Compositing Supervisor: Weta Digital
Guardians of the Galaxy Vol. 3 (2023)
Directed by: James Gunn
Cinematography by: Henry Braham
Lead Compositor: Weta Digital
Avengers: Endgame (2019)
Cinematography by: Trent Opaloch
Cameras: ALEXA IMAX Camera
Editing System: Avid Editing System
Senior Digital Compositor: Weta Digital
Avengers: Infinity War (2018)
Cinematography by: Trent Opaloch
Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Digital Compositor: Weta Digital
The BFG (2016)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRI ALEXA XT Series Cameras
Digital Compositor: Weta Digital
The Jungle Book (2016)
Directed by: Jon Favreau
Cinematography by: Bill Pope
Cameras: ARRI ALEXA XT M Camera
Digital Compositor: Weta Digital
The Hobbit: The Battle of the Five Armies (2014)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jabez Olssen
Cameras: Red Epic Camera, Red One MX Camera
Lenses: Zeiss Ultra Prime Lenses
Digital Compositor: Weta Digital
Dawn of the Planet of the Apes (2014)
Directed by: Matt Reeves
Cinematography by: Michael Seresin
Cameras: ARRI ALEXA M Camera
Editing System: Avid Editing System
Digital Compositor: Weta Digital
The Wolverine (2013)
Directed by: James Mangold
Cinematography by: Ross Emery
Edited by: Michael McCusker
Cameras: ARRI ALEXA Camera
Digital Compositor
The Hobbit: The Desolation of Smaug (2013)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jabez Olssen
Cameras: GoPro HD Hero3 Camera, Red Epic Camera
Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Compositor: WETA Digital
The Hobbit: An Unexpected Journey (2012)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jabez Olssen
Cameras: Red Epic Camera
Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Compositor: Gradient Effects
Cloud Atlas (2012)
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, Phantom HD Camera
Editing System: Avid Editing System
Digital Intermediate On-line Finishing And Depth Grading
Pina (2011)
Directed by: Wim Wenders
Edited by: Toni Froschhammer
Lenses: Zeiss DigiPrime Lenses
Additional On-set Visual Effects Supervisor
A Dangerous Method (2011)
Directed by: David Cronenberg
Cinematography by: Peter Suschitzky
Edited by: Ronald Sanders
Lenses: Cooke S4 Lenses
Visual Effects Supervisor
Vorstadtkrokodile 3 (2011)
Directed by: Wolfgang Groos
Cinematography by: Bernhard Jasper
Lead Digital Compositor: PICTORION Das Werk / Pipeline Technical Director: PICTORION Das Werk
Adam Resurrected (2008)
Directed by: Paul Schrader
Cinematography by: Sebastian Edschmid
Edited by: Sandy Saffeels
Digital Intermediate Supervisor / Lead Digital Compositor
The Children of Huang Shi (2008)
Directed by: Roger Spottiswoode
Cinematography by: Xiaoding Zhao
Digital Compositor
The Counterfeiters (2007)
Directed by: Stefan Ruzowitzky
Cinematography by: Benedict Neuenfels
Edited by: Britta Nahler
Lead Digital Compositor: PICTORION Das Werk
Vollidiot (2007)
Directed by: Tobi Baumann
Cinematography by: Jo Heim
Edited by: Martin Wolf
2D Compositor: TVT Postproduction
In the Name of the King: A Dungeon Siege Tale (2007)
Directed by: Uwe Boll
Cinematography by: Mathias Neumann
Edited by: David M. Richardson
