Marshall Aver

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Mission: Impossible - Dead Reckoning Part One | ShotOnWhat?

Production Buyer, Senior Production Buyer

Mission: Impossible - Dead Reckoning Part One (2023)

Directed by: Christopher McQuarrie

Cinematography by: Fraser Taggart

Edited by: Eddie Hamilton

Cameras: ARRI ALEXA Mini LF Camera, Sony CineAlta VENICE Camera, Z CAM E2-F6 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision H Series Lenses, Zeiss Compact Prime Lenses

Pokémon Detective Pikachu | ShotOnWhat?

Production Buyer

Pokémon: Detective Pikachu (2019)

Directed by: Rob Letterman

Cinematography by: John Mathieson

Edited by: Mark Sanger, James Thomas

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Criminal | ShotOnWhat?

Production Buyer

Criminal (2016)

Directed by: Ariel Vromen

Cinematography by: Dana Gonzales

Edited by: Danny Rafic

Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The Man from U.N.C.L.E. | ShotOnWhat?

Production Buyer

The Man from U.N.C.L.E. (2015)

Directed by: Guy Ritchie

Cinematography by: John Mathieson

Edited by: James Herbert

Cameras: ARRI ALEXA XT Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera

Lenses: Cooke Varotal Lenses, Panavision E Series Anamorphic Lenses, Zeiss Super Speed Lenses

The World's End | ShotOnWhat?

Production Buyer

The World's End (2013)

Directed by: Edgar Wright

Cinematography by: Bill Pope

Edited by: Paul Machliss

Cameras: ARRIFLEX 16SR3 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses

Byzantium | ShotOnWhat?

Buyer: Hastings / Set Decoration: Hastings

Byzantium (2012)

Directed by: Neil Jordan

Cinematography by: Sean Bobbitt

Edited by: Tony Lawson

Cameras: ARRI ALEXA Plus Camera

Lenses: Zeiss Master Prime Lenses

Ra.One | ShotOnWhat?

London

Ra.One (2011)

Directed by: Anubhav Sinha

Cinematography by: V. Manikanandan, Nicola Pecorini

Edited by: Sanjay Sharma, Martin Walsh

The Iron Lady | ShotOnWhat?

Production Buyer

The Iron Lady (2011)

Directed by: Phyllida Lloyd

Cinematography by: Elliot Davis

Edited by: Justine Wright

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

Burke and Hare | ShotOnWhat?

Production Buyer

Burke and Hare (2010)

Directed by: John Landis

Cinematography by: John Mathieson

Edited by: Mark Everson

Nanny McPhee Returns | ShotOnWhat?

Props Buyer

Nanny McPhee Returns (2010)

Directed by: Susanna White

Cinematography by: Mike Eley

Edited by: Sim Evan-Jones

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens

Editing System: Avid Editing System

In the Loop | ShotOnWhat?

Production Buyer

In the Loop (2009)

Directed by: Armando Iannucci

Cinematography by: Jamie Cairney

Edited by: Anthony Boys, Billy Sneddon

Cameras: Sony HDW-F900 Camera

Lenses: Zeiss DigiPrime Lenses

The Oxford Murders | ShotOnWhat?

Set Decorator

The Oxford Murders (2008)

Directed by: Álex de la Iglesia

Cinematography by: Kiko de la Rica

Edited by: Alejandro Lázaro

Alexander | ShotOnWhat?

Production Buyer

Alexander (2004)

Directed by: Oliver Stone

Cinematography by: Rodrigo Prieto

Edited by: Yann Hervé, Gladys Joujou, Alex Marquez, Thomas J. Nordberg

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