Senior Digital Compositor: Method Studios Vancouver
Ford v Ferrari (2019)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Cameras: ARRI ALEXA LF Camera
Digital Compositor: Fuse FX
'The Magicians' No Better to Be Safe Than Sorry (2019)
Directed by: Chris Fisher
Cinematography by: Elie Smolkin
Edited by: Mats Abbott
Digital Compositor: Fuse FX
'The Magicians' The Secret Sea (2019)
Directed by: Shannon Kohli
Cinematography by: Corey Robson
Edited by: Steven Nevius
Digital Compositor: Fuse FX
'The Magicians' All That Hard, Glossy Armor (2019)
Directed by: Shannon Kohli
Cinematography by: Elie Smolkin
Digital Compositor: Fuse FX
'The Magicians' The Serpent (2019)
Directed by: Carol Banker
Cinematography by: Corey Robson
Edited by: Mats Abbott
Digital Compositor: Fuse FX
'The Magicians' The Side Effect (2019)
Directed by: Salli Richardson-Whitfield
Cinematography by: Elie Smolkin
Edited by: Mats Abbott
Digital Compositor: Fuse FX
'The Magicians' A Timeline and Place (2019)
Directed by: James L. Conway
Cinematography by: Corey Robson
Edited by: Steven Nevius
Digital Compositor: Fuse FX
'The Magicians' Escape from the Happy Place (2019)
Directed by: Meera Menon
Cinematography by: Elie Smolkin
Edited by: Terry Kelley
Digital Compositor: Fuse FX
'The Magicians' Marry... Kill (2019)
Directed by: John Scott
Cinematography by: Corey Robson
Edited by: Mats Abbott
Digital Compositor: Fuse FX - 8 Episodes, 2019
The Magicians (2015)
Directed by: Chris Fisher, James L. Conway, John Scott, Joshua Butler, Shannon Kohli, Scott Smith, Carol Banker, Meera Menon, Guy Norman Bee, Rebecca Johnson, Salli Richardson-Whitfield, Mike Cahill, Bill Eagles, Jan Eliasberg, Amanda Tapping, Kate Woods, Elie Smolkin, Sterlin Harjo, Geeta Patel
Cinematography by: Elie Smolkin, Corey Robson, François Dagenais, Vanja Cernjul, Adam Bricker, Thomas Burstyn, Marvin V. Rush
Edited by: Steven Nevius, Mats Abbott, Terry Kelley, Jason Gourson, Rita K. Sanders, Beau Tipton, Bill Lynch, Andrea Folprecht, Sue Blainey
Cameras: ARRI ALEXA Mini Camera
Digital Artist: Industrial Light & Magic
Captain America: The Winter Soldier (2014)
Cinematography by: Trent Opaloch
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens
Digital Compositor: ILM
Transformers: Age of Extinction (2014)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera
Editing System: Avid Editing System
Digital Compositor
Out of the Furnace (2013)
Directed by: Scott Cooper
Cinematography by: Masanobu Takayanagi
Edited by: David Rosenbloom
Editing System: Avid Editing System
Digital Compositor: ILM
Pacific Rim (2013)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Cameras: Red Epic Camera
Digital Compositor: MPC
Jack the Giant Slayer (2013)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Digital Compositor: ILM
The Lone Ranger (2013)
Directed by: Gore Verbinski
Cinematography by: Bojan Bazelli
Digital Compositor
Total Recall (2012)
Directed by: Len Wiseman
Cinematography by: Paul Cameron
Edited by: Christian Wagner
Compositor: Prime Focus Vancouver
Resident Evil: Retribution (2012)
Directed by: Paul W.S. Anderson
Cinematography by: Glen MacPherson
Edited by: Niven Howie
Cameras: Red Epic Camera
Lenses: Zeiss Ultra Prime Lenses
Digital Compositor: MPC
Sherlock Holmes: A Game of Shadows (2011)
Directed by: Guy Ritchie
Cinematography by: Philippe Rousselot
Edited by: James Herbert
Digital Compositor: SPIN VFX
Battle Los Angeles (2011)
Directed by: Jonathan Liebesman
Cinematography by: Lukas Ettlin
Edited by: Christian Wagner
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony PMW-EX3 Camera
Lenses: Panavision Compact Zoom Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Digital Compositor: SPIN VFX
Dream House (2011)
Directed by: Jim Sheridan
Cinematography by: Caleb Deschanel
Digital Compositor: MPC
Fast Five (2011)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Digital Compositor: Spin VFX
Piranha 3D (2010)
Directed by: Alexandre Aja
Cinematography by: John R. Leonetti
Edited by: Baxter
Lenses: Angenieux HR Zoom Lenses, Cooke S4 Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
