George Gallo

Cinematography by: Lukas Ettlin

Edited by: Malcolm Campbell

Reach for Me | ShotOnWhat?

Grip

Reach for Me (2008)

Directed by: LeVar Burton

Cinematography by: Kris Krosskove

Edited by: Avril Beukes

Cameras: Dalsa Cameras

Lenses: Panavision Lenses

Teddy Bears' Picnic | ShotOnWhat?

Electric

Teddy Bears' Picnic (2001)

Directed by: Harry Shearer

Cinematography by: Jaime Reynoso

Edited by: Jeffrey Ford

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