Dezi Rorich

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Escape Room | ShotOnWhat?

Publicist

Escape Room (2019)

Directed by: Adam Robitel

Cinematography by: Marc Spicer

Edited by: Steve Mirkovich

Cameras: ARRI ALEXA Mini Camera

Lenses: Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens

The Giver | ShotOnWhat?

Unit Publicist

The Giver (2014)

Directed by: Phillip Noyce

Cinematography by: Ross Emery

Edited by: Barry Alexander Brown

Cameras: ARRI ALEXA XT Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses

Mandela: Long Walk to Freedom | ShotOnWhat?

Unit Publicist

Mandela: Long Walk to Freedom (2013)

Directed by: Justin Chadwick

Cinematography by: Lol Crawley

Edited by: Andrew Cassells, Rick Russell

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Chronicle | ShotOnWhat?

Publicist

Chronicle (2012)

Directed by: Josh Trank

Cinematography by: Matthew Jensen

Edited by: Elliot Greenberg

Cameras: ARRI ALEXA Camera, Canon Vixia HF M30 Camera, Canon XL1 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Machine Gun Preacher | ShotOnWhat?

Unit Publicist: South Africa

Machine Gun Preacher (2011)

Directed by: Marc Forster

Cinematography by: Roberto Schaefer

Edited by: Matt Chesse

Cameras: ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, Spacecam Aerial Cameras

Lenses: Angenieux HR 25-250 mm T3.5 Lens, Hawk V-Lite 16 110 mm T3.0 Lens, Hawk V-Lite 16 14 mm T1.5 Lens, Hawk V-Lite 16 18 mm T1.5 Lens, Hawk V-Lite 16 24 mm T1.5 Lens, Hawk V-Lite 16 28 mm T1.5 Lens, Hawk V-Lite 16 35 mm T1.5 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens

Invictus | ShotOnWhat?

Unit Publicist

Invictus (2009)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Disgrace | ShotOnWhat?

Unit Publicist

Disgrace (2008)

Directed by: Steve Jacobs

Cinematography by: Steve Arnold

Edited by: Alexandre de Franceschi

Cameras: Panavision Panaflex Millennium XL Camera

10,000 BC | ShotOnWhat?

Epk Team

10,000 BC (2008)

Directed by: Roland Emmerich

Cinematography by: Ueli Steiger

Edited by: Alexander Berner

Cameras: ARRI Cameras, Moviecam Cameras

Lenses: Angenieux Lenses, Zeiss Lenses

The Color of Freedom | ShotOnWhat?

Unit Publicist

Goodbye Bafana (2007)

Directed by: Bille August

Cinematography by: Robert Fraisse

Edited by: Hervé Schneid

Flight of the Phoenix | ShotOnWhat?

Publicist

Flight of the Phoenix (2004)

Directed by: John Moore

Cinematography by: Brendan Galvin

Edited by: Don Zimmerman

Red Dust | ShotOnWhat?

Publicity Manager

Red Dust (2004)

Directed by: Tom Hooper

Cinematography by: Larry Smith

Edited by: Avril Beukes

In My Country | ShotOnWhat?

Unit Publicity Manager

In My Country (2004)

Directed by: John Boorman

Cinematography by: Seamus Deasy

Edited by: Ron Davis

Stander | ShotOnWhat?

Unit Publicist

Stander (2003)

Directed by: Bronwen Hughes

Cinematography by: Jess Hall

Edited by: Robert Ivison

I Dreamed of Africa | ShotOnWhat?

Epk Team

I Dreamed of Africa (2000)

Directed by: Hugh Hudson

Cinematography by: Bernard Lutic

Edited by: Scott Thomas

From Dusk Till Dawn 2: Texas Blood Money | ShotOnWhat?

Publicity Supervisor

Dusk Till Dawn 2: Texas Blood Money (1999)

Direct to Video

Directed by: Scott Spiegel

Cinematography by: Philip Lee

Edited by: Bob Murawski, Georges Zeter

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