Unit Production Manager: California
Bridge of Spies (2015)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Editing System: Avid Editing System
Co-producer, Unit Production Manager
Rosewater (2014)
Directed by: Jon Stewart
Cinematography by: Bobby Bukowski
Edited by: Jay Rabinowitz
Cameras: ARRI ALEXA Plus Camera
Unit Production Manager
We're the Millers (2013)
Directed by: Rawson Marshall Thurber
Cinematography by: Barry Peterson
Edited by: Michael L. Sale
Cameras: ARRI ALEXA Camera
Line Producer: Chicago
Crave (2012)
Directed by: Charles de Lauzirika
Cinematography by: William Eubank
Edited by: David Crowther
Co-producer, Unit Production Manager
The Master (2012)
Directed by: Paul Thomas Anderson
Cinematography by: Mihai Malaimare Jr.
Cameras: Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Panavision 65mm Prime Lenses
Editing System: Avid Editing System
Production Supervisor
Little Fockers (2010)
Directed by: Paul Weitz
Cinematography by: Remi Adefarasin
Cameras: ARRI Cameras
Associate Producer, Production Supervisor
Land of the Lost (2009)
Directed by: Brad Silberling
Cinematography by: Dion Beebe
Edited by: Peter Teschner
Cameras: Panavision Cameras
Unit Production Manager
Lions for Lambs (2007)
Directed by: Robert Redford
Cinematography by: Philippe Rousselot
Edited by: Joe Hutshing
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Production Supervisor
There Will Be Blood (2007)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Production Supervisor: Second Unit
Talladega Nights: The Ballad of Ricky Bobby (2006)
Directed by: Adam McKay
Cinematography by: Oliver Wood
Edited by: Brent White
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Production Supervisor: Dubai
Syriana (2005)
Directed by: Stephen Gaghan
Cinematography by: Robert Elswit
Edited by: Tim Squyres
Production Supervisor
Kicking & Screaming (2005)
Directed by: Jesse Dylan
Cinematography by: Lloyd Ahern II
Production Supervisor
50 First Dates (2004)
Directed by: Peter Segal
Cinematography by: Jack N. Green
Edited by: Jeff Gourson
Cameras: Panavision Cameras
Production Supervisor: Hawaii And Utah
Punch-Drunk Love (2002)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Leslie Jones
Cameras: Panavision Panaflex Platinum Camera
Special Projects Supervisor
S1m0ne (2002)
Directed by: Andrew Niccol
Cinematography by: Edward Lachman
Edited by: Paul Rubell
Production Supervisor
Catch Me If You Can (2002)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Special Projects Supervisor
Magnolia (1999)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Cameras: Panavision Cameras, Pathé Cameras
Lenses: Panavision Lenses
Assistant: Mr. Wlodkowsky
Winchell (1998)
Directed by: Paul Mazursky
Cinematography by: Robbie Greenberg
Edited by: Stuart H. Pappé
Assistant Production Coordinator
Tidal Wave: No Escape (1997)
Directed by: George Miller
Cinematography by: Mark Irwin
Edited by: Corky Ehlers
Assistant: Nicholas Hytner, Post-production Coordinator
The Crucible (1996)
Directed by: Nicholas Hytner
Cinematography by: Andrew Dunn
Edited by: Tariq Anwar
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Office Production Assistant
The Spitfire Grill (1996)
Directed by: Lee David Zlotoff
Cinematography by: Robert Draper
Edited by: Margaret Goodspeed
Office Production Assistant: New Hampshire
Jumanji (1995)
Directed by: Joe Johnston
Cinematography by: Thomas E. Ackerman
Edited by: Robert Dalva
Cameras: Panavision Cameras
