Michael Vasquez

21 Titles

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The Martian | ShotOnWhat?

Production Accountant: US

The Martian (2015)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Pietro Scalia

Cameras: GoPro (Woodman Labs) Cameras, Red Epic Dragon Camera, Red Scarlet Dragon Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Fujinon Premier ZK Cabrio PL Compact Lenses

X-Men: Days of Future Past | ShotOnWhat?

First Assistant Accountant

X-Men: Days of Future Past (2014)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Michael Louis Hill, John Ottman

Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera

Lenses: ARRI / Fujinon Lenses, Fujinon Lenses, Leitz Summilux-C Series Lenses

A Good Day to Die Hard | ShotOnWhat?

First Assistant Accountant

A Good Day to Die Hard (2013)

Directed by: John Moore

Cinematography by: Jonathan Sela

Edited by: Dan Zimmerman

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Sitter | ShotOnWhat?

First Assist Accountant

The Sitter (2011)

Directed by: David Gordon Green

Cinematography by: Tim Orr

Edited by: Craig Alpert

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

The A-Team | ShotOnWhat?

First Assistant Accountant: U.S.

The A-Team (2010)

Directed by: Joe Carnahan

Cinematography by: Mauro Fiore

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Stop-Loss | ShotOnWhat?

First Assistant Auditor

Stop-Loss (2008)

Directed by: Kimberly Peirce

Cinematography by: Chris Menges

Edited by: Claire Simpson

The Love Guru | ShotOnWhat?

First Assistant Accountant

The Love Guru (2008)

Directed by: Marco Schnabel

Cinematography by: Peter Deming

Edited by: Lee Haxall, Gregory Perler, Billy Weber

World Trade Center | ShotOnWhat?

First Assistant Auditor

World Trade Center (2006)

Directed by: Oliver Stone

Cinematography by: Seamus McGarvey

Edited by: David Brenner, Julie Monroe

The Weather Man | ShotOnWhat?

Assistant Accountant

The Weather Man (2005)

Directed by: Gore Verbinski

Cinematography by: Phedon Papamichael

Edited by: Craig Wood

Cameras: Panavision Panaflex Millennium XL2 Camera

Æon Flux | ShotOnWhat?

First Assistant Accountant

Æon Flux (2005)

Directed by: Karyn Kusama

Cinematography by: Stuart Dryburgh

Edited by: Jeff Gullo, Peter Honess, Plummy Tucker

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Cooke Varotal Lenses

Charlie's Angels: Full Throttle | ShotOnWhat?

Assistant Auditor

Charlie's Angels: Full Throttle (2003)

Directed by: McG

Cinematography by: Russell Carpenter

Edited by: Wayne Wahrman

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Anamorphic Lenses

Masked and Anonymous | ShotOnWhat?

Assistant Accountant: Scotland

Masked and Anonymous (2003)

Directed by: Larry Charles

Cinematography by: Rogier Stoffers

Edited by: Luis Alvarez y Alvarez, Pietro Scalia

Lara Croft Tomb Raider: The Cradle of Life | ShotOnWhat?

First Assistant Auditor

Lara Croft Tomb Raider: The Cradle of Life (2003)

Directed by: Jan de Bont

Cinematography by: David Tattersall

Edited by: Michael Kahn

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Zoolander | ShotOnWhat?

Assistant Auditor

Zoolander (2001)

Directed by: Ben Stiller

Cinematography by: Barry Peterson

Edited by: Greg Hayden

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Shaft | ShotOnWhat?

Assistant Auditor

Shaft (2000)

Directed by: John Singleton

Cinematography by: Donald E. Thorin

Edited by: John Bloom, Al Rodgers, Antonia Van Drimmelen

The Out-of-Towners | ShotOnWhat?

Assistant Accountant

The Out-of-Towners (1999)

Directed by: Sam Weisman

Cinematography by: John Bailey

Edited by: Kent Beyda

Cameras: Panavision Cameras

Sleepy Hollow | ShotOnWhat?

First Assistant Accountant

Sleepy Hollow (1999)

Directed by: Tim Burton

Cinematography by: Emmanuel Lubezki

Edited by: Chris Lebenzon, Joel Negron

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Mallrats | ShotOnWhat?

First Assistant Accountant

Mallrats (1995)

Directed by: Kevin Smith

Cinematography by: David Klein

Edited by: Paul Dixon

The Shawshank Redemption | ShotOnWhat?

Accounting Assistant

The Shawshank Redemption (1994)

Directed by: Frank Darabont

Cinematography by: Roger Deakins

Edited by: Richard Francis-Bruce

Cameras: ARRIFLEX 35 BL4 Camera, Moviecam Compact Camera

Lenses: ARRI / Zeiss Lenses

American Me | ShotOnWhat?

Assistant Auditor

American Me (1992)

Directed by: Edward James Olmos

Cinematography by: Reynaldo Villalobos

Edited by: Richard Candib, Arthur Coburn

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Solar Crisis | ShotOnWhat?

Accounting Clerk

Solar Crisis (1990)

Directed by: Richard C. Sarafian, Alan Smithee

Cinematography by: Russell Carpenter

Edited by: Richard Trevor

Cameras: Panavision Panaflex Platinum Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses

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