Tish Johnson

23 Titles

Is this you? Add a Profile

Blade Runner 2049 | ShotOnWhat?

Production Accountant

Blade Runner 2049 (2017)

Directed by: Denis Villeneuve

Cinematography by: Roger Deakins

Edited by: Joe Walker

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera, ARRI ALEXA XT Series Cameras, ARRI ALEXA XT Studio Camera

Lenses: ARRI / Zeiss Zoom Lenses, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

War Dogs | ShotOnWhat?

Production Accountant

War Dogs (2016)

Directed by: Todd Phillips

Cinematography by: Lawrence Sher

Edited by: Jeff Groth

Cameras: ARRI ALEXA XT Camera

White House Down | ShotOnWhat?

Production Accountant

White House Down (2013)

Directed by: Roland Emmerich

Cinematography by: Anna Foerster

Edited by: Adam Wolfe

Cameras: ARRI ALEXA Plus Camera, Sony CineAlta F65 Camera

Lenses: ARRI / Zeiss Lenses, Fujinon Premier Lenses, Zeiss Lenses

After Earth | ShotOnWhat?

Production Accountant

After Earth (2013)

Directed by: M. Night Shyamalan

Cinematography by: Peter Suschitzky

Edited by: Steven Rosenblum

Cameras: Canon EOS-C500 Camera, Sony CineAlta F65 Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Cooke S4 Lenses

Moneyball | ShotOnWhat?

Production Accountant

Moneyball (2011)

Directed by: Bennett Miller

Cinematography by: Wally Pfister

Edited by: Christopher Tellefsen

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Salt | ShotOnWhat?

Production Accountant

Salt (2010)

Directed by: Phillip Noyce

Cinematography by: Robert Elswit

Edited by: Stuart Baird, John Gilroy

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision 70-210 mm T2.8 (Custom by Dan Sasaki) Lens, Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII 24 mm T1.3 Lens, Panavision Ultra Speed MKII Lenses

The Taking of Pelham 1 2 3 | ShotOnWhat?

Production Accountant

The Taking of Pelham 123 (2009)

Directed by: Tony Scott

Cinematography by: Tobias A. Schliessler

Edited by: Chris Lebenzon

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

You Don't Mess with the Zohan | ShotOnWhat?

Production Accountant

You Don't Mess with the Zohan (2008)

Directed by: Dennis Dugan

Cinematography by: Michael Barrett

Edited by: Tom Costain

Cameras: Panavision Genesis Camera

The Kite Runner | ShotOnWhat?

Production Accountant

The Kite Runner (2007)

Directed by: Marc Forster

Cinematography by: Roberto Schaefer

Edited by: Matt Chesse

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

RV | ShotOnWhat?

Production Accountant

RV (2006)

Directed by: Barry Sonnenfeld

Cinematography by: Fred Murphy

Edited by: Kevin Tent

Ray | ShotOnWhat?

Post-production Accountant

Ray (2004)

Directed by: Taylor Hackford

Cinematography by: Pawel Edelman

Edited by: Paul Hirsch

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 35 IIC Camera

Lenses: Cooke Cinetal Lenses, Cooke S4 Lenses, Cooke Varotal Lenses

The Italian Job | ShotOnWhat?

Production Accountant

The Italian Job (2003)

Directed by: F. Gary Gray

Cinematography by: Wally Pfister

Edited by: Richard Francis-Bruce, Christopher Rouse

Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo AL35 35 mm T2.0 Lens, Panavision Primo Anamorphic Lenses, Panavision Ultra Speed MKII 35 mm T1.3 Lens, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

Enemy at the Gates | ShotOnWhat?

Post-production Accountant: Germany

Enemy at the Gates (2001)

Directed by: Jean-Jacques Annaud

Cinematography by: Robert Fraisse

Edited by: Noëlle Boisson, Humphrey Dixon

Blow | ShotOnWhat?

Location Accountant: Mexico

Blow (2001)

Directed by: Ted Demme

Cinematography by: Ellen Kuras

Edited by: Kevin Tent

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Ali | ShotOnWhat?

Location Accountant: Mozambique

Ali (2001)

Directed by: Michael Mann

Cinematography by: Emmanuel Lubezki

Edited by: William Goldenberg, Lynzee Klingman, Stephen E. Rivkin, Stuart Waks

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Sony HDW-F900 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Hollow Man | ShotOnWhat?

Assistant Accountant

Hollow Man (2000)

Directed by: Paul Verhoeven

Cinematography by: Jost Vacano

Edited by: Mark Goldblatt, Ron Vignone

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Moviecam Compact Camera

Lenses: Zeiss Standard Speed Prime Lenses

Donnie Brasco | ShotOnWhat?

Assistant Accountant

Donnie Brasco (1997)

Directed by: Mike Newell

Cinematography by: Peter Sova

Edited by: Jon Gregory

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

The Colony | ShotOnWhat?

Assistant Accountant

The Colony (1995)

Television Movie

Directed by: Rob Hedden

Cinematography by: David Geddes

Edited by: Barry B. Leirer

In the Mouth of Madness | ShotOnWhat?

Assistant Accountant: Toronto

In the Mouth of Madness (1994)

Directed by: John Carpenter

Cinematography by: Gary B. Kibbe

Edited by: Edward A. Warschilka

Loaded Weapon 1 | ShotOnWhat?

Assistant Production Accountant

Loaded Weapon 1 (1993)

Directed by: Gene Quintano

Cinematography by: Peter Deming

Edited by: Christopher Greenbury

Dutch | ShotOnWhat?

Assistant Accountant

Dutch (1991)

Directed by: Peter Faiman

Cinematography by: Charles Minsky

Edited by: Adam Bernardi, Paul Hirsch, Rick Shaine

The Marrying Man | ShotOnWhat?

Assistant Accountant

The Marrying Man (1991)

Directed by: Jerry Rees

Cinematography by: Donald E. Thorin

Edited by: Michael Jablow, Michael R. Miller, Michael Tronick

Side Out | ShotOnWhat?

Assistant Accountant

Side Out (1990)

Directed by: Peter Israelson

Cinematography by: Ronald Víctor García

Edited by: Conrad Buff IV

©2012 - 2025 ShotOnWhat?

20254.20