Sound Effects
Mad Max: Fury Road (2015)
Directed by: George Miller
Cinematography by: John Seale
Edited by: Margaret Sixel
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Blackmagic Cinema Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Olympus E-P5 Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses
Editing System: Avid Editing System
Sound Effects Editor
The Lego Movie (2014)
Cameras: ARRI ALEXA Series Cameras
Editing System: Final Cut Pro Editing System
Sound Effects Editor
The Great Gatsby (2013)
Directed by: Baz Luhrmann
Cinematography by: Simon Duggan
Cameras: Red Epic Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Sound Effects Editor
Sanctum (2011)
Directed by: Alister Grierson
Cinematography by: Jules O'Loughlin
Edited by: Mark Warner
Sound Effects Editor
Primal (2010)
Directed by: Josh Reed
Cinematography by: John Biggins
Edited by: Josh Reed
Cameras: Red One Camera
Sound Designer / Sound Effects Editor
Daybreakers (2009)
Cinematography by: Ben Nott
Edited by: Matt Villa
Sound Effects Editor
Australia (2008)
Directed by: Baz Luhrmann
Cinematography by: Mandy Walker
Dialogue Editor
Like Minds (2006)
Directed by: Gregory Read
Cinematography by: Nigel Bluck
Edited by: Mark Warner
Sound Effects Editor
Happy Feet (2006)
Cinematography by: David Peers
Editing System: Final Cut Pro Editing System
Additional Adr Recording
Stealth (2005)
Directed by: Rob Cohen
Cinematography by: Dean Semler
Edited by: Stephen E. Rivkin
Adr Editor
Anacondas: The Hunt for the Blood Orchid (2004)
Directed by: Dwight H. Little
Cinematography by: Stephen F. Windon
Lenses: Zeiss Ultra Prime Lenses
Live Music Engineer
Garage Days (2002)
Directed by: Alex Proyas
Cinematography by: Simon Duggan
Edited by: Richard Learoyd
Assistant Music Editor
Moulin Rouge! (2001)
Directed by: Baz Luhrmann
Cinematography by: Donald McAlpine
Edited by: Jill Bilcock
Editing System: Lightworks Editing System
