Roto Paint Lead : Scanline VFX
Nyad (2023)
Cinematography by: Claudio Miranda
Edited by: Christopher Tellefsen
Lenses: Fujinon Lenses, Zeiss Master Prime Lenses
Paint Artist: CosaVFX
'Westworld' Journey into Night (2018)
Directed by: Richard J. Lewis
Cinematography by: Darran Tiernan
Edited by: Andrew Seklir
Roto Paint Artist
The Fate of the Furious (2017)
Directed by: F. Gary Gray
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Camera
Paint Artist: CosaVFX - 1 Episode, 2018
Westworld (2016)
Directed by: Richard J. Lewis, Jonathan Nolan, Frederick E.O. Toye, Vincenzo Natali, Stephen Williams, Paul Cameron, Jennifer Getzinger, Craig William Macneill, Jonny Campbell, Michelle MacLaren, Neil Marshall, Uta Briesewitz, Lisa Joy, Nicole Kassell, Tarik Saleh, Craig Zobel, Anna Foerster, Amanda Marsalis, Helen Shaver, Hanelle M. Culpepper, Meera Menon, Andrew Seklir
Cinematography by: John Grillo, Darran Tiernan, Brendan Galvin, Robert McLachlan, John Conroy, Peter Flinckenberg, Paul Cameron, Jeffrey Jur, Zoë White, David Franco, M. David Mullen, Matt Flannery
Digital Compositor
Suicide Squad (2016)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Edited by: John Gilroy
Digital Compositor
The Legend of Tarzan (2016)
Directed by: David Yates
Cinematography by: Henry Braham
Edited by: Mark Day
Cameras: Red Epic Dragon Camera
Digital Compositor
The Jungle Book (2016)
Directed by: Jon Favreau
Cinematography by: Bill Pope
Cameras: ARRI ALEXA XT M Camera
Digital Compositor
Batman v Superman: Dawn of Justice (2016)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: David Brenner
Digital Compositor
The Hunger Games: Mockingjay - Part 2 (2015)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Cameras: ARRI ALEXA XT Camera
Digital Compositor
Pan (2015)
Directed by: Joe Wright
Cameras: ARRI ALEXA XT Camera, Phantom Flex Camera
Digital Compositor
The Amazing Spider-Man 2 (2014)
Directed by: Marc Webb
Cinematography by: Dan Mindel
Edited by: Pietro Scalia
Digital Compositor
Teenage Mutant Ninja Turtles (2014)
Directed by: Jonathan Liebesman
Cinematography by: Lula Carvalho
Cameras: ARRI ALEXA Plus 4:3 Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Digital Compositor
The Legend of Hercules (2014)
Directed by: Renny Harlin
Cinematography by: Sam McCurdy
Edited by: Vincent Tabaillon
Cameras: Red Epic Camera
Digital Compositor
Transformers: Age of Extinction (2014)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera
Editing System: Avid Editing System
Digital Compositor
Seventh Son (2014)
Directed by: Sergei Bodrov
Cinematography by: Newton Thomas Sigel
Cameras: ARRI ALEXA Camera
Digital Compositor
I, Frankenstein (2014)
Directed by: Stuart Beattie
Cinematography by: Ross Emery
Edited by: Marcus D'Arcy
Cameras: Red Epic Camera
Digital Compositor
Edge of Tomorrow (2014)
Directed by: Doug Liman
Cinematography by: Dion Beebe
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Digital Compositor
Sin City: A Dame to Kill For (2014)
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Cameras: ARRI ALEXA M Camera
Lenses: Fujinon Premier Lenses
Editing System: Avid Editing System
Digital Compositor
Noah (2014)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera
Editing System: Avid Editing System