Matthew Penry-Davey

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Indiana Jones and the Dial of Destiny | ShotOnWhat?

First Assistant Director

Indiana Jones and the Dial of Destiny (2023)

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Andrew Buckland, Michael McCusker, Dirk Westervelt

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Annihilation | ShotOnWhat?

First Assistant Director

Annihilation (2018)

Directed by: Alex Garland

Cinematography by: Rob Hardy

Edited by: Barney Pilling

Cameras: Red Weapon Dragon Camera, Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Lenses, Panavision Ultra Panatar Anamorphic Lenses

Overlord | ShotOnWhat?

First Assistant Director

Overlord (2018)

Directed by: Julius Avery

Cinematography by: Laurie Rose, Fabian Wagner

Edited by: Matt Evans

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses: Panavision T Series Anamorphic Lenses

Pride and Prejudice and Zombies | ShotOnWhat?

First Assistant Director

Pride and Prejudice and Zombies (2016)

Directed by: Burr Steers

Cinematography by: Remi Adefarasin

Edited by: Padraic McKinley

Lenses: Cooke S4/i Lenses

Quartet | ShotOnWhat?

First Assistant Director

Quartet (2012)

Directed by: Dustin Hoffman

Cinematography by: John de Borman

Edited by: Barney Pilling

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses

Salmon Fishing in the Yemen | ShotOnWhat?

First Assistant Director

Salmon Fishing in the Yemen (2011)

Directed by: Lasse Hallström

Cinematography by: Terry Stacey

Edited by: Lisa Gunning

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses

TT3D: Closer to the Edge | ShotOnWhat?

First Assistant Director

TT3D: Closer to the Edge (2011)

Directed by: Richard De Aragues

Cinematography by: Thomas Kürzl

Edited by: Beverley Mills

The Devil's Double | ShotOnWhat?

First Assistant Director

The Devil's Double (2011)

Directed by: Lee Tamahori

Cinematography by: Sam McCurdy

Edited by: Luis Carballar

Cameras: ARRIFLEX 435 Camera, Red One Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Made in Dagenham | ShotOnWhat?

First Assistant Director

Made in Dagenham (2010)

Directed by: Nigel Cole

Cinematography by: John de Borman

Edited by: Michael Parker

Last Chance Harvey | ShotOnWhat?

First Assistant Director

Last Chance Harvey (2008)

Directed by: Joel Hopkins

Cinematography by: John de Borman

Edited by: Robin Sales

In Bruges | ShotOnWhat?

First Assistant Director

In Bruges (2008)

Directed by: Martin McDonagh

Cinematography by: Eigil Bryld

Edited by: Jon Gregory

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

10,000 BC | ShotOnWhat?

First Assistant Director

10,000 BC (2008)

Directed by: Roland Emmerich

Cinematography by: Ueli Steiger

Edited by: Alexander Berner

Cameras: ARRI Cameras, Moviecam Cameras

Lenses: Angenieux Lenses, Zeiss Lenses

Mr. Bean's Holiday | ShotOnWhat?

First Assistant Director

Mr. Bean's Holiday (2007)

Directed by: Steve Bendelack

Cinematography by: Baz Irvine

Edited by: Tony Cranstoun

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Lord of War | ShotOnWhat?

First Assistant Director: International

Lord of War (2005)

Directed by: Andrew Niccol

Cinematography by: Amir Mokri

Edited by: Zach Staenberg

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Cold Mountain | ShotOnWhat?

Second Assistant Director: Second Unit

Cold Mountain (2003)

Directed by: Anthony Minghella

Cinematography by: John Seale

Edited by: Walter Murch

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Final Cut Pro Editing System

Bright Young Things | ShotOnWhat?

Second Assistant Director

Bright Young Things (2003)

Directed by: Stephen Fry

Cinematography by: Henry Braham

Edited by: Alex Mackie

Star Wars: Episode II - Attack of the Clones | ShotOnWhat?

Second Assistant Director: Additional Shooting Crew

Star Wars: Episode II - Attack of the Clones (2002)

Directed by: George Lucas

Cinematography by: David Tattersall

Edited by: Ben Burtt, George Lucas

Cameras: Sony HDW-F900 Camera

Lenses: Panavision Primo Anamorphic Lenses

The Importance of Being Earnest | ShotOnWhat?

Second Assistant Director

The Importance of Being Earnest (2002)

Directed by: Oliver Parker

Cinematography by: Tony Pierce-Roberts

Edited by: Guy Bensley

High Heels and Low Lifes | ShotOnWhat?

First Assistant Director: Second Unit

High Heels and Low Lifes (2001)

Directed by: Mel Smith

Cinematography by: Steven Chivers

Edited by: Chris Blunden

Last Orders | ShotOnWhat?

Assistant Director: Second Unit

Last Orders (2001)

Directed by: Fred Schepisi

Cinematography by: Brian Tufano

Edited by: Kate Williams

Quills | ShotOnWhat?

Third Assistant Director

Quills (2000)

Directed by: Philip Kaufman

Cinematography by: Rogier Stoffers

Edited by: Peter Boyle

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Brylcreem Boys | ShotOnWhat?

Bauer, Crowd Control

The Brylcreem Boys (1998)

Directed by: Terence Ryan

Cinematography by: Gerry Lively

Edited by: Emma E. Hickox

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