Edward L. Turk

12 Titles

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Jurassic World | ShotOnWhat?

Propmaker Gangboss

Jurassic World (2015)

Directed by: Colin Trevorrow

Cinematography by: John Schwartzman

Edited by: Kevin Stitt

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Platinum Camera, Red Epic Dragon Camera

Lenses: Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Panavision 65mm Prime Lenses, Panavision Primo Primes Spherical Lenses

Battleship | ShotOnWhat?

Propmaker Gangboss

Battleship (2012)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr., Billy Rich, Paul Rubell

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Iron Man 2 | ShotOnWhat?

Propmaker Gangboss

Iron Man 2 (2010)

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental, Richard Pearson

Cameras: Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

It's Complicated | ShotOnWhat?

Propmaker Gangboss: Los Angeles

It's Complicated (2009)

Directed by: Nancy Meyers

Cinematography by: John Toll

Edited by: Joe Hutshing, David Moritz

Iron Man | ShotOnWhat?

Propmaker

Iron Man (2008)

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System, Final Cut Pro Editing System

The Holiday | ShotOnWhat?

Foreman

The Holiday (2006)

Directed by: Nancy Meyers

Cinematography by: Dean Cundey

Edited by: Joe Hutshing

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Jarhead | ShotOnWhat?

Construction Foreman

Jarhead (2005)

Directed by: Sam Mendes

Cinematography by: Roger Deakins

Edited by: Walter Murch

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 35 IIIC Camera

Lenses: Cooke S4 Lenses

Editing System: Final Cut Pro Editing System

Intolerable Cruelty | ShotOnWhat?

Foreman

Intolerable Cruelty (2003)

Directed by: Joel Coen, Ethan Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen

Cameras: ARRIFLEX 535 Camera

Editing System: Final Cut Pro Editing System

The Man Who Wasn't There | ShotOnWhat?

Stage Construction Foreman

The Man Who Wasn't There (2001)

Directed by: Joel Coen, Ethan Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen, Tricia Cooke

Cameras: ARRIFLEX 535 B Camera

Lenses: Cooke S4 Lenses

Music from Another Room | ShotOnWhat?

Construction Foreman

Music from Another Room (1998)

Directed by: Charlie Peters

Cinematography by: Richard Crudo

Edited by: Carroll Timothy O'Meara

Fear and Loathing in Las Vegas | ShotOnWhat?

Propmaker

Fear and Loathing in Las Vegas (1998)

Directed by: Terry Gilliam

Cinematography by: Nicola Pecorini

Edited by: Lesley Walker

Cameras: ARRIFLEX 35 BL4s Camera, ARRIFLEX 35 III Camera, ARRIFLEX 535 Camera

Lenses: Zeiss Standard Speed Prime Lenses

Wayne's World | ShotOnWhat?

Construction Foreperson

Wayne's World (1992)

Directed by: Penelope Spheeris

Cinematography by: Theo van de Sande

Edited by: Malcolm Campbell

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