Nico Louw

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The Mummy | ShotOnWhat?

Sound Recordist: Namibia

The Mummy (2017)

Directed by: Alex Kurtzman

Cinematography by: Ben Seresin

Edited by: Gina Hirsch, Paul Hirsch, Andrew Mondshein

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: ARRI Rental Prime 65 Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

The Brothers Grimsby | ShotOnWhat?

Sound Mixer

The Brothers Grimsby (2016)

Directed by: Louis Leterrier

Cinematography by: Oliver Wood

Edited by: Jonathan Amos, Evan Henke, Debra Neil-Fisher, James Thomas

Cameras: ARRI ALEXA XT Camera, Panasonic Lumix DMC-GH2 Camera

The Giver | ShotOnWhat?

Sound Mixer

The Giver (2014)

Directed by: Phillip Noyce

Cinematography by: Ross Emery

Edited by: Barry Alexander Brown

Cameras: ARRI ALEXA XT Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses

The Salvation | ShotOnWhat?

Sound Mixer

The Salvation (2014)

Directed by: Kristian Levring

Cinematography by: Jens Schlosser

Edited by: Pernille Bech Christensen

Cameras: ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Zulu | ShotOnWhat?

Sound Mixer

Zulu (2013)

Directed by: Jérôme Salle

Cinematography by: Denis Rouden

Edited by: Stan Collet

Cameras: ARRI ALEXA Studio Camera

Lenses: Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses

Mandela: Long Walk to Freedom | ShotOnWhat?

Sound Mixer

Mandela: Long Walk to Freedom (2013)

Directed by: Justin Chadwick

Cinematography by: Lol Crawley

Edited by: Andrew Cassells, Rick Russell

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Safe House | ShotOnWhat?

Production Sound Mixer

Safe House (2012)

Directed by: Daniel Espinosa

Cinematography by: Oliver Wood

Edited by: Richard Pearson

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Machine Gun Preacher | ShotOnWhat?

Sound Mixer: South Africa

Machine Gun Preacher (2011)

Directed by: Marc Forster

Cinematography by: Roberto Schaefer

Edited by: Matt Chesse

Cameras: ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, Spacecam Aerial Cameras

Lenses: Angenieux HR 25-250 mm T3.5 Lens, Hawk V-Lite 16 110 mm T3.0 Lens, Hawk V-Lite 16 14 mm T1.5 Lens, Hawk V-Lite 16 18 mm T1.5 Lens, Hawk V-Lite 16 24 mm T1.5 Lens, Hawk V-Lite 16 28 mm T1.5 Lens, Hawk V-Lite 16 35 mm T1.5 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens

The First Grader | ShotOnWhat?

Sound Recordist

The First Grader (2010)

Directed by: Justin Chadwick

Cinematography by: Rob Hardy

Edited by: Paul Knight

Africa United | ShotOnWhat?

Sound Mixer

Africa United (2010)

Directed by: Debs Paterson

Cinematography by: Sean Bobbitt

Edited by: Victoria Boydell

10,000 BC | ShotOnWhat?

Sound Mixer

10,000 BC (2008)

Directed by: Roland Emmerich

Cinematography by: Ueli Steiger

Edited by: Alexander Berner

Cameras: ARRI Cameras, Moviecam Cameras

Lenses: Angenieux Lenses, Zeiss Lenses

Rendition | ShotOnWhat?

Sound Mixer

Rendition (2007)

Directed by: Gavin Hood

Cinematography by: Dion Beebe

Edited by: Megan Gill

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

The Interpreter | ShotOnWhat?

Sound Mixer

The Interpreter (2005)

Directed by: Sydney Pollack

Cinematography by: Darius Khondji

Edited by: William Steinkamp

Stander | ShotOnWhat?

Sound Mixer / Sound Recordist

Stander (2003)

Directed by: Bronwen Hughes

Cinematography by: Jess Hall

Edited by: Robert Ivison

Beat the Drum | ShotOnWhat?

Sound Recordist

Beat the Drum (2003)

Directed by: David Hickson

Cinematography by: Lance Gewer

Edited by: Mark Winitsky

Cameras: ARRI Cameras

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