Philip Messina

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Mother! | ShotOnWhat?

Production Designer

Mother! (2017)

Directed by: Darren Aronofsky

Cinematography by: Matthew Libatique

Edited by: Andrew Weisblum

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 416 Camera

The Hunger Games: Mockingjay - Part 2 | ShotOnWhat?

Production Designer

The Hunger Games: Mockingjay - Part 2 (2015)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Hunger Games: Mockingjay - Part 1 | ShotOnWhat?

Production Designer

The Hunger Games: Mockingjay - Part 1 (2014)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Hunger Games: Catching Fire | ShotOnWhat?

Production Designer

The Hunger Games: Catching Fire (2013)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell

Cameras: ARRIFLEX 435 Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Hunger Games | ShotOnWhat?

Production Designer

The Hunger Games (2012)

Directed by: Gary Ross

Cinematography by: Tom Stern

Edited by: Christopher S. Capp, Stephen Mirrione, Juliette Welfling

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Machine Gun Preacher | ShotOnWhat?

Production Designer

Machine Gun Preacher (2011)

Directed by: Marc Forster

Cinematography by: Roberto Schaefer

Edited by: Matt Chesse

Cameras: ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, Spacecam Aerial Cameras

Lenses: Angenieux HR 25-250 mm T3.5 Lens, Hawk V-Lite 16 110 mm T3.0 Lens, Hawk V-Lite 16 14 mm T1.5 Lens, Hawk V-Lite 16 18 mm T1.5 Lens, Hawk V-Lite 16 24 mm T1.5 Lens, Hawk V-Lite 16 28 mm T1.5 Lens, Hawk V-Lite 16 35 mm T1.5 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens

The Last Airbender | ShotOnWhat?

Production Designer

The Last Airbender (2010)

Directed by: M. Night Shyamalan

Cinematography by: Andrew Lesnie

Edited by: Conrad Buff IV

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Che: Part One | ShotOnWhat?

Production Designer: New York

Che: Part One (2008)

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Pablo Zumárraga

Che: Part Two | ShotOnWhat?

Production Designer

Che: Part Two (2008)

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Pablo Zumárraga

Cameras: Red One Camera

Ocean's Thirteen | ShotOnWhat?

Production Designer

Ocean's Thirteen (2007)

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Stephen Mirrione

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Good German | ShotOnWhat?

Production Designer

The Good German (2006)

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Steven Soderbergh

Cameras: Panavision Panaflex Millennium XL2 Camera

Ocean's Twelve | ShotOnWhat?

Production Designer

Ocean's Twelve (2004)

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Stephen Mirrione

Eros | ShotOnWhat?

Segment "equilibrium"

Eros (2004)

Directed by: Michelangelo Antonioni, Steven Soderbergh, Kar-Wai Wong

Cinematography by: Christopher Doyle, Marco Pontecorvo, Steven Soderbergh

Edited by: William Chang, Claudio Di Mauro, Steven Soderbergh

Criminal | ShotOnWhat?

Production Designer

Criminal (2004)

Directed by: Gregory Jacobs

Cinematography by: Chris Menges

Edited by: Douglas Crise, Stephen Mirrione

Solaris | ShotOnWhat?

Production Designer

Solaris (2002)

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Steven Soderbergh

8 Mile | ShotOnWhat?

Production Designer

8 Mile (2002)

Directed by: Curtis Hanson

Cinematography by: Rodrigo Prieto

Edited by: Craig Kitson, Jay Rabinowitz

Cameras: Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Zeiss Ultra Prime Lenses

Ocean's Eleven | ShotOnWhat?

Production Design By

Ocean's Eleven (2001)

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Stephen Mirrione

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Traffic | ShotOnWhat?

Production Designer

Traffic (2000)

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Stephen Mirrione

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Erin Brockovich | ShotOnWhat?

Production Designer

Erin Brockovich (2000)

Directed by: Steven Soderbergh

Cinematography by: Edward Lachman

Edited by: Anne V. Coates

Cameras: Moviecam Compact Camera

Lenses: Cooke S4 Lenses

The Sixth Sense | ShotOnWhat?

Art Director

The Sixth Sense (1999)

Directed by: M. Night Shyamalan

Cinematography by: Tak Fujimoto

Edited by: Andrew Mondshein

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Primes Spherical Lenses

Zero Effect | ShotOnWhat?

Art Director

Zero Effect (1998)

Directed by: Jake Kasdan

Cinematography by: Bill Pope

Edited by: Tara Timpone

Out of Sight | ShotOnWhat?

Art Director

Out of Sight (1998)

Directed by: Steven Soderbergh

Cinematography by: Elliot Davis

Edited by: Anne V. Coates

Trial and Error | ShotOnWhat?

Art Director

Trial and Error (1997)

Directed by: Jonathan Lynn

Cinematography by: Gabriel Beristain

Edited by: Tony Lombardo

Cameras: ARRIFLEX 535 Camera

The Associate | ShotOnWhat?

Art Director

The Associate (1996)

Directed by: Donald Petrie

Cinematography by: Alex Nepomniaschy

Edited by: Bonnie Koehler

Gordy | ShotOnWhat?

Production Designer

Gordy (1995)

Directed by: Mark Lewis

Cinematography by: Richard Michalak

Edited by: Lindsay Frazer, Duane Hartzell

Ed and His Dead Mother | ShotOnWhat?

Art Director

Ed and His Dead Mother (1993)

Directed by: Jonathan Wacks

Cinematography by: Francis Kenny

Edited by: Lisa Day

HouseSitter | ShotOnWhat?

Set Designer

HouseSitter (1992)

Directed by: Frank Oz

Cinematography by: John A. Alonzo

Edited by: John Jympson

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