Stuart Robertson

21 Titles

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Scary Movie 3 | ShotOnWhat?

Visual Effects Supervisor

Scary Movie 3 (2003)

Directed by: David Zucker

Cinematography by: Mark Irwin

Edited by: Malcolm Campbell, Jon Poll

Willard | ShotOnWhat?

Visual Effects Supervisor

Willard (2003)

Directed by: Glen Morgan

Cinematography by: Robert McLachlan

Edited by: James Coblentz

The Patriot | ShotOnWhat?

Senior Visual Effects Supervisor

The Patriot (2000)

Directed by: Roland Emmerich

Cinematography by: Caleb Deschanel

Edited by: David Brenner, Christopher Holmes, Julie Monroe

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Rage: Carrie 2 | ShotOnWhat?

Visual Effects Supervisor

The Rage: Carrie 2 (1999)

Directed by: Katt Shea, Robert Mandel

Cinematography by: Donald M. Morgan

Edited by: Richard Nord

What Dreams May Come | ShotOnWhat?

Visual Effects Supervisor: POP Film

What Dreams May Come (1998)

Directed by: Vincent Ward

Cinematography by: Eduardo Serra

Edited by: David Brenner, Maysie Hoy

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Volcano | ShotOnWhat?

Visual Effects Supervisor: POP Film

Volcano (1997)

Directed by: Mick Jackson

Cinematography by: Theo van de Sande

Edited by: Don Brochu, Michael Tronick

The Ghost and the Darkness | ShotOnWhat?

Senior Visual Effects Supervisor

The Ghost and the Darkness (1996)

Directed by: Stephen Hopkins

Cinematography by: Vilmos Zsigmond

Edited by: Roger Bondelli, Robert Brown, Steve Mirkovich, Bert Lovitt

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Shadow | ShotOnWhat?

Visual Effects Supervisor: RGA/LA

The Shadow (1994)

Directed by: Russell Mulcahy

Cinematography by: Stephen H. Burum

Edited by: Peter Honess

Immortal Beloved | ShotOnWhat?

Visual Effects Supervisor

Immortal Beloved (1994)

Directed by: Bernard Rose

Cinematography by: Peter Suschitzky

Edited by: Dan Rae

Alive | ShotOnWhat?

Digital Effects Supervisor: ILM

Alive (1993)

Directed by: Frank Marshall

Cinematography by: Peter James

Edited by: William Goldenberg, Michael Kahn

Last Action Hero | ShotOnWhat?

Digital Effects Supervisor

Last Action Hero (1993)

Directed by: John McTiernan

Cinematography by: Dean Semler

Edited by: Richard A. Harris, John Wright

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Death Becomes Her | ShotOnWhat?

Computer Graphic Artist: ILM

Death Becomes Her (1992)

Directed by: Robert Zemeckis

Cinematography by: Dean Cundey

Edited by: Arthur Schmidt

Terminator 2: Judgment Day | ShotOnWhat?

Digital Supervisor: ILM

Terminator 2: Judgment Day (1991)

Directed by: James Cameron

Cinematography by: Adam Greenberg

Edited by: Conrad Buff IV, Dody Dorn, Mark Goldblatt, Richard A. Harris

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera

Lenses: Cooke Varotal Lenses, Zeiss Super Speed Lenses

Backdraft | ShotOnWhat?

Digital Effects: ILM

Backdraft (1991)

Directed by: Ron Howard

Cinematography by: Mikael Salomon

Edited by: Daniel P. Hanley, Mike Hill

Ghost | ShotOnWhat?

Optical Photography Supervisor: ILM

Ghost (1990)

Directed by: Jerry Zucker

Cinematography by: Adam Greenberg

Edited by: Walter Murch

Cameras: ARRI ARRIFLEX Series Cameras

Die Hard 2 | ShotOnWhat?

Optical Photography Supervisor: ILM

Die Hard 2 (1990)

Directed by: Renny Harlin

Cinematography by: Oliver Wood

Edited by: Stuart Baird, Robert A. Ferretti

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Abyss | ShotOnWhat?

Computer Graphics Technical Director: ILM - Special Version / Optical Supervisor: ILM

The Abyss (1989)

Directed by: James Cameron

Cinematography by: Mikael Salomon

Edited by: Conrad Buff IV, Joel Goodman, Steven Quale, Howard E. Smith

Cameras: ARRIFLEX 35 BL3 Camera, Panavision System 65 Camera

Back to the Future Part II | ShotOnWhat?

Optical Photography Supervisor: ILM

Back to the Future Part II (1989)

Directed by: Robert Zemeckis

Cinematography by: Dean Cundey

Edited by: Harry Keramidas, Arthur Schmidt

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, VistaVision Cameras

Lenses: Nikon - Nikkor Lenses, Panavision Ultra Speed MKII Lenses

Predator | ShotOnWhat?

Thermal Vision Effects Supervisor

Predator (1987)

Directed by: John McTiernan

Cinematography by: Donald McAlpine

Edited by: Mark Helfrich, John F. Link

Cameras: ARRIFLEX 35 III Camera, Panavision Cameras

Weird Science | ShotOnWhat?

Optical Layout: R/Greenberg

Weird Science (1985)

Directed by: John Hughes

Cinematography by: Matthew F. Leonetti

Edited by: Chris Lebenzon, Scott K. Wallace, Mark Warner

Zelig | ShotOnWhat?

Optical Effects: R/Greenberg Associates, Visual Effects Co-supervisor

Zelig (1983)

Directed by: Woody Allen

Cinematography by: Gordon Willis

Edited by: Susan E. Morse

Cameras: Panavision Cameras

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