Production Supervisor
Christopher Robin (2018)
| UK, USA
Directed by: Marc Forster
Cinematography by: Matthias Koenigswieser
Edited by: Matt Chesse
Production Coordinator
Fury (2014)
| USA, China, UK
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C1000 1000 mm T5.6 Lens, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Production Coordinator
Hercules (2014)
| USA
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Cameras: ARRI ALEXA XT Camera
Shipping Coordinator
Jack Ryan: Shadow Recruit (2014)
| USA, Russia
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Martin Walsh
Editing System: Avid Editing System
Shipping Coordinator
John Carter (2012)
| USA
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Production Coordinator
Skyfall (2012)
| UK, USA
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Stuart Baird
Editing System: Avid Editing System
Production Coordinator
X: First Class (2011)
| USA, UK
Directed by: Matthew Vaughn
Cinematography by: John Mathieson
Production Coordinator
It's a Wonderful Afterlife (2010)
| UK
Directed by: Gurinder Chadha
Cinematography by: Dick Pope
Edited by: Oral Norrie Ottey
Production Coordinator
Gulliver's Travels (2010)
| USA
Directed by: Rob Letterman
Cinematography by: David Tattersall
Cameras: Canon EOS-1D Mark IV Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera
Editing System: Avid Editing System
Special Effects Coordinator
Mamma Mia! (2008)
| USA, UK, Germany
Directed by: Phyllida Lloyd
Cinematography by: Haris Zambarloukos
Edited by: Lesley Walker
Editing System: Lightworks Editing System
Special Effects Buyer
Inkheart (2008)
| Germany, UK, USA
Directed by: Iain Softley
Cinematography by: Roger Pratt
Edited by: Martin Walsh
Cameras: Panavision Panaflex Platinum Camera
Special Effects Buyer
1408 (2007)
| USA
Directed by: Mikael Håfström
Cinematography by: Benoît Delhomme
Edited by: Peter Boyle
Production Coordinator: UK
Casino Royale (2006)
| UK, Czech Republic, USA, Germany, Bahamas
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Angenieux Lenses, Cooke S4 Lenses
Special Effects Buyer
Children of Men (2006)
| USA, UK, Japan
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses: Zeiss Master Prime Lenses
Product Placement Coordinator
Thunderbirds (2004)
| UK, France, USA
Directed by: Jonathan Frakes
Cinematography by: Brendan Galvin
Edited by: Martin Walsh
Product Placement Coordinator
Die Another Day (2002)
| UK, USA
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Production Coordinator: Second Unit
The World Is Not Enough (1999)
| UK, USA
Directed by: Michael Apted
Cinematography by: Adrian Biddle
Edited by: Jim Clark
