Re-recording Mixer / Supervising Sound Editor
Wildlife (2018)
Directed by: Paul Dano
Cinematography by: Diego García
Cameras: ARRI ALEXA XT Camera
Re-recording Mixer
Hold the Dark (2018)
Directed by: Jeremy Saulnier
Cinematography by: Magnus Nordenhof Jønck
Edited by: Julia Bloch
Cameras: Red Epic Dragon Camera
Lenses: Hawk V-Plus Lenses
Re-recording Mixer: Harbor Picture Company
Boy Erased (2018)
Directed by: Joel Edgerton
Cinematography by: Eduard Grau
Edited by: Jay Rabinowitz
Lenses: Zeiss Super Speed Lenses
Re-recording Mixer
I Think We're Alone Now (2018)
Directed by: Reed Morano
Cinematography by: Reed Morano
Edited by: Madeleine Gavin
Cameras: ARRI ALEXA Mini Camera
Re-recording Mixer
Hale County This Morning, This Evening (2018)
Directed by: RaMell Ross
Cinematography by: RaMell Ross
Edited by: RaMell Ross
Re-recording Mixer
Paterson (2016)
Directed by: Jim Jarmusch
Cinematography by: Frederick Elmes
Edited by: Affonso Gonçalves
Re-recording Mixer
What Happened, Miss Simone? (2015)
Directed by: Liz Garbus
Cinematography by: Igor Martinovic
Edited by: Joshua L. Pearson
Cameras: Red Epic Camera
Editing System: Final Cut Pro Editing System
Re-recording Mixer
Meadowland (2015)
Directed by: Reed Morano
Cinematography by: Reed Morano
Edited by: Madeleine Gavin
Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA XT Camera
Re-recording Mixer
The Place Beyond the Pines (2012)
Directed by: Derek Cianfrance
Cinematography by: Sean Bobbitt
Re-recording Mixer
Limitless (2011)
Directed by: Neil Burger
Cinematography by: Jo Willems
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Red One Camera
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Re-recording Mixer
The Sitter (2011)
Directed by: David Gordon Green
Cinematography by: Tim Orr
Edited by: Craig Alpert
Re-recording Mixer
Trespass (2011)
Directed by: Joel Schumacher
Cinematography by: Andrzej Bartkowiak
Edited by: Bill Pankow
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Re-recording Mixer
Blue Valentine (2010)
Directed by: Derek Cianfrance
Cinematography by: Andrij Parekh
Cameras: ARRIFLEX 416 Camera, Red One Camera
Lenses: Angenieux Lenses, Zeiss Lenses
Re-recording Mixer
MacGruber (2010)
Directed by: Jorma Taccone
Cinematography by: Brandon Trost
Edited by: Jamie Gross
Supervising Re-recording Mixer
Frozen River (2008)
Directed by: Courtney Hunt
Cinematography by: Reed Morano
Edited by: Kate Williams
Cameras: Panasonic AJ-HDC27 Varicam Camera
Lenses: Zeiss DigiPrime Lenses
Music Mixer
Rachel Getting Married (2008)
Directed by: Jonathan Demme
Cinematography by: Declan Quinn
Edited by: Tim Squyres
Cameras: Sony HDW-F900R Camera
Music Mixer
Then She Found Me (2007)
Directed by: Helen Hunt
Cinematography by: Peter Donahue
Edited by: Pam Wise
Re-recording Mixer
Hot Rod (2007)
Directed by: Akiva Schaffer
Cinematography by: Andrew Dunn
Edited by: Malcolm Campbell
Supervising Sound Re-recording Mixer
Murder Party (2007)
Directed by: Jeremy Saulnier
Cinematography by: Jeremy Saulnier
Edited by: Marc Beroza
Score Mixer
The Night Listener (2006)
Directed by: Patrick Stettner
Cinematography by: Lisa Rinzler
Edited by: Andy Keir
Additional Sound Re-recording Mixer
Cinderella Man (2005)
Directed by: Ron Howard
Cinematography by: Salvatore Totino
Re-recording Mixer
Transamerica (2005)
Directed by: Duncan Tucker
Cinematography by: Stephen Kazmierski
Edited by: Pam Wise
Re-recording Mixer
My Architect (2003)
Directed by: Nathaniel Kahn
Cinematography by: Robert Richman
Edited by: Sabine Krayenbühl
Re-recording Mixer
Children Underground (2001)
Directed by: Edet Belzberg
Cinematography by: Wolfgang Held
Edited by: Jonathan Oppenheim
Score Mixer
Songcatcher (2000)
Directed by: Maggie Greenwald
Cinematography by: Enrique Chediak
Edited by: Keith Reamer
Sound Re-recording Engineer
Hurricane Streets (1997)
Directed by: Morgan J. Freeman
Cinematography by: Enrique Chediak
Edited by: Sabine Hoffman
Score Engineer
Flight of Black Angel (1991)
Directed by: Jonathan Mostow
Cinematography by: Lee Redmond
Edited by: Barry Zetlin
