Martin Dolezal

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All Quiet on the Western Front | ShotOnWhat?

Compositing Supervisor: UPP

All Quiet on the Western Front (2022)

Directed by: Edward Berger

Cinematography by: James Friend

Edited by: Sven Budelmann

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini LF Camera, Red Monstro 8K Camera, Sony CineAlta VENICE Camera

Lenses: ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Tribe7 Blackwing7 Lenses, Zeiss Compact Prime CP.3 Lenses

London Has Fallen | ShotOnWhat?

Senior Compositor

London Has Fallen (2016)

Directed by: Babak Najafi

Cinematography by: Ed Wild

Edited by: Michael J. Duthie, Paul Martin Smith

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses

Gods of Egypt | ShotOnWhat?

Compositing Supervisor

Gods of Egypt (2016)

Directed by: Alex Proyas

Cinematography by: Peter Menzies Jr.

Edited by: Richard Learoyd

Cameras: Red Epic Dragon Camera

Lenses: Panavision Primo 70 Lenses

Star Trek Beyond | ShotOnWhat?

Compositing Supervisor

Star Trek Beyond (2016)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Greg D'Auria, Dylan Highsmith, Kelly Matsumoto, Steven Sprung

Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

The Walk | ShotOnWhat?

Senior Compositor

The Walk (2015)

Directed by: Robert Zemeckis

Cinematography by: Dariusz Wolski

Edited by: Jeremiah O'Driscoll

Cameras: Red Epic Dragon Camera

Warsaw '44 | ShotOnWhat?

Compositing Supervisor: UPP

Warsaw '44 (2014)

Directed by: Jan Komasa

Cinematography by: Marian Prokop

Edited by: Michal Czarnecki

Cameras: ARRICAM Lite (LT) Camera

A Good Day to Die Hard | ShotOnWhat?

Compositor

A Good Day to Die Hard (2013)

Directed by: John Moore

Cinematography by: Jonathan Sela

Edited by: Dan Zimmerman

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Snowpiercer | ShotOnWhat?

2d Compositing Supervisor: UPP

Snowpiercer (2013)

Directed by: Joon-ho Bong

Cinematography by: Kyung-pyo Hong

Edited by: Steve M. Choe, Changju Kim

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Red Tails | ShotOnWhat?

Digital Effects Artist: UPP

Red Tails (2012)

Directed by: Anthony Hemingway

Cinematography by: John B. Aronson

Edited by: Ben Burtt, Michael O'Halloran

Cameras: Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Sony CineAlta F35 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Lightworks Editing System

World Without End | ShotOnWhat?

Compositor - 8 Episodes, 2012

World Without End (2012)

Directed by: Michael Caton-Jones

Cinematography by: Denis Crossan

Edited by: István Király, Susan Maggi

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Darkest Hour | ShotOnWhat?

Compositor

The Darkest Hour (2011)

Directed by: Chris Gorak

Cinematography by: Scott Kevan

Edited by: Priscilla Nedd-Friendly, Fernando Villena, Doobie White

Cameras: Sony CineAlta F35 Camera, Sony HDC-P1 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Season of the Witch | ShotOnWhat?

Compositor

Season of the Witch (2011)

Directed by: Dominic Sena

Cinematography by: Amir Mokri

Edited by: Bob Ducsay, Mark Helfrich, Dan Zimmerman

The Lost Future | ShotOnWhat?

Compositor

The Lost Future (2010)

Television Movie

Directed by: Mikael Salomon

Cinematography by: Paul Gilpin

Edited by: Allan Lee

Tobruk | ShotOnWhat?

Compositor

Tobruk (2008)

Directed by: Václav Marhoul

Cinematography by: Vladimír Smutný

Edited by: Ludek Hudec

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