Adr Supervisor
A.I. Artificial Intelligence (2001)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Cameras
Lenses: ARRI / Zeiss Lenses
Adr Supervisor
The Haunting (1999)
Directed by: Jan de Bont
Cinematography by: Karl Walter Lindenlaub
Edited by: Michael Kahn
Cameras: Panavision Cameras, VistaVision Cameras
Lenses: Panavision Lenses
Adr Supervisor
Saving Private Ryan (1998)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Aaton 35-III Camera, Moviecam Superlight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Editing System: Moviola Editing System
Supervising Adr Editor
The Peacemaker (1997)
Directed by: Mimi Leder
Cinematography by: Dietrich Lohmann
Edited by: David Rosenbloom
Adr Supervisor
Amistad (1997)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Panaflex Platinum Camera
Lenses: Zeiss Super Speed Lenses
Supervising Adr Editor
The Trigger Effect (1996)
Directed by: David Koepp
Cinematography by: Newton Thomas Sigel
Edited by: Jill Savitt
Supervising Adr Editor
Operation Dumbo Drop (1995)
Directed by: Simon Wincer
Cinematography by: Russell Boyd
Edited by: O. Nicholas Brown
Adr Supervisor
The Client (1994)
Directed by: Joel Schumacher
Cinematography by: Tony Pierce-Roberts
Edited by: Robert Brown
Adr Supervisor
Undercover Blues (1993)
Directed by: Herbert Ross
Cinematography by: Donald E. Thorin
Edited by: Priscilla Nedd-Friendly
Supervising Adr Editor
Blood In, Blood Out (1993)
Directed by: Taylor Hackford
Cinematography by: Gabriel Beristain
Cameras: ARRIFLEX Camera
Adr Supervisor
Schindler's List (1993)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Editing System: Moviola Editing System
Supervising Adr Editor
Falling Down (1993)
Directed by: Joel Schumacher
Cinematography by: Andrzej Bartkowiak
Edited by: Paul Hirsch
Cameras: Panavision Panaflex Platinum Camera
Supervising Adr Editor
A Few Good Men (1992)
Directed by: Rob Reiner
Cinematography by: Robert Richardson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Supervisor
Death Becomes Her (1992)
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Edited by: Arthur Schmidt
Supervising Adr Editor
The Marrying Man (1991)
Directed by: Jerry Rees
Cinematography by: Donald E. Thorin
Adr Supervisor
City Slickers (1991)
Directed by: Ron Underwood
Cinematography by: Dean Semler
Edited by: O. Nicholas Brown
Adr Supervisor
Hook (1991)
Directed by: Steven Spielberg
Cinematography by: Dean Cundey
Edited by: Michael Kahn
Adr Supervisor
Back to the Future Part III (1990)
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Adr Supervisor
Marked for Death (1990)
Directed by: Dwight H. Little
Cinematography by: Ric Waite
Edited by: O. Nicholas Brown
Adr Supervisor
Misery (1990)
Directed by: Rob Reiner
Cinematography by: Barry Sonnenfeld
Edited by: Robert Leighton
Supervising Adr Editor
Downtown (1990)
Directed by: Richard Benjamin
Cinematography by: Richard H. Kline
Supervising Adr Editor
When Harry Met Sally... (1989)
Directed by: Rob Reiner
Cinematography by: Barry Sonnenfeld
Edited by: Robert Leighton
Adr Supervisor
Back to the Future Part II (1989)
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Supervising Adr Editor
Chances Are (1989)
Directed by: Emile Ardolino
Cinematography by: William A. Fraker
Edited by: Harry Keramidas
Adr Supervisor
Immediate Family (1989)
Directed by: Jonathan Kaplan
Cinematography by: John Lindley
Edited by: Jane Kurson
Adr Supervisor: USA
Who Framed Roger Rabbit (1988)
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Edited by: Arthur Schmidt
Lenses: Panavision Lenses
Supervising Adr Editor
My Stepmother Is an Alien (1988)
Directed by: Richard Benjamin
Cinematography by: Richard H. Kline
Edited by: Jacqueline Cambas
Supervising Adr Editor
The Running Man (1987)
Directed by: Paul Michael Glaser
Cinematography by: Thomas Del Ruth
Supervising Adr Editor
Empire of the Sun (1987)
Directed by: Steven Spielberg
Cinematography by: Allen Daviau
Edited by: Michael Kahn
Supervising Adr Editor
The Lost Boys (1987)
Directed by: Joel Schumacher
Cinematography by: Michael Chapman
Edited by: Robert Brown
Supervising Adr Editor
Back to the Future (1985)
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Supervising Adr Editor
The Color Purple (1985)
Directed by: Steven Spielberg
Cinematography by: Allen Daviau
Edited by: Michael Kahn
Post-production Dialogue
Mike's Murder (1984)
Directed by: James Bridges
Cinematography by: Reynaldo Villalobos
Supervising Adr Editor
Romancing the Stone (1984)
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Adr Editor
The River (1984)
Directed by: Mark Rydell
Cinematography by: Vilmos Zsigmond
Edited by: Sidney Levin
Adr Editor
Trading Places (1983)
Directed by: John Landis
Cinematography by: Robert Paynter
Edited by: Malcolm Campbell
Dialogue Looping Editor
Terms of Endearment (1983)
Directed by: James L. Brooks
Cinematography by: Andrzej Bartkowiak
Edited by: Richard Marks
Cameras: Panavision Panaflex Series Cameras
Lenses: Panavision Lenses
Adr Editor
Frances (1982)
Directed by: Graeme Clifford
Cinematography by: László Kovács
Edited by: John Wright
Dialogue Replacement Supervisor
Under the Rainbow (1981)
Directed by: Steve Rash
Cinematography by: Frank Stanley
Edited by: David E. Blewitt
Dialogue Editor
Zorro: The Gay Blade (1981)
Directed by: Peter Medak
Cinematography by: John A. Alonzo
Edited by: Lori Jane Coleman
Looping Editor
Boulevard Nights (1979)
Directed by: Michael Pressman
Cinematography by: John Bailey
Edited by: Richard Halsey
Cameras: Panavision Cameras
