Visualization Producer: The Third Floor
'Monarch: Legacy of Monsters' Episode #1.10 (2024)
Directed by: Andy Goddard
Edited by: Joe Talbot Hall
Visualization Producer: The Third Floor
'Monarch: Legacy of Monsters' Episode #1.9 (2024)
Directed by: Andy Goddard
Visualization Producer: The Third Floor
'Monarch: Legacy of Monsters' Episode #1.8 (2023)
Directed by: Hiromi Kamata
Edited by: Mark Hartzell
Visualization Producer: The Third Floor
Guardians of the Galaxy Vol. 3 (2023)
Directed by: James Gunn
Cinematography by: Henry Braham
Visualization Producer: The Third Floor
'Monarch: Legacy of Monsters' Aftermath (2023)
Directed by: Matt Shakman
Cinematography by: Jess Hall
Edited by: Nona Khodai
Visualization Producer: The Third Floor
'Monarch: Legacy of Monsters' Parallels and Interiors (2023)
Directed by: Julian Holmes
Cinematography by: Jean-Philippe Gossart
Edited by: Emily Streetz
Visualization Producer: The Third Floor
'Monarch: Legacy of Monsters' Departure (2023)
Directed by: Matt Shakman
Cinematography by: Jess Hall
Edited by: Nona Khodai
Visualization Producer: The Third Floor
'Monarch: Legacy of Monsters' Secrets and Lies (2023)
Directed by: Julian Holmes
Cinematography by: Jean-Philippe Gossart
Edited by: Emily Streetz
Visualization Producer: The Third Floor
'Monarch: Legacy of Monsters' The Way Out (2023)
Directed by: Mairzee Almas
Edited by: Joe Talbot Hall
Visualization Producer: The Third Floor
'Monarch: Legacy of Monsters' Episode #1.6 (2023)
Directed by: Mairzee Almas
Edited by: Joe Talbot Hall
Visualization Producer: The Third Floor
'Monarch: Legacy of Monsters' Episode #1.7 (2023)
Directed by: Hiromi Kamata
Edited by: Mark Hartzell
Visualization Producer: The Third Floor - 10 Episodes, 2023-2024
Monarch: Legacy of Monsters (2023)
TV Series
Visualization Producer: The Third Floor
Avatar: The Way of Water (2022)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Cameras: Sony CineAlta VENICE Camera
Senior Previs Production Manager: The Third Floor, Senior Previs Production Manager: The Third Floor Inc
Avengers: Endgame (2019)
Cinematography by: Trent Opaloch
Cameras: ALEXA IMAX Camera
Editing System: Avid Editing System
Visual Effects Associate Producer
Terminator: Dark Fate (2019)
Directed by: Tim Miller
Cinematography by: Ken Seng
Edited by: Julian Clarke
Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini Camera
Editing System: Adobe Premiere Editing System
Previs Production Manager: The Third Floor, Inc
'The Man in the High Castle' History Ends (2018)
Directed by: Meera Menon
Cinematography by: Gonzalo Amat
Edited by: Monty DeGraff
Previs Production Manager: The Third Floor, Inc
'The Man in the High Castle' Excess Animus (2018)
Directed by: Steph Green
Cinematography by: James Hawkinson
Edited by: Jason Savage
Previs Production Manager: The Third Floor, Inc
'The Man in the High Castle' The New Colossus (2018)
Directed by: Daniel Percival
Cinematography by: James Hawkinson
Edited by: Dorian Harris
Previs Production Manager: The Third Floor, Inc
'The Man in the High Castle' Sabra (2018)
Directed by: John Fawcett
Cinematography by: Gonzalo Amat
Edited by: Jason Savage
Previs Production Manager: The Third Floor, Inc
'The Man in the High Castle' Sensô Kôi (2018)
Directed by: Ernest R. Dickerson
Cinematography by: James Hawkinson
Edited by: Monty DeGraff
Previs Production Manager: The Third Floor, Inc
'The Man in the High Castle' Imagine Manchuria (2018)
Directed by: Alex Zakrzewski
Cinematography by: Gonzalo Amat
Edited by: Dorian Harris
Previs Production Manager: The Third Floor, Inc
'The Man in the High Castle' Now More Than Ever, We Care About You (2018)
Directed by: Daniel Percival
Cinematography by: James Hawkinson
Edited by: Jason Savage
Previs Production Manager: The Third Floor, Inc
'The Man in the High Castle' Kasumi (Through the Mists) (2018)
Directed by: Jennifer Getzinger
Cinematography by: Gonzalo Amat
Edited by: Dorian Harris
Previs Production Manager: The Third Floor
Solo: A Star Wars Story (2018)
Directed by: Ron Howard
Cinematography by: Bradford Young
Edited by: Pietro Scalia
Previs Production Manager: The Third Floor, Inc
'The Man in the High Castle' Baku (2018)
Directed by: Deborah Chow
Edited by: Monty DeGraff
Previs Production Manager: The Third Floor, Inc
'The Man in the High Castle' Jahr Null (2018)
Directed by: Daniel Percival
Cinematography by: Gonzalo Amat
Edited by: Jason Savage
Postvisualization Producer
Wonder Woman (2017)
Directed by: Patty Jenkins
Cinematography by: Matthew Jensen
Edited by: Martin Walsh
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera
Lenses: ARRI Rental Prime 65 Lenses
Associate Production Manager The Third Floor
Passengers (2016)
Directed by: Morten Tyldum
Cinematography by: Rodrigo Prieto
Edited by: Maryann Brandon
Cameras: ARRI ALEXA 65 Camera
Lenses: Panavision Primo 70 Lenses
Previs Associate Production Manager: The Third Floor
Kingsglaive: Final Fantasy XV (2016)
Directed by: Takeshi Nozue
Previs Production Coordinator: The Third Floor, Inc
Allegiant (2016)
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Stuart Levy
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera
Previs Production Coordinator: The Third Floor
The BFG (2016)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRI ALEXA XT Series Cameras
Previs Production Manager: The Third Floor, Inc - 10 Episodes, 2018
The Man in the High Castle (2015)
Directed by: Daniel Percival, John Fawcett, Karyn Kusama, Alex Zakrzewski, Brad Anderson, Nelson McCormick, Ken Olin, Michael Rymer, David Semel, Michael Slovis, Bryan Spicer, Colin Bucksey, Paul Holahan, Chris Long, David Petrarca, Daniel Sackheim, Deborah Chow, Ernest R. Dickerson, Jennifer Getzinger, Steph Green, Meera Menon, Charlotte Brändström, Rachel Leiterman
Edited by: Jason Savage, Marta Evry, Jon Dudkowski, Mark C. Baldwin, Joe Leonard, Monty DeGraff, Dorian Harris, Julie Monroe, Sidney Wolinsky, Angela M. Catanzaro, Kathryn Himoff, Michael Kewley
Cameras: Red Epic Dragon Camera
Previs Production Coordinator: The Third Floor
The Maze Runner (2014)
Directed by: Wes Ball
Cinematography by: Enrique Chediak
Edited by: Dan Zimmerman
Previsualization Production Coordinator: The Third Floor
Divergent (2014)
Directed by: Neil Burger
Cinematography by: Alwin H. Küchler
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Previsualization Production Coordinator
Godzilla (2014)
Directed by: Gareth Edwards
Cinematography by: Seamus McGarvey
Edited by: Bob Ducsay
Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera
Previsualization Production Coordinator: The Third Floor
Edge of Tomorrow (2014)
Directed by: Doug Liman
Cinematography by: Dion Beebe
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Visual Effects Coordinator
Jack the Giant Slayer (2013)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Digital Coordinator: Digital Domain
Oblivion (2013)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: Richard Francis-Bruce
Cameras: Red Epic Camera, Sony CineAlta F65 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Editing System: Avid Editing System
Production Assistant
Real Steel (2011)
Directed by: Shawn Levy
Cinematography by: Mauro Fiore
Edited by: Dean Zimmerman
Cameras: Sony CineAlta F35 Camera
Lenses: Cooke Lenses, Cooke S4 Lenses
Editing System: Avid Editing System
