Lead On-set Visual Effects Supervisor: Take 5
'Vikings' What Happens in the Cave (2019)
Directed by: David Wellington
Cinematography by: Owen McPolin
Lead On-set Visual Effects Supervisor: Take 5
'Vikings' Ragnarok (2019)
Directed by: David Wellington
Cinematography by: Owen McPolin
Edited by: Aaron Marshall
Lead On-set Visual Effects Supervisor: Take 5
'Vikings' The Most Terrible Thing (2019)
Directed by: Helen Shaver
Cinematography by: Suzie Lavelle
Edited by: Aaron Marshall
Lead On-set Visual Effects Supervisor: Take 5
'Vikings' The Buddha (2019)
Directed by: Steve Saint Leger
Cinematography by: Peter Robertson
Edited by: Tad Seaborn
Lead On-set Visual Effects Supervisor: Take 5
'Vikings' Baldur (2019)
Directed by: Helen Shaver
Cinematography by: Suzie Lavelle
Edited by: Don Cassidy
Lead On-set Visual Effects Supervisor: Take 5
'Vikings' The Joke (2018)
Directed by: Jeff Woolnough
Cinematography by: Peter Robertson
Lead On-set Visual Effects Supervisor: Take 5
'Vikings' Full Moon (2018)
Directed by: Jeff Woolnough
Lead On-set Visual Effects Supervisor: Take 5
'Vikings' Moments of Vision (2018)
Directed by: Daniel Grou
Cinematography by: Peter Robertson
Edited by: Aaron Marshall
Lead On-set Visual Effects Supervisor: Take 5
'Vikings' A Simple Story (2018)
Directed by: Daniel Grou
Cinematography by: Peter Robertson
Lead Visual Effects Supervisor: Take 5
'Vikings' The Revelation (2018)
Directed by: Ciaran Donnelly
Cinematography by: Peter Robertson
Edited by: Michele Conroy
Lead On-set Visual Effects Supervisor: Take 5
'Vikings' Murder Most Foul (2018)
Directed by: Ciaran Donnelly
Cinematography by: Peter Robertson
Edited by: Dan Briceno
Lead On-set Visual Effects Supervisor: Take 5
'Vikings' A New God (2018)
Directed by: Ciaran Donnelly
Cinematography by: Peter Robertson
Edited by: Tad Seaborn
Lead On-set Visual Effects Supervisor: Take 5
'Vikings' The Lost Moment (2018)
Directed by: Steve Saint Leger
Cinematography by: Peter Robertson
Edited by: Aaron Marshall
Lead On-set Visual Effects Supervisor: Take 5
'Vikings' Hell (2018)
Directed by: Steve Saint Leger
Cinematography by: Peter Robertson
Edited by: Don Cassidy
Lead On-set Visual Effects Supervisor: Take 5
'Vikings' The Fisher King (2017)
Edited by: Aaron Marshall
On-set Visual Effects Supervisor: Take 5
'Vikings' Revenge (2017)
Directed by: Jeff Woolnough
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
On-set Visual Effects Supervisor: Take 5
'Vikings' On the Eve (2017)
Directed by: Ben Bolt
Cinematography by: P.J. Dillon
Edited by: Tad Seaborn
On-set Visual Effects Supervisor: Take 5
'Vikings' The Reckoning (2017)
Directed by: Ben Bolt
Cinematography by: P.J. Dillon
Edited by: Don Cassidy
On-set Visual Effects Supervisor: Take 5
'Vikings' Crossings (2017)
Directed by: Ciaran Donnelly
Cinematography by: Owen McPolin
Edited by: Tad Seaborn
Lead On-set Visual Effects Supervisor: Take 5
'Vikings' The Departed, Part 2 (2017)
Directed by: David Wellington
Lead On-set Visual Effects Supervisor: Take 5
'Vikings' Homeland (2017)
Directed by: Steve Saint Leger
Edited by: Aaron Marshall
Lead On-set Visual Effects Supervisor: Take 5
'Vikings' The Prisoner (2017)
Directed by: Ciaran Donnelly
Edited by: Aaron Marshall
Lead On-set Visual Effects Supervisor: Take 5
'Vikings' The Message (2017)
Directed by: Ciaran Donnelly
Cinematography by: Suzie Lavelle
Lead On-set Visual Effects Supervisor: Take 5
'Vikings' The Plan (2017)
Directed by: Steve Saint Leger
Cinematography by: Peter Robertson
On-set Visual Effects Supervisor: Take 5
'Vikings' The Great Army (2017)
Directed by: Jeff Woolnough
Cinematography by: P.J. Dillon
Edited by: Don Cassidy
On-set Visual Effects Supervisor: Take 5
'Vikings' Yol (2016)
Directed by: Helen Shaver
Edited by: Aaron Marshall
On-set Visual Effects Supervisor: Take 5
'Vikings' A Good Treason (2016)
Directed by: Ciaran Donnelly
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
On-set Visual Effects Supervisor: Take 5
'Vikings' Mercy (2016)
Directed by: Ciaran Donnelly
Edited by: Tad Seaborn
On-set Visual Effects Supervisor: Take 5
'Vikings' Kill the Queen (2016)
Directed by: Ciaran Donnelly
Cinematography by: P.J. Dillon
On-set Visual Effects Supervisor: Take 5
'Vikings' Promised (2016)
Directed by: Helen Shaver
Edited by: Christopher Donaldson
On-set Visual Effects Supervisor: Take 5
'Vikings' What Might Have Been (2016)
Directed by: Ken Girotti
Edited by: Tad Seaborn
On-set Visual Effects Supervisor: Take 5
'Vikings' The Profit and the Loss (2016)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
On-set Visual Effects Supervisor: Take 5
'Vikings' Portage (2016)
Directed by: Ken Girotti
Edited by: Christopher Donaldson
On-set Visual Effects Supervisor: Take 5
'Vikings' The Last Ship (2016)
Directed by: Jeff Woolnough
Cinematography by: Owen McPolin
Edited by: Don Cassidy
On-set Visual Effects Supervisor: Take 5
'Vikings' Death All 'Round (2016)
Directed by: Jeff Woolnough
Cinematography by: Owen McPolin
Edited by: Aaron Marshall
On-set Visual Effects Supervisor: Take 5
'Vikings' The Outsider (2016)
Directed by: Daniel Grou
Cinematography by: Owen McPolin
Edited by: Tad Seaborn
On-set Visual Effects Supervisor: Take 5
'Vikings' The Vision (2016)
Directed by: Daniel Grou
Cinematography by: Owen McPolin
On-set Visual Effects Supervisor: Take 5
'Vikings' In the Uncertain Hour Before the Morning (2016)
Directed by: Sarah Harding
Cinematography by: Owen McPolin
Edited by: Don Cassidy
On-set Visual Effects Supervisor: Take 5
'Vikings' Two Journeys (2016)
Directed by: Sarah Harding
Cinematography by: Owen McPolin
Edited by: Tad Seaborn
On-set Visual Effects Supervisor: Take 5
'Vikings' All His Angels (2016)
Directed by: Ciaran Donnelly
Cinematography by: Owen McPolin
Edited by: Aaron Marshall
On-set Visual Effects Supervisor: Take 5
'Vikings' Born Again (2015)
Directed by: Helen Shaver
Cinematography by: P.J. Dillon
Edited by: Tad Seaborn
On-set Visual Effects Supervisor: Take 5
'Vikings' The Dead (2015)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Edited by: Tad Seaborn
On-set Visual Effects Supervisor: Take 5
'Vikings' Breaking Point (2015)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
On-set Visual Effects Supervisor: Take 5
'Vikings' To the Gates! (2015)
Directed by: Kelly Makin
Cinematography by: P.J. Dillon
Edited by: Tad Seaborn
On-set Visual Effects Supervisor: Take 5
'Vikings' Paris (2015)
Directed by: Kelly Makin
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
On-set Visual Effects Supervisor: Take 5
'Vikings' Warrior's Fate (2015)
Directed by: Jeff Woolnough
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
On-set Visual Effects Supervisor: Take 5
'Vikings' Scarred (2015)
Directed by: Jeff Woolnough
Cinematography by: P.J. Dillon
Edited by: Tad Seaborn
On-set Visual Effects Supervisor: Take 5
'Vikings' The Usurper (2015)
Directed by: Helen Shaver
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Visual Effects On-set Supervisor: Take 5
'Penny Dreadful' Fresh Hell (2015)
Directed by: James Hawes
Cinematography by: Owen McPolin
Edited by: Michele Conroy
Visual Effects On-set Supervisor: Take 5
'Penny Dreadful' Verbis Diablo (2015)
Directed by: James Hawes
Cinematography by: Owen McPolin
Edited by: Michele Conroy
Visual Effects On-set Supervisor: Take 5
'Penny Dreadful' The Nightcomers (2015)
Directed by: Brian Kirk
Cinematography by: Nigel Willoughby
Edited by: Geoff Ashenhurst
Visual Effects On-set Supervisor: Take 5
'Penny Dreadful' Evil Spirits in Heavenly Places (2015)
Directed by: Damon Thomas
Cinematography by: John Conroy
Edited by: Christopher Donaldson
Visual Effects On-set Supervisor: Take 5
'Penny Dreadful' Above the Vaulted Sky (2015)
Directed by: Damon Thomas
Cinematography by: John Conroy
Edited by: Aaron Marshall
Visual Effects On-set Supervisor: Take 5
'Penny Dreadful' Glorious Horrors (2015)
Directed by: James Hawes
Cinematography by: Owen McPolin
Edited by: Michele Conroy
Visual Effects On-set Supervisor: Take 5
'Penny Dreadful' Little Scorpion (2015)
Directed by: Brian Kirk
Cinematography by: Nigel Willoughby
Edited by: Geoff Ashenhurst
Visual Effects On-set Supervisor: Take 5
'Penny Dreadful' Memento Mori (2015)
Directed by: Kari Skogland
Cinematography by: Nigel Willoughby
Edited by: Christopher Donaldson
Visual Effects On-set Supervisor: Take 5
'Penny Dreadful' And Hell Itself My Only Foe (2015)
Directed by: Brian Kirk
Cinematography by: P.J. Dillon
Edited by: Geoff Ashenhurst
Visual Effects On-set Supervisor: Take 5
'Penny Dreadful' And They Were Enemies (2015)
Directed by: Brian Kirk
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Visual Effects Plate Supervisor
Crimson Peak (2015)
Directed by: Guillermo del Toro
Cinematography by: Dan Laustsen
Edited by: Bernat Vilaplana
Cameras: ARRI ALEXA XT Camera
Visual Effects On-set Supervisor: Take 5 - 10 Episodes, 2015
Penny Dreadful (2014)
Directed by: Damon Thomas, James Hawes, Brian Kirk, Paco Cabezas, J.A. Bayona, Coky Giedroyc, Dearbhla Walsh, Kari Skogland, Toa Fraser
Edited by: Michele Conroy, Christopher Donaldson, Geoff Ashenhurst, Aaron Marshall, Jaume Martí, Bernat Vilaplana, Gareth C. Scales
Cameras: ARRI ALEXA Camera
Visual Effects On Set Supervisor
The Mortal Instruments: City of Bones (2013)
Directed by: Harald Zwart
Cinematography by: Geir Hartly Andreassen
Edited by: Jacqueline Carmody
On-set Visual Effects Supervisor: Take 5 / Lead On-set Visual Effects Supervisor: Take 5 / Lead Visual Effects Supervisor: Take 5 - 48 Episodes, 2015-2019, On-set Visual Effects Supervisor: Take 5 / Lead On-set Visual Effects Supervisor: Take 5 / Lead Visual Effects Supervisor: Take 5 - 50 Episodes, 2015-2019
Vikings (2013)
Directed by: Ciaran Donnelly, Ken Girotti, Steve Saint Leger, Jeff Woolnough, Daniel Grou, Helen Shaver, David Wellington, Johan Renck, David Frazee, Kari Skogland, Kelly Makin, Sarah Harding, Ben Bolt, Anthony Karkosza, Joshua Zimmerman, Karla Braun, Katheryn Winnick
Edited by: Aaron Marshall, Tad Seaborn, Don Cassidy, Dan Briceno, Michele Conroy, Christopher Donaldson
Lenses: Panavision Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Additional Visual Effects Supervisor
Resident Evil: Retribution (2012)
Directed by: Paul W.S. Anderson
Cinematography by: Glen MacPherson
Edited by: Niven Howie
Cameras: Red Epic Camera
Lenses: Zeiss Ultra Prime Lenses
Visual Effects On Set Supervisor
The Three Musketeers (2011)
Directed by: Paul W.S. Anderson
Cinematography by: Glen MacPherson
On-set Visual Effects Coordinator: Mr. X Inc.
Scott Pilgrim vs. the World (2010)
Directed by: Edgar Wright
Cinematography by: Bill Pope
Visual Effects Coordinator
Resident Evil: Afterlife (2010)
Directed by: Paul W.S. Anderson
Cinematography by: Glen MacPherson
Edited by: Niven Howie
Editing System: Avid Editing System
Visual Effects Coordinator: Mr. X Inc.
Amelia (2009)
Directed by: Mira Nair
Cinematography by: Stuart Dryburgh
Visual Effects Production Manager: Mr. X
Whiteout (2009)
Directed by: Dominic Sena
Cinematography by: Christopher Soos
Edited by: Martin Hunter
Visual Effects Production Coordinator
The Incredible Hulk (2008)
Directed by: Louis Leterrier
Cinematography by: Peter Menzies Jr.
Editing System: Avid Editing System
Visual Effects On-set Coordinator
Max Payne (2008)
Directed by: John Moore
Cinematography by: Jonathan Sela
Edited by: Dan Zimmerman
Cameras: ARRIFLEX 435 Camera, Phantom HD Camera
Lenses: Cooke S4 Lenses
Visual Effects Coordinator
Jumper (2008)
Directed by: Doug Liman
Cinematography by: Barry Peterson
Cameras: Panavision Cameras, Red One Camera
On-set Data Coordinator
X-Men: The Last Stand (2006)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Visual Effects Plate Coordinator
Final Destination 3 (2006)
Directed by: James Wong
Cinematography by: Robert McLachlan
Edited by: Chris G. Willingham
Visual Effects Assistant
Elf (2003)
Directed by: Jon Favreau
Cinematography by: Greg Gardiner
Edited by: Dan Lebental
Cameras: Panavision Cameras
Visual Effects Production Assistant
Freddy vs. Jason (2003)
Directed by: Ronny Yu
Cinematography by: Fred Murphy
Edited by: Mark Stevens
Trainee Assistant Director
It's a Very Merry Muppet Christmas Movie (2002)
Directed by: Kirk R. Thatcher
Cinematography by: Tony Westman
Edited by: Gregg Featherman
Cameras: Panavision Cameras
Production Assistant
Best in Show (2000)
Directed by: Christopher Guest
Cinematography by: Roberto Schaefer
Edited by: Robert Leighton
Cameras: Aaton Cameras
