Erika S. Katz

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Dead Man Down | ShotOnWhat?

Set Dressing Foreman

Dead Man Down (2013)

Directed by: Niels Arden Oplev

Cinematography by: Paul Cameron

Edited by: Timothy A. Good, Frédéric Thoraval

Cameras: ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses, Hawk 150-450 mm T2.8 Lens

After Earth | ShotOnWhat?

Set Dresser

After Earth (2013)

Directed by: M. Night Shyamalan

Cinematography by: Peter Suschitzky

Edited by: Steven Rosenblum

Cameras: Canon EOS-C500 Camera, Sony CineAlta F65 Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Cooke S4 Lenses

Hope Springs | ShotOnWhat?

Set Dresser

Hope Springs (2012)

Directed by: David Frankel

Cinematography by: Florian Ballhaus

Edited by: Steven Weisberg

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses, Zeiss Ultra Prime Lenses

Silver Linings Playbook | ShotOnWhat?

Set Dresser

Silver Linings Playbook (2012)

Directed by: David O. Russell

Cinematography by: Masanobu Takayanagi

Edited by: Jay Cassidy, Crispin Struthers

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Extremely Loud & Incredibly Close | ShotOnWhat?

Set Dresser

Extremely Loud & Incredibly Close (2011)

Directed by: Stephen Daldry

Cinematography by: Chris Menges

Edited by: Claire Simpson

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses

Editing System: Avid Editing System, Final Cut Pro Editing System

Limitless | ShotOnWhat?

Set Dresser

Limitless (2011)

Directed by: Neil Burger

Cinematography by: Jo Willems

Edited by: Tracy Adams, Naomi Geraghty

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Red One Camera

Lenses: Cooke S4 Lenses

Editing System: Avid Editing System, Final Cut Pro Editing System

How Do You Know | ShotOnWhat?

Set Dressing Foreman

How Do You Know (2010)

Directed by: James L. Brooks

Cinematography by: Janusz Kaminski

Edited by: Richard Marks, Tracey Wadmore-Smith

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

The Lovely Bones | ShotOnWhat?

Scenic Artist

The Lovely Bones (2009)

Directed by: Peter Jackson

Cinematography by: Andrew Lesnie

Edited by: Jabez Olssen

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Iconix HD-RH1 Camera, Red One Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

The Happening | ShotOnWhat?

Scenic Artist

The Happening (2008)

Directed by: M. Night Shyamalan

Cinematography by: Tak Fujimoto

Edited by: Conrad Buff IV

Cameras: Panavision Cameras

I Am Legend | ShotOnWhat?

Set Dresser

I Am Legend (2007)

Directed by: Francis Lawrence

Cinematography by: Andrew Lesnie

Edited by: Wayne Wahrman

Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Lenses

Enchanted | ShotOnWhat?

Set Dresser

Enchanted (2007)

Directed by: Kevin Lima

Cinematography by: Don Burgess

Edited by: Gregory Perler, Stephen A. Rotter

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Woodsman | ShotOnWhat?

Scenic Artist

The Woodsman (2004)

Directed by: Nicole Kassell

Cinematography by: Xavier Grobet

Edited by: Lisa Fruchtman, Brian A. Kates

Signs | ShotOnWhat?

Scenic Artist

Signs (2002)

Directed by: M. Night Shyamalan

Cinematography by: Tak Fujimoto

Edited by: Barbara Tulliver

Riding in Cars with Boys | ShotOnWhat?

Set Dresser

Riding in Cars with Boys (2001)

Directed by: Penny Marshall

Cinematography by: Miroslav Ondrícek

Edited by: Lawrence Jordan, Richard Marks

Unbreakable | ShotOnWhat?

Scenic Artist

Unbreakable (2000)

Directed by: M. Night Shyamalan

Cinematography by: Eduardo Serra

Edited by: Dylan Tichenor

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

The Sixth Sense | ShotOnWhat?

Scenic Artist

The Sixth Sense (1999)

Directed by: M. Night Shyamalan

Cinematography by: Tak Fujimoto

Edited by: Andrew Mondshein

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Dentist | ShotOnWhat?

Set Designer

The Dentist (1996)

Directed by: Brian Yuzna

Cinematography by: Levie Isaacks

Edited by: Christopher Roth

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